The 1963 Merseybeat marathon at the top of the charts took a brief pause that summer to allow two huge-selling artists return stints. The first was Australian yodelling country singer Frank Ifield, who prior to Merseybeat was the top music sensation. He’d had three number 1s, I Remember You and Lovesick Blues in 1962, and The Wayward Wind earlier this year, making him the first UK-based act to score three in a row.
Ifield’s schtick was to take an old song (usually a country one), make it sound (slightly) more modern, yodel as and when he saw fit, and then stick some harmonica over the top. Confessin’ (That I Love You) was more of the same, but this time Ifield was covering a jazz standard.
Originally credited to Chris Smith and Sterling Grant, the song was called Lookin’ For Another Sweetie and was first recorded by Thomas ‘Fats’ Waller & His Babies in 1929. The following year it was rewritten as Confessin’, with new lyrics from Al J Neiburg and the music credited to Doc Daugherty and Ellis Reynolds.
By now, you’d think this formula would have looked stale, but Confessin’ (That I Love You) was popular enough to keep Ifield at the top one last time, for a month. It’s the least listenable of a mixed, occasionally bizarre bunch of tunes. It sounds very old-fashioned… but it’s not terrible. I’m always a sucker for some harmonica, and I love the unusual, which is probably the best way to describe Ifield’s yodelling on this song. A strange part of me enjoyed it, but I doubt I’ll be listening to it again.
By and large, the record buyers out there at the time were thinking the same thing, and Ifield became the first (and most recent) star to feel the effects of the sea change in the pop world. Which was kind of ironic, as John Lennon admitted The Beatles used harmonica so much at the time because of Ifield. Bizarrely, both acts featured together on a cheap US compilation from Vee-Jay Records called Jolly What! England’s Greatest Recording Stars: The Beatles and Frank Ifield on Stage. The ‘copulation’, as it was accidentally called in the sleeve notes, featured Ifield hits alongside the second and third Beatles singles, plus their B-sides. Needless to say, the title was misleading, and the acts were not performing together.
Ifield’s singles started to perform badly by the middle of the decade, and he began appearing in pantomimes and faded into obscurity, eventually returning to Australia.
In 1991, a bizarre dance remix of She Taught Me How to Yodel was released and credited to Frank Ifield and the Backroom Boys. I’m not sure I’ve heard the correct version, but several remixes are on YouTube, and they’re all predictably odd. Nowadays he tours Australia with performances of his hits and memories of his years as a pop star.
This song also marked the end of an era for his producer Norrie Paramor. He had first produced a number 1 back in 1954 – Eddie Calvert’s Oh Mein Papa. Back then, the term ‘producer’ didn’t even exist. Paramor had been behind over 20 number 1s at this point. His story wasn’t over yet, but his peak years now came to an end, with George Martin taking over as the most important producer in the UK.
Written by: Al J Neiburg, Doc Daugherty & Ellis Reynolds
Producer: Norrie Paramor
Weeks at number 1: 2 (18-31 July)
Chess player Julian Hodgson – 25 July
Norman Cook, aka DJ Fatboy Slim – 31 July