468. Barbra Streisand – Woman in Love (1980)

The Intro

As the 80s dawned, The Bee Gees knew their second peak couldn’t last forever. But moving into writing and producing for others proved very fruitful. Superstar actress and singer Barbra Streisand initially asked Barry Gibb to write half the album Guilty. He went on to produce the whole LP and Woman in Love became her biggest UK hit.

Before

Barbara Joan Streisand was born on 24 April 1942 in Brooklyn, New York City. Her father died soon after her first birthday, and the Streisands struggled financially, with her mother working as a bookkeeper. She was also a semi-professional singer, but she was initially reluctant when her daughter showed an interest in performing. At the age of nine, Streisand had already failed an audition for MGM. But her mother came round to the idea and she helped her 13-year-old daughter record a demo.

However, Streisand’s main ambition was to be an actress. At 16 she left school and moved out, taking on a number of menial jobs to make ends meet while striving for acting jobs. She became an usher in 1960 and auditioned for The Sound of Music. Although she failed, the director was impressed and urged her to include singing on her resumé. She entered a talent contest at gay nightclub Lion in Greenwich Village and stunned the audience into silence. Returning after winning for several weeks, she decided to change her first name to ‘Barbra’. Determined to make it her way, she refused to contemplate suggestions she have a nose job to improve her chances of mainstream appeal. Her first professional engagement came in September 1960 as support for the comedian Phyllis Diller.

Streisand spent the next few years honing her act and developing her between-song patter. She made her TV debut on The Tonight Show in 1961 and her Broadway debut the following year in the musical comedy I Can Get It for you Wholesale. At the age of 21 she signed with Columbia Records, gaining full creative control, in exchange for less money. A respectable position to take, and just as well, because they wanted her debut LP to be called Sweet and Saucy Streisand. It was eventually released as The Barbra Streisand Album in 1963.

In 1964 Streisand returned to Broadway for Funny Girl, which became an overnight success. People became her first US charting single, peaking at five, and she even made the cover of Time. Streisand’s UK chart debut came in 1965 with Second Hand Rose, which climbed to 14. In 1968 she won her first Academy Award, for Best Actress, after starring in the cinema version of Funny Girl.

The British Invasion dented Streisand’s mainstream musical appeal, like many stars of her ilk. But during the 70s her fortunes improved, with a return to the singles chart in 1970 with Stoney End – six in the US, 27 in the UK. One of her signature tunes, the haunting The Way We Were from the film of the same name, became her first Billboard number 1 in 1973, yet strangely it only climbed to 31 in the UK. Her role alongside Kris Kristofferson in the 1976 remake of A Star Is Born was huge, and Evergreen (Love Theme from ‘A Star Is Born’) was her second US chart-topper, soaring to three over here. She also won an Oscar for Best Song for Evergreen.

Her version of Neil Diamond’s You Don’t Bring Me Flowers was so popular, an unofficial duet was achieved by splicing Streisand and Diamond’s recordings. When an official duet was released in December 1978, Streisand achieved her third Billboard number 1. A year later, another duet saw her cross over successfully into disco. No More Tears (Enough Is Enough) teamed Streisand with Donna Summer and was co-produced by the genius Giorgio Moroder. Back at the peak of Billboard for the fourth time, it peaked at three in the UK. Streisand was named the most successful US female singer of the 70s.

Between February 1979 and March 1980, Streisand worked on her 22nd album, Guilty. She was so impressed with Gibb’s production and songwriting, he contributed to every song, with Robin co-writing five songs, and Maurice joining them for the title track. Production was credited to Gibb-Galuten-Richardson, which saw Barry team up with producer Albhy Galuten and sound engineer Karl Richardson, who produced Bee Gees number 1s Night Fever and Tragedy. Barry and Robin co-wrote lead single, Woman in Love, and Barry was credited with acoustic guitar and arrangement.

Review

You can always tell when a song has been written by the Gibb brothers, even if they don’t record it. Their marks are all over it – all you have to do is imagine the vocals made a lot higher. This rule works here. Unfortunately, that’s about the most interesting thing I can say about Woman in Love. It’s a very pedestrian love song masked in glossy production. I don’t understand why it was so popular, other than that perhaps it was due to Streisand’s stock being so high on the back of her role in A Star Is Born (the video is simply a compilation of scenes from the film) and her duet with Summer. There’s no amazing vocal prowess on display, the lyrics are unremarkable and the tune is lacklustre. Certainly one of the lesser number 1s of 1980.

