Fresh off the back of their second number 1, Little Red Rooster, the Rolling Stones had released their second album, The Rolling Stones No. 2, which topped the album charts.
Although the majority of the LP was made up of covers, including their classy version of Time Is on My Side, there were three tracks written by Mick Jagger and Keith Richards. All were average, but a sign of things to come. The following month their first single to feature their name on the credits, The Last Time, was released, and a month after that became their third number 1. Except it wasn’t as straightforward as that.
Yes, the guitar lines, the intro and the verses were original, but the chorus was a steal of gospel group The Staple Singers’ This May Be the Last Time from 1958, which soul supremo James Brown had released as the B-side to Out of Sight in 1964. Luckily for the Stones, that track was a traditional with no songwriting credit. Very crafty.
Nonetheless, the Stones’ elements are strong and complement the chorus well, with Jagger further developing the ‘can’t-be-arsed-love’ persona of their first number 1 It’s All Over Now. Brian Jones’ lead guitar is very memorable and makes for a great intro, and Richards’ solo is much better than that of the aforementioned song. The highlight of the track is the end, where normally cool, calm and collected Jagger begins screaming repeatedly during the fade-out. Here was a strong sign that, with Jagger and Richards continuing development as songwriters, The Rolling Stones had the potential to move beyond blues and R’n’B covers. The main let down, for me, is the production. Andrew Loog Oldham, always a fan of raw production, worked with Phil Spector on this. What worked magnificently on You’ve Lost That Lovin’ Feelin’ just isn’t as effective here. The deliberate muddiness just frustrates me. I’d rather hear a cleaner sound.
Click on the YouTube video above to see a classic performance on the song on Top of the Pops, with footballing legend George Best in the audience.
In addition to managing and producing The Rolling Stones, Loog Oldham started a side-project. The Andrew Loog Oldham Orchestra wasn’t an orchestra, but a revolving stable of session musicians, and occasionally, members of The Rolling Stones. In 1966 they released their fourth album, The Rolling Stones Songbook. One of the covers on there was a version of The Last Time. 31 years later, alt-rockers rockers The Verve built Bitter Sweet Symphony around a sample of this. After two albums as a cult psychedelic band, they suddenly became big, thanks to this excellent state-of-the-nation track. Unfortunately for them, the Rolling Stones’ notoriously tough lawyers ABKCO got involved and due to the threat of litigation, Verve singer-songwriter Richard Ashcroft surrendered all royalties to Jagger and Richards, who were added to the songwriting credits of Bitter Sweet Symphony, adding an extra poignancy to that song’s title. Considering the sample sounds hardly anything like The Last Time, which Jagger and Richards clearly stole from The Staple Singers… Very crafty.
To further kick dirt in the Verve’s faces, Loog Oldham then sued the Verve over the same sample. He had little to do with the sample either, it was written and arranged by David Whitaker! Said strings are also alleged to be featured on Tinchy Stryder featuring N-Dubz’s 2009 number 1, called, appropriately, Number 1. Having just listened to that, I don’t think it’s true. They’re very similar, but surely if they were the same, Jagger and Richards wouldn’t miss a chance to get royalties from that too? Hmm.
It hit the headlines in 2019 that Jagger and Richards had decided to give all future royalties from Bitter Sweet Symphony to Richard Ashcroft. Better late than never.
Written by: Mick Jagger & Keith Richards
Producer: Andrew Loog Oldham
Weeks at number 1: 3 (18 March-7 April)
Footballer Steve Bull – 28 March
Journalist Piers Morgan – 30 March
Composer Robert Steadman – 1 April
Actor Sean Wilson – 4 April
Mary, Princess Royal and Countess of Harewood – 28 March
Olympian rower Richard Beesly – 28 March
April Fool’s Day: The Greater London Council came into power, replacing the London County Council. Also, the Finance Act introduced corporation tax, which replaced income tax for corporate institutions.