377. Rod Stewart – Sailing (1975)

The Intro

1975 was a pivotal year for Rod Stewart. He switched labels, left the UK, released this, his most popular of six number 1s, and lost his bandmates when Faces split. He became a superstar and lost credibility at the same time.

Before

Such was Stewart’s popularity when his previous chart-topper, You Wear It Well was released in 1972, his uncredited appearance on Python Jackson’s In a Broken Dream soared to number three. The album Never a Dull Moment spawned number four hit What’s Made Milwaukee Famous (Has Made a Loser Out of Me). In 1973, Faces recorded their final album Ooh La La. It wasn’t supposed to be, but tensions made it so. Stewart didn’t turn up for the first few weeks of recording, then complained the songs were in the wrong key, leaving the band to re-record them. The title track, a classic, was made three times before Stewart eventually passed vocal duties on to guitarist Ronnie Wood.

In the meantime, Stewart’s solo career was still holding firm, with a medley of Farewell/Bring It On Home to Me/You Send Me reaching seven in 1974. I also have to mention the best song title I’ve seen in a while, also from that year – You Can Make Me Dance, Sing or Anything (Even Take the Dog for a Walk, Mend a Fuse, Fold Away the Ironing Board, or Any Other Domestic Shortcomings. This was the final single by Rod Stewart and Faces. Note that billing. Either the record label knew the singer now had more pulling power, or he insisted on it himself.

In 1975, Stewart left Mercury Records and signed with Warner Bros. and decided to leave England with his girlfriend Britt Ekland for Los Angeles, in order to avoid paying 83% tax on his earnings. With a bigger budget, Stewart ditched his colleagues to work with famous producer Tom Dowd and the legendary Muscle Shoals musicians in Alabama. Cleverly, the LP was named Atlantic Crossing. On Ekland’s suggestion, the album was sequenced to have a slow side and a fast side.

It’s likely that Stewart may have suggested he cover Sailing to tie in with the theme of travelling to a new country. The fact it’s a cover was a surprise to me, and it’s original meaning wasn’t so literal either. It was written by Gavin Sutherland, one half of folk duo The Sutherland Brothers. It was released as a single in July 1972, and was a more haunting affair than the better-known cover. Featuring Gavin on bass drum and Iain on harmonium, it was intended as representing one man’s Celtic spiritual journey to freedom. Deep. If you like the gist of Sailing but find Stewart’s too overblown, it’s worth a try. Stewart became aware of The Sutherland Brothers the year their single came out and apparently they even co-wrote two songs with him intended for Atlantic Crossing but they never saw the light of day.

Stewart, despite his confidence, always needed a drink or two back then to record his vocals. So he was in for a shock when Dowd rang his hotel room at 10am telling him the backing track was ready so he had to go sing it ASAP. And so he found himself recording, stone-cold sober, at an ungodly hour for any musician, for the first time. And in front of world-famous musicians, to boot. But he loosened up enough to get it in six or seven takes, he later recalled. The choir were put together by Bob Crewe, a writer and producer for The Four Seasons.

Review

Sailing seems to be a song you either love or hate. As he moved into the big league, Stewart ditched the folk sound and the lyrical talent displayed on previous number 1s Maggie May and You Wear It Well. He used to have a great way of making the characters in his songs relatable and more human than your average songwriter. From here on in, he started to become mainly interested in covering other people’s material and showing off his famously gravelly voice. I may perhaps be over-generalising though, as The Killing of Georgie (Parts I and II) was still a year away.

As for me, I neither love nor hate it. It’s inferior to the songs I’ve just mentioned, and yes it’s overlong and overblown, but there was far worse to come. Nice guitar sound during the solo too. Perhaps you had to be there at the time to really feel it an overfamiliar dirge. And with four weeks at number 1, followed by almost repeating the feat a year later when it was used as the theme tune to Sailor, a BBC One documentary series on the Ark Royal, it was certainly a familiar song back then.

After

Sailing has sold over a million and became one of Stewart’s signature songs. Two videos were made. The first, from 1975, also starred Ekland, and the second, in which he dons a sailor outfit and looks all wistful at New York, was made in 1978 and became one of the first videos to be shown on MTV. You can see it above. It became a popular tune during the Falklands conflict, and was re-released in 1987 to raise money for charity following the Herald of Free Enterprise disaster. Whichever version you prefer, you cannot argue that it was Stewart who made it the anthem it’s known as to this day.

The Info

Written by

Gavin Sutherland

Producer

Tom Dowd

Weeks at number 1

4 (6 September-3 October)

Trivia

Births

18 September: Football player Richard Appleby
23 September: Radio DJ Chris Hawkins
25 September: Presenter Declan Donnelly

Deaths

10 September: Nobel Prize laureate George Paget Thomson

Meanwhile…

19 September: John Cleese’s classic sitcom Fawlty Towers debuted on BBC Two.

24 September: Douglas Haston and Doug Scott became the first British people to climb Mount Everest.

27 September: York’s National Railway Museum became the first national museum outside London.

28 September–3 October – The Spaghetti House siege, in which nine people are taken as hostages at the Spaghetti House restaurant , takes place in London.

368. Bay City Rollers – Bye Bye Baby (1975)

The Intro

Taking over the mantle of The Osmonds, the Bay City Rollers were the teen pop phenomenon of the mid-70s. With their cherubic looks, long hair and parent-friendly rock singles, for a time they were considered to be the next Beatles, and were adored by their loyal ‘Tartan Army’.