After

Nonetheless, Woman in Love was a smash hit around the world, topping the charts in the US, Australia, Spain – pretty much everywhere, in fact. The parent album Guilty was also huge, despite no further real success in the UK singles chart (the title track only made it to 34). It would be four years before her next studio LP, Emotion. In 1985, despite objections from Columbia, Streisand returned to her roots with The Broadway Album. Three years later, Streisand was in the UK top 20 for the first time since Woman in Love, with the title track to Till I Loved You – a duet with Miami Vice star Don Johnson, which peaked at 16.

The 90s started very well for Streisand. She directed, co-produced and starred in the romantic drama The Prince of Tides (1991). Places That Belong to You, from the soundtrack, saw her back in the singles chart at 17. In 1993 she announced her return to live public concerts for the first time in 27 years. At the time, she was the highest-paid concert performer ever and won five Emmy Awards. She left the limelight again for a few years, but made a triumphant return in 1996, producing, directing and starring in another romantic comedy – The Mirror Has Two Faces. From the soundtrack came the number 10 hit duet I Finally Found Someone, with Bryan Adams. Then, a year later, a duet with Celine Dion – Tell Him, soared to number three. It is to date her last top 10 single.

The new millennium began with sad news for Streisand’s fans, as she announced she was to retire from public performances. But she did return to the movie world, starring in 2004 comedy Meet the Fockers. Album releases continued, including Guilty Too, a second collaboration with Gibb, in 2005. A year later, aged 64, she announced she was to tour once more, and became one of the highest-grossing performers in the world yet again. Amazingly it took until 2009 for Streisand to make her performance debut on British TV, when she appeared on Friday Night with Jonathan Ross.

In 2014, Streisand released Partners, an album featuring duets with Lionel Richie, Billy Joel and, from beyond the grave, Elvis Presley. Her last album to date was Walls in 2018, the title of which was a reference to the singer’s condemnation of President Donald Trump’s policies.

The Outro

Streisand has been a hugely successful singer, actress, director, producer over six decades. However, when it comes to pop music, there’s not a lot to recommend, other than No More Tears (Enough Is Enough). And that’s most likely down to Summer and Moroder.

The Info

Written by

Barry Gibb & Robin Gibb

Producers

Barry Gibb, Albhy Galuten & Karl Richardson

Weeks at number 1

3 (25 October-14 November)

Trivia

Births

26 October: Scottish actor Khalid Abdalla
28 October: Footballer Alan Smith
12 November: Rugby union player Charlie Hodgson

Deaths

26 October: Northern Irish playwright Sam Cree
27 October: T Rex singer-songwriter Steve Peregrin Took
29 October: Actress Ouida MacDermott
30 October: Actor Guy Bellis
3 November: Actor Dennis Burgess/Horticulturalist David Lowe
4 November: Radio broadcaster Paul Kaye/Boxer Johnny Owen
6 November: Literary scholar Nevill Coghill
7 November: Theatre director Norman Marshall
8 November: Scottish painter Gordon Robert Archibald/Astrophysicist Valerie Myerscough/Film producer Julian Wintle
9 November: Social researcher Pearl Jephcott
10 November: Journalist Patrick Campbell, 3rd Baron Glenavy/Painter James Priddey
11 November: Suffragette Connie Lewcock
12 November: John Chetwynd-Talbot, 21st Earl of Shrewsbury
14 November: Dance critic Arnold Haskell

Meanwhile…

28 October: Prime Minister Margaret Thatcher declares her government will not back down to seven jailed IRA terrorists on hunger strike in the Maze Prison, who are hoping to gain prisoner of war status.

5 November: The Yorkshire Ripper is suspected responsible when 16-year-old Huddersfield mother Theresa Sykes is wounded in a hammer attack.

10 November: Michael Foot, the left-wing Deputy Leader of the Labour Party, is elected as their new Leader.

13 November: Security guard George Smith is shot dead when the van he guards is intercepted by armed robbers in Willenhall, West Midlands.

1. Al Martino – Here in My Heart (1952)

The Intro

So, we begin. Going back, back, way back in time, before boy and girl bands, before dance, punk, psychedelia, The Beatles and rock’n’roll, to a smog-ridden UK on 14 November 1952.

Before

Winston Churchill’s Conservatives had been back in power a year, following Labour’s huge socialist changