When I first saw that Shakin’ All Over was a number 1 in 1960, I was surprised. I’ve always admired the song, but I’d never looked into it and assumed it was recorded around the height of Beatlemania, sometime between 1963-65.
I also thought that Johnny Kidd & The Pirates could perhaps be American, as the song has an attitude and energy that British artists often struggled to achieve back then. So I was even more surprised and impressed to discover that an English group was capable of such a great song upon working my way through every UK number 1. Finally, a homegrown group that could achieve a rock’n’roll sound without sounding like a pale imitation of Elvis Presley, or the polite pop sound that was prevalent at the time. Shakin’ All Over is a brilliant achievement, and the best number 1 by a UK act up to this point.
Johnny Kidd & The Pirates also put some effort into their look – their pirate regalia giving them a unique, distinct appearance. These rough and ready rockers were exploring unchartered waters.
Johnny Kidd was born Frederick Albert Heath in Willesden, North London on 23 December 1935. He began playing guitar in the skiffle group The Frantic Four. Heath quickly established himself as a prolific songwriter, crossing over genres such as skiffle, rock’n’roll and rockabilly.
In 1959, Freddie Heath and The Nutters, as they were then known (unfortunately) signed with HMV and recorded their first single, Please Don’t Touch. This slice of dirty rock’n’roll ultimately proved influential – Lemmy was a fan, and later chose to cover it in a collaboration between Motörhead and Girlschool (under the name Headgirl), but at the time only made the top 30. Record buyers in the late 50s simply weren’t ready for a noise like this is seems.
Before its release, HMV understandably insisted on a name change, and it seems they bestowed the name Johnny Kidd & The Pirates upon them. They struggled through another couple of singles, adding and losing members along the way.
By May 1960, the group consisted of Johnny Kidd, with Alan Caddy on guitar, Clem Cattini on drums and bassist Brian Gregg. They were scheduled to record a cover of Ricky Nelson’s Yes, Sir That’s My Baby, but were told they could come up with the B-side. The day before the session, Kidd, Caddy and Gregg decided to write ‘any old rubbish’. Kidd later claimed that if he and his mates saw a stunning girl in the street, they would say she gave them ‘quivers down the membranes’. They got up early the next morning and created the song in Gregg’s living room before hitting the studio.
Somewhere along the way, Caddy called session guitarist Joe Moretti in to perform lead guitar, and it was he that came up with that brilliant chiming guitar sound, sliding a cigarette lighter up and down the fretboard. Needless to say, Shakin’ All Over was soon promoted over Yes, Sir That’s My Baby.
What an inspired piece of music Shakin’ All Over is. It’s seedy, raunchy, dangerous and heavy, like nothing that had ever come before from England. The guitar work is perfect and innovative, but the bass is also turned up louder than anything I’d heard up to this point, so credit must also go to producer Wally Ridley. And Kidd wipes the floor with other British vocalists, proving rock’n’roll didn’t have to sound like a poor man’s imitation of other artists.
Shakin’ All Over deserved a long run at the top, but was perhaps too much too soon for most record buyers, and Please Don’t Tease returned to number 1 a week later – but which track is now considered a classic? Kidd & The Pirates developed a stage act that had a big effect on audiences, with Kidd donning an eye patch and waving a cutlass around. Watching the band on stage was enough to persuade guitarists Roger Daltrey and Pete Townshend of The Detours to sack their singer so Daltrey could become a showboating singer. The Who later returned the favour by covering Shakin’ All Over on their seminal live album, Live at Leeds. Kidd also used an echo unit to process his live vocals, a rare occurrence at the time.
The Pirates soon splintered, with several members jumping ship and creating so many spin-off groups it’s hard to keep track. Several years went by and a debut album was being worked on, but The Beatles had changed the pop landscape, and Kidd couldn’t regain momentum. On 7 October 1966, he and new bassist (and future Deep Purple member) Nick Simper were returning from a cancelled gig in Bolton when they were involved in a car accident. Kidd was killed, aged only 30. He remains sadly a one-hit wonder, but what a hit it was.
Surprisingly, Shakin’ All Over was only a UK hit, until Canadian group Chad Allen and The Expressions decided to cover it. Their version, extremely similar to the original, was hyped by their record label, who had decided to create some intrigue. Was this by one of those British bands that had become so famous around the world? They credited the single to ‘Guess Who?’. Disc jockeys mistakenly thought that was the name of the group, and so they became the Guess Who. Allen and co hated their name, as it got them mixed up with another act that were on the rise, who also performed Shakin’ All Over. Guess Who?
Written by: Johnny Kidd & Guy Robinson
Producer: Wally Ridley
Weeks at number 1: 1 (4-10 August)