On 24 October, Northern Rhodesia became the independent Republic of Zambia, thus ending 73 years of British rule. Nine days later, ITV broadcast its famously shoddy soap opera Crossroads for the first time. Its original run lasted until 1988. A week after this saw the House of Commons vote to abolish the death penalty before the end of 1965.
What do these three events have in common? They all took place while Sandie Shaw was at number 1 for the first time, with her best chart-topper, (There’s) Always Something There to Remind Me. This was yet another classic from Burt Bacharach and Hal David. Dionne Warwick had recorded a demo version in 1963, but it was soul singer Lou Johnson who first charted with it in the US during the summer of 1964. Sandie Shaw made the song her own, and the song helped make her one of the UK’s most famous female stars of the 1960s.
Sandie Shaw was born Sandra Ann Goodrich on 26 February 1947. She was raised in Dagenham, Essex and at the age of six would entertain her aunt with her rendition of Guy Mitchell’s She Wears Red Feathers. She went to work at the local Ford Dagenham factory after leaving school, with some part-time modelling on the side. She came second in a talent show and got to perform at a charity concert in London. Goodrich was spotted by Adam Faith, also on the bill, who had two number 1s under his belt – What Do You Want? (1959) and Poor Me (1960). Afterwards Faith introduced her to his manager, Eve Taylor. She secured Goodrich, then only 17, a recording contract with Pye Records in 1964, and came up with the name Sandie Shaw. Cheesy, but memorable, unlike Shaw’s debut single, As Long as You’re Happy Baby, which got her nowhere. Taylor went to America to look for a song to save Shaw, and heard Johnson’s version. Knowing she was on to a good thing, she quickly returned home, the single was recorded with Tony Hatch, no stranger to number 1s from female singers, and (There’s) Always Something There to Remind Me was rush-released in September.
Shaw premiered the single on Ready, Steady, Go!, and her stunning looks, along with her unique barefooted performance, helped her chances no end. Of course, it’s a bloody good song too – vintage Bacharach and David, in which Shaw is unable to get her ex off her mind. You could argue that the production is far too light-hearted to put across any of the supposed misery this entails, but far better to just enjoy the song for what it is – a prime piece of swinging 60s pop. In fact, you could argue that Shaw is perfectly happy to be reminded of her love, thank you very much. Her voice is unusual in the verses, almost French-like, yet very natural during the brilliant choruses, and a nice counterpoint to the raucousness of Lulu or Cilla Black’s foghorn wailing.
(There’s) Always Something There to Remind Me climbed the charts slowly but surely, eventually knocking Roy Orbison’s Oh, Pretty Woman from its perch for three weeks, but then the Big O climbed to number 1 once more. But it didn’t matter as Shaw was now firmly established as a star, with further number 1s and a Eurovision win to come.
Written by: Burt Bacharach & Hal David
Producer: Tony Hatch
Weeks at number 1: 3 (22 October-11 November)
Actor Clive Owen – 3 October
Footballer Paul Stewart – 7 October
Illustrator Mabel Lucie Attwell – 5 November