The fall-out from Rhodesia continued through the rest of the winter, with the UK protesting to South Africa on 17 February over its supplying of petrol to the country. 28 February saw Prime Minister Harold Wilson announce a snap general election for 31 March. Two days later Chancellor James Callaghan announced the decimalisation of the pound, which would come into effect on 15 February 1971.
Also on 17 February, Nancy Sinatra began a month at number 1 with Lee Hazlewood’s These Boots Are Made for Walkin’, which finally brought a much-needed dose of feminism to the top of the charts.
The eldest daughter of Frank Sinatra and his first wife Nancy Barbato, Sinatra was born in Jersey City, New Jersey in July 1940. When she was five her legendary father immortalised her in song with Nancy (with the Laughing Face). He clearly wanted her to follow in his footsteps, and she spent much of her childhood having singing, piano, dance and drama lessons. In the late-1950s she was studying music, dancing and voice at the University of California, but she dropped out and in 1960 she appeared on the television special The Frank Sinatra Timex Show: Welcome Home Elvis. She was sent to the airport on behalf of Frank to welcome Presley back from his stint in the army, and performed alongside her father in a rendition of You Make Me Feel So Young/Old (delete as applicable).
In 1961 Sinatra signed to her father’s label, Reprise Records and released her debut single Cuff Links and a Tie Clip. Besides a few chart appearances in Europe and Japan, she was going nowhere, and by 1965 she was on the verge of being dropped. It was around this time that Reprise introduced her to Lee Hazlewood.
Hazlewood was best known up to this point for his work with rockabilly guitarist Duane Eddy, and he produced Peter Gunn and Rebel Rouser, among others. He had written These Boots Are Made for Walkin’ with the intention of recording it himself. It’s more than fair it would have had a fraction of the impact if this had been the case. In an article for Los Angeles Magazine in 2016, Sinatra recalled Hazlewood had come over to her parents’ house to audition songs for her. The minute he played the infamous bass line on his guitar, she was hooked. But ‘he said, “It’s not really a girl’s song. I sing it myself onstage.” I told him that coming from a guy it was harsh and abusive, but was perfect for a little girl to sing. He agreed. When he left, my father, who had been sitting in the living room reading the paper, said, “The song about the boots is best.”’
Sinatra recorded the song on 19 November 1965 in Hollywood, with the Wrecking Crew providing the backing. Hazlewood’s idea to have her sing it in a lower register was a genius move, as was that slinky descending, dare I say, groovy opening. Sinatra’s had enough of her lover’s cheating ways despite his promises to change. What makes it so effective, and revolutionary at the time, is the fact she isn’t angry, or sad. She’s cool, calm, collected and entirely in charge, and it’s for these reasons (along with the boots imagery, obviously) that make These Boots Are Made for Walkin’ so sexy. A sexy number 1 by a female artist – how many times had that happened up to this point? Sinatra’s father famously denounced pop in the 60s, which is ironic, considering his own daughter helped invent modern female pop as we know it. I’m not going to mention ‘girl power’. Oh, I just did.
Sinatra’s image change to help her promote the song also pioneered 60s fashion, and there’s good reason the track is used in spoof spy film Austin Powers: International Man of Mystery (1997). Her bleached-blonde hair, heavy eye make-up, mini-skirt and boots are the epitomy of 60s glamour, and the film she made for the track, with go-go dancers parading behind her, is truly iconic.
These Boots Are Made for Walkin’ was still at number 1 on 5 March, when BOAC Flight 911 crashed during severe turbulence over Mount Fuji soon after taking off from Tokyo International Airport in Japan. All 124 on board were killed. Four days later, gangster Ronnie Kray, one half of infamous East End criminal duo the Kray Twins, shot dead George Cornell, an associate of the rival Richardson Gang. And two days after that, Chi-Chi, London Zoo’s giant panda, was flown to Moscow to get it on with Moscow Zoo’s An-An. Wonder if they played them the number 1 of the time?
Written & produced by: Lee Hazlewood
Weeks at number 1: 4 (17 February-16 March)
Comedian Ben Miller – 24 February
Comedian Alan Davies – 6 March
Politician Gregory Barker – 8 March
Author Alastair Reynolds – 13 March
Politician Viscount Astor – 8 March