Following on from BBC Radio’s restructuring into four new national stations, their first regional one, BBC Radio Leicester, began on 8 November. Ten days later, the movement of animals in England and Wales was restricted due to an outbreak of foot-and-mouth disease. But the big news of that fortnight came a day later when Prime Minister Harold Wilson devalued the pound. His claim that doing so would not affect ‘the pound in your pocket’ was ridiculed and did Wilson’s standing lasting damage.
During this fortnight in mid-November, multi-racial soul group the Foundations had a surprise number 1 with Motown-style debut single Baby Now That I’ve Found You.
Stories of the groups origins are conflicted, but the most well-known one is that the Foundations had formed in January through advertisements in Melody Maker. This ethnically rich eight-piece originally consisted of singer Clem Curtis, lead guitarist Alan Warner, flautist/saxophonist Pat Burke, tenor saxophonist Mike Elliott, trombonist Eric Allan Dale, keyboardist Tony Gomez, bassist Peter Macbeth and drummer Tim Harris.
The Foundations ran, rehearsed and performed in the Butterfly Club in Bayswater, London. Their practice sessions would take place in the basement, which is how they got their name. Times were hard and they could barely afford to eat, let alone pay the rent. Fortune smiled on them when record dealer Barry Class attended one night and was so impressed he became their manager. He arranged a meeting with Tony Macauley, who was working for Pye Records as a producer.
Macauley had written Baby Now That I’ve Found You with John MacLeod, and was looking for a British soul act he could take under his wing to become the UK’s answer to the Four Tops. High expectations indeed, but the record was released that summer, and flopped.
However, their luck was in that autumn, thanks to Radio 1. The BBC, now back to dominating the airwaves thanks to the demise of pirate radio, were keen to play songs that stations like Radio London had ignored in an effort to differentiate themselves. Baby Now That I’ve Found You – a sunny, harmless slice of uptempo pop, fitted the bill perfectly, and became a runaway success. From just another group struggling to get by, the Foundations were now at number 1.
I love a bit of soul music, and this made for an interesting diversion after lots of ballads and flower power anthems, but it doesn’t compare with Motown at its best. The lyrics don’t really match the uplifting mood – not that they necessarily should, but they’re also bog-standard ‘I love you, please don’t leave me’-type words, which rather give the impression of a quickly tossed-off single. So, not a lot of depth, but it’s a nice enough way to pass a few minutes, and not every song needs to be clever, does it?
Not only did Baby Now That I’ve Found You prove that the Brits could do soul, and that multi-ethnic groups could exist, they nearly beat the Americans at their own game, with the single reaching 11 in the US. Debut album From the Foundations was rushed together, but there were problems ahead. Follow-up single Back On My Feet Again only reached number 18 in the UK, an tensions were rising between the group and Macauley, who only wanted them recording songs he had written, including their B-sides. The Foundations understandably weren’t best pleased, and felt he was trying too hard to soften their sound.
Matters came to a head when Curtis quit, as he felt some of the members were happy to take the easier road and rest on their laurels. Having befriended Sammy Davis Jnr, he was encouraged to go solo in the US, He was replaced by Colin Young, and Elliott quit too, so the group were now a seven-piece.
Soon after, they had their most famous hit with Build Me Up Buttercup, written by Macauley and Manfred Mann singer Mike d’Abo. Although it stalled at number two here, it reached number 1 in the US, and is a better track then Baby Now That I’ve Found You. Back in the public eye, they entered talks to star in their own Monkees-style TV series but things started to go wrong once more. Macbeth left and was replaced by Steve Bingham, and then the band split from their management in 1969 to join the Temptations on a tour that proved disastrous. After yet more bass player changes, Macauley left Pye Records, depriving the group of their hitmaker. With soul being replaced by funk in popularity, the Foundations split in late 1970.
Curtis returned to the Uk in the mid-70s and revived the band, but Young had the same idea, leading to two versions on the road playing the same material. Following a lawsuit, Curtis got the name and Young’s band became the New Foundations.
Fast forward to 1998 and Build Me Up Buttercup became popular once more thanks to its appearance at the end of the comedy There’s Something About Mary, which led to Young reviving yet another version of the band. He left soon after and was replaced by Hue Montgomery. Curtis died in 2017 from lung cancer, aged 76.
Macauley went on to write many hits along the lines of Baby Now That I’ve Found You, high in catchiness but light in substance. In fact, he and MacLeod feature in the next blog…
Written by: Tony Macauley & John MacLeod
Producer: Tony Macauley
Weeks at number 1: 2 (8-21 November)
Actress Letitia Dean – 14 November
Footballer Wayne Harrison – 15 November
Comedian Dom Joly – 15 November
Pianist Harriet Cohen – 13 November