As winter 1955 dawned, Rock Around the Clock-mania had set in, and Bill Haley & His Comets were finally enjoying their stint at number 1. Although this was a seismic event in music, it would be wrong to think that from then on, the UK number 1s were constantly rock’n’roll numbers. Teenagers, as they had recently been named, still only represented a portion of the record-buying market. There were still a lot of older folk who were more than happy with the status quo, who liked nice crooners singing something warm and cosy, and especially with the dark nights drawing in, etc.
Smooth singer Dickie Valentine had enjoyed a very successful year, with his collaboration with The Stargazers, Finger of Suspicion, topping the charts back in January, followed by three top 10 hits. He then topped and tailed 1955’s singles chart by cottoning on to an idea that would serve artists well for years to come – if you want a number 1 at Christmas time, why not do a song about Christmas time?
Christmas Alphabet had been written by Buddy Kaye and Jules Loman the previous year, and was performed by US singing trio The McGuire Sisters. Kaye liked his alphabet songs – he’d written ‘A’ You’re Adorable (The Alphabet Song) back in 1949 for Perry Como, although these days it’s probably best known as featuring in Angela Rippon’s guest spot on Morecambe & Wise’s Christmas special in 1976. Valentine’s version of Christmas Alphabet became the more famous version, and the oldies won out, knocking Haley from his lofty perch and making it the first explicitly-festive Christmas number 1.
It’s based around a very simple idea. Valentine just lists seasonal stuff around each letter that makes up the word ‘Christmas’. He runs through it twice, to make sure it’s all sunk in, and that’s it, job done. Some of the rhyming is tenuous though…
‘S is for the Santa who makes every kid his pet,
Be good and he’ll bring you everything in your Christmas alphabet!’
Erm, sorry, what? Santa makes every kid his pet? It’s news to me. Disturbing news, at that.
Although by this stage of my blog I’ve been longing for rock’n’roll to come along and shake things up, I have to confess that I don’t mind Christmas Alphabet. Reason being, I’m a sucker for a Christmas song. Especially older ones. Christmas is of course, a time for feeling all cosy and warm, if you’re lucky enough to have that option. 50s music is often perfect at encapsulating that. So I’m quite surprised, especially considering its historical importance, that Christmas Alphabet seems to have been forgotten about. You never hear it in shops, and it’s never on compilations. John Lewis are unlikely to get someone to make one of those annoying, wet, folky covers and stick it on an advert, either. It might be a slight little number, but it deserves to be remembered.
You could say the same about Valentine himself. Despite being adored at the time (he won New Musical Express’s best male vocalist category from 1953-57), he’s been largely forgotten.
His popularity waned in the next decade, despite two TV series (one with Peter Sellers) and he met a tragic end on 6 May 1971. Aged only 41, he was driving to a gig in Wales with bandmates at over 90mph in the early hours of the morning, when he lost control of the vehicle on a bend, killing the three of them.
Written by: Buddy Kaye & Jules Loman
Producer: Dick Rowe
Weeks at number 1: 3 (16 December-5 January 1956)
Poet Carol Ann Duffy – 23 December
20 December: Cardiff becomes the official capital of Wales.
New Year’s Day: Possession of heroin becomes fully criminalised.
4 January: As 1956 began, it became apparent that the Prime Minister Anthony Eden had plunged in the polls, which seemed surprising following the Conservatives’ solid victory in the election the previous year. Whether Labour had received a bounce off the back of electing their new leader, Hugh Gaitskell, remained to be seen.