490. Julio Iglesias – Begin the Beguine (1981)

The Intro

Singer-songwriter Julio Iglesias is the most commercially successful Spanish singer in the world and the best-selling male Latin artist in history. However, it took his cover of Cole Porter’s Begin the Beguine to finally take him to number 1 in the Uk singles chart.

Before

Julio José Iglesias de la Cueva was born in Madrid on 23 September 1943. His father, Julio Iglesias Sr, was one of Spain’s youngest gynaecologists and María del Rosario de la Cueva y Perignat was of Jewish descent.

Growing up, young Iglesias spent most of his time either playing professional football as a goalkeeper or studying law. But his time as the former came to an abrupt end when he was involved in a serious car accident in 1963. Unable to walk for two years, Iglesias was given a guitar in hospital from a nurse who thought it would help him concentrate on new skills he could learn with his hands. After rehabilitation, he passed his law degree.

In 1968, Iglesias won the Benidorm International Song Festival with La vida sigue igual, which was used in the 1969 film of the same name, in which he played a fictionalised version of himself. He then signed to Discos Columbia (the Spanish branch of Columbia Records) and released his first album, Yo Canto, which was a huge hit. In 1970 Iglesias represented Spain in the Eurovision Song Contest, where he came fourth with Gwendolyne.

Throughout the 1970s, Iglesias would score hits around the globe in various languages, including Un canto a Galicia (1971), A flor de piel (1974), Corazón, corazón (1975) and Quiéreme mucho (1979).

In 1979, Iglesias moved to Miami, Florida, where he signed with CBS International. The title track to the LP Hey! became his first charting track in the UK, peaking at 31. 1981 saw Iglesias release the album De Niña a Mujer, which featured his version of Begin the Beguine.

Porter had written Begin the Beguine while on a Pacific cruise in 1935 and it quickly became a part of his Broadway musical Jubilee. The song refers to the dance and music form beguine, which is similar to a slow rhumba, had originated in the islands of Guadeloupe and Martinique, and was steadily growing in popularity at the time. Begin the Beguine was considered too long to become a hit, but Artie Shaw and His Orchestra’s version became a hit in 1938.

A year later Joe Loss and Chick Henderson recorded their version, which went on to become the first record to sell a million. The song featured in Metro-Goldywn-Mayer’s musical Broadway Melody of 1940 twice and soon became a pop standard, covered by Frank Sinatra, Ella Fitzgerald and Elvis Presley.

Iglesias wrote new lyrics for his version – titled Volver a Empezar in Spanish. Only the first line, ‘When they begin the beguine’, is in English, which makes it the first mostly foreign language chart-topper since Manhattan Transfer’s Chanson D’Amour in 1977. It was the first Spanish song to become number 1 here, but Iglesias was the second Spanish act to do so, after Baccara, also in 1977.

Review

It’s astounding to think that this track managed a week at number 1 inbetween two all-time classics in Under Pressure and Don’t You Want Me. It’s very dated for 1981 and would have sounded more contemporary had it been released in the balmy summer of 1976. Over the lightest of disco backings, Iglesias sings about lost love, rather than dancing the beguine. However, the words, translated into English, are empty and bland. One doesn’t feel Iglesias has ever felt such emotion.

A strange number 1 for 1981, indeed – perhaps the older record buyer liked the easy listening stylings of the handsome middle-aged crooner, while younger listeners fancied something that reminded them of summer, just as one of the coldest winters of all time began (see ‘Meanwhile…‘.

The video is also very uninspiring, featuring a suave Iglesias crooning against a multi-coloured disco backdrop.

After

Iglesias tried to repeat the success of Begin the Beguine with Yours (Quiéreme Mucho), This cover of a criollo-bolero nearly did just as well, peaking at three in 1982. The 1943 song Amor was less successful, only climbing to 32.

A greatest hits collection, Julio, was released in 1983, and became the first foreign language LP to sell more than two million in the US. A year later came 1100 Bel Air Place, his first to be mostly recorded in English. It was a smash hit and included the popular duet To All the Girls I’ve Loved Before, which he recorded with country music legend Willie Nelson. It peaked at five in the US and 17 here. The album also featured his cover of The Hollies’ The Air That I Breathe, which featured backing vocals from The Beach Boys. The relevance of the album title? It was a former home of Iglesias, and superstar producer Quincy Jones resided there until 2005.

Iglesias continued to record with huge stars. In 1988 he released My Love with Stevie Wonder, which is to date his last UK hit, peaking at five. In 1993 he recorded Summer Wind with Frank Sinatra, and a year later, the album Crazy, which included duets with Sting, Dolly Parton and Art Garfunkel.

In 2003 he released one of his most successful albums, Divorcio, which I’m ashamed to say I can only hear being exclaimed in the same way as ‘Scorchio!’ from The Fast Show. 2006 saw Iglesias release Romantic Classics, which consisted of covers of songs he believed would become future standards, such as I Want to Know What Love Is and Careless Whisper.

Already boasting, no doubt, of shelves full of international awards, in 2013 Iglesias also was recognised by Guinness World Records as the best-selling male Latin artist, and he was also inducted into the Latin Songwriters Hall of Fame.

The Outro

Iglesias hasn’t released new material since México & Amigos in 2017, but to be fair, he is now in his 80s, and could very easily choose to retire and rest on his considerable laurels. Divorcio!

The Info

Written by

Cole Porter (Spanish version Julio Iglesias)

Producer

Ramón Arcusa

Weeks at number 1

1 (5-11 December)

Trivia

Deaths

7 December: Author Gordon Rattray Taylor
8 December: Burnley FC chairman Bob Lord
9 December: Rugby league player Brian McTigue/Scottish playwright CP Taylor
10 December: Metallurgist John D Eshelby

Meanwhile…

8 December: Following the freaky weather that brought 104 tornadoes to the country, a severe wave of cold weather, later to become known as ‘The Big Snow of 1982’ begins with severe snow storms across the UK. Temperatures plummet to the lowest in any December on record since 1874 and the heaviest snow storms since 1878. The storms continue in waves until 27 December.
Also on this day, Arthur Scargill becomes the leader of the National Union of Mineworkers.

414. Baccara – Yes Sir, I Can Boogie (1977)

The Intro

The first ever number 1 by a female duo, Yes Sir, I Can Boogie is also one of the best-selling songs of all time.

Before

Spanish duo Baccara had only formed the year previous. Mayte Mateos (born 7 February 1951 in Logroño) graduated as a teacher at the Royal Spanish Academy for Arts, Drama and Dance. She started at a television ballet company, where she met fellow performer María Mendiola (born 4 April 1952 in Madrid). They bonded and formed variety show singing and dancing duo Venus and left the company.

Venus garnered a few TV and nightclub appearances but they decided to relocate to the Canary Islands. In Fuertaventura, they were performing flamenco dance and Spanish songs for mostly German tourists at the Tres Islas Hotel. Among the guests was Leon Deane, manager of the German subsidiary of RCA Records. He invited them to Hamburg to meet producer and composer Rolf Soja.

Soja remodelled Venus, developing their stage act, recruiting backing musicians and renaming them Baccara. This was a reference to the black rose, which Soja compared the duo to due to their dark Spanish looks. He took their flamenco stylings and updated them for the disco era, which was growing ever more popular. By suggesting Mateos, who would normally sing lead, in black and Mendiola in white, he created a striking image. Together with their sexy groans, Baccara fitted in nicely with the era in which Donna Summer had released the filthy epic Love to Love You Baby.

Soja co-wrote their debut single Yes Sir, I Can Boogie with Frank Dostal. In the 60s, Dostal had been singer with German rock group The Rattles.

Review

I was very surprised to see this single ranked so highly among the bestselling of all time. In my mind, Yes Sir, I Can Boogie was a minor entry in the canon of 70s disco hits, but it was very popular around Europe, reaching the top of the charts in Ireland, Belgium, Germany, the Netherlands, Norway, Sweden and Switzerland.

It’s not the most inspiring of tracks. The steamy moans at the start bring to mind Summer’s classic and the music is almost a complete lift of Don’t Leave Me This Way by Harold Melvin & the Blue Notes. Baccara’s number 1 is a low rent combination of the two.

The lyrics, written only the night before the duo recorded, are rather seedy and desperate, depending on how you read them. Is this some kind of dirty game, with the ‘Sir’ in question in charge, and ‘boogie woogie’ meaning something rather less innocent? Incidentally, I hate the words ‘boogie woogie’, which doesn’t help my enjoyment. Unless we are meant to take them on face value and Baccara really are just exclaiming about how great they are in the disco. The way Baccara sing this in a broken English makes it both grubby and rather comical at the same time.

Having said that, there are a couple of lines which are genius: ‘Yes sir, already told you in the first verse and in the chorus/But I will give you one more chance…’. The chorus, particularly the string stabs, are pretty memorable. But for me there are plenty of other better disco tracks out there.

After

Baccara’s eponymous debut LP followed and next single Sorry, I’m a Lady (great title) was another hit, reaching number 1 in many European countries and peaking at eight in the UK. Third single Darling did OK in Europe but the hits then dried up. Their second album Light My Fire was released in 1978 and one single, Parlez-vous Francais? was selected to be Luxembourg’s entry in that year’s Eurovision Song Contest, where it placed seventh. Baccara appeared weekly on French singing star Sacha Distel’s TV series in the UK. Third album Colours failed to chart anywhere in 1979.

Such was Baccara’s fall from grace that their final album Bad Boys didn’t even get released here in 1981. Disco was dying and tensions were high after a disagreement between Mateos and Mendiola over the vocal mix of the single Sleepy-Time-Toy the previous year. As a result of the fall-out neither Soja or Dostal were involved in Baccara’s last album. They decided to go their separate ways.

Following the split Mateos began working with Soja on solo material. She reformed Baccara in 1983 with Marisa Pérez. This pairing was short-lived and Mateos went through umpteen partners across Europe’s light entertainment circuit. In 1999 Mateos and Cristina Sevilla released a reworked version of Yes Sir, I Can Boogie and recorded an album, Baccara 2000. This version attempted to enter Eurovision in 2004 but didn’t get selected. In 2008 Mateos recorded another Baccara album with Paloma Blanco (?) Satin …in Black & White was produced by Soja and Dostal and featured yet more reworked back catalogue material.

In 1985 Mendiola teamed up with vocalist Marisa Pérez and they became New Baccara. Two years later they had a Spanish top five hit with Call Me Up and their Hi-NRG songs went down well in European clubs. Towards the end of the 90s they confusingly dropped the ‘New’ from their name. In 2004 they appeared on UK reality show Hit Me Baby One More Time. To make matters even more confusing, Pérez left in 2008 and was replaced by Sevilla from Mateos’s Baccara. In 2016 they released yet another version of their UK number 1, with the band Plugin.

The Outro

Yes Sir, I Can Boogie was reworked and improved on by Goldfrapp in 2003. Yes Sir turned up the sleaze and dropped any mention of ‘boogie’. In November 2020 the original made the top 60 again after members of the Scotland football team posted online videos of them dancing to it. Sounds bloody awful.

Mendiola’s death was announced on 12 September 2021. She was 69.

The Info

Written by

Rolf Soja & Frank Dostal

Producer

Rolf Soja

Weeks at number 1

1 (29 October-4 November)

Trivia

Births

1 November: Singer-songwriter Alistair Griffin
4 November
: Singer Kavana