Before

Their roots began in Edinburgh, Scotland, in 1964, with a trio called The Ambassadors. The Longmuir brothers, Alan on acoustic, younger brother Derek on drums, and older cousin Neil Porteous, also on acoustic. They only ever performed once, at a family wedding. From there, they became The Saxons, with Alan changing to electric bass and school pal Gordon ‘Nobby’ Clark joining as singer. While still at school, the band would perform at local dance halls.

Several line-up changes down the line, The Saxons met former big band leader Tam Paton for the first time, and he added them to his roster. By then their repertoire consisted of covers of The Kinks and mainly contemporary US artists.

Some time in the late 60s they decided they wanted a cool, American-sounding name. They settled on ‘Rollers’ but wanted a random US place chosen by a dart throw at a map. The first attempt would have seen them become the Arkansas Rollers, but the second attempt saw the dart land near Bay City, Michigan. Among the nascent Bay City Rollers line-up were bassist David Paton, from 1969 until 1970, and keyboardist Billy Lyall, from 1969 to 1971. Together, they founded Pilot, who hit number 1 in February 1975 with January.

In 1971 the Bay City Rollers signed with US label Bell Records and released their first single, a cover of Keep on Dancing, which was a hit for The Gentrys in 1965. The Rollers were an instant hit, soaring to nine in the UK. But two singles in 1972 failed to chart. That year Eric Faulkner joined the ranks as guitarist. Fourth single Saturday Night narrowly missed out on a chart place the following year and Clark became disillusioned and quit. He was replaced by Les McKeown and when 16-year-old Stuart ‘Woody’ Wood replaced John Devine on guitar, the classic line-up was formed.

Despite never quite reaching the top spot, 1974 was a hell of a year for the boys. Debut LP Rollin’ scored them three top 10 hits with Remember (Sha-La-La-La) (six), Shang-A-Lang (two), Summerlove Sensation (three) and non-album single All of Me Loves All of You reached four. They were one of the country’s biggest-selling acts, and in 1975, ‘Rollermania’ was coined as they embarked on a UK tour. Tartan was in vogue.

Their next single and the one that finally went to number 1 was the opening track on forthcoming second album Once Upon a Star. Bye Bye Baby had been a hit in the US for doo-wop legends The Four Seasons in 1965, when it was known as Bye Bye Baby (Baby Goodbye). Penned by group members Bob Crewe and Bob Gaudio, the original is leaden by comparison, but Crewe and Gaudio knew how to write hits, and this is the third cover of their songs to reach number 1 – The Walker Brothers had The Sun Ain’t Gonna Shine Anymore in 1966 and The Tremeloes covered Silence Is Golden a year later. The Four Seasons would have a number 1 in their own right too, co-written by Gaudio, but that’s a year away at this point.

Review

The Rollers’ version is much better, with fuller instrumentation and a faster, more effective rhythm. It opens with a mournful McKeown coming to terms with the fact his time with his loved one is up because he has to leave. But it’s not for the usual reasons you’d find in love songs – especially not by a bunch of squeaky-clean pop idols. No, Bye Bye Baby is about a man saying goodbye to his lover because he’s already married. The evidence is there for all to hear: ‘You’re the one girl in town I’d marry/Girl, I’d marry you now if I were free’… and:

‘Should have told you that I can’t linger
There’s a weddin’ ring on my finger
She’s got me and I’m not free’.

I have to confess I quite like Bye Bye Baby. The subject matter gives it an extra dimension, and Phil Wainman’s production makes it an infectious singalong. I doubt I’d ever put it on by choice, but over the years I’ve found myself singing it at random times, so it’s got under my skin. On the basis of this song alone, I’d argue Bay City Rollers were a better than average mid-70s pop band, but having heard other material, the constant ‘shang-a-langing’ gets really bloody tedious.

After

Bye Bye Baby held the top spot for six weeks and became 1973’s bestseller, and there was more to come in 1975 for the Rollers. During its number 1 run, the band even got their own children’s TV series, featuring the lads in comedy sketches and star guests dropping by. What was it called? Shang-a-Lang, of course.

The Info

Written by

Bob Gaudio & Bob Crewe

Producer

Phil Wainman

Weeks at number 1

6 (22 March-2 May) *BEST-SELLING SINGLE OF THE YEAR*

Trivia

Births

9 April: Footballer Robbie Fowler
20 April:
Civil servant Oliver Robbins
2 May:
Footballer David Beckham

Deaths

27 March: Composer Sir Arthur Bliss
3 April: Actress Mary Ure
14 April: Actor Michael Flanders
23 April: Actor William Hartnell
24 April: Badfinger singer Pete Ham (see Without You)

Meanwhile…

25 March: A large rally by the National Front was held in London in protest against European integration.

5 April: One season after their relegation, Manchester United were promoted back to the First Division.

9 April: Classic historical comedy film Monty Python and the Holy Grail was released.

13 April: Cambridgeshire Police believe a 22-year-old woman who was raped at her bedsit was the sixth victim of a rapist who had been operating across the city since October 1974.

24 April: Unemployment exceeds the 1,000,000 mark for March 1975.

26 April: A conference of Labour Party members voted against continued membership of the EEC.
Also on this day, Derby County won the Football League First Division title for the second time in four seasons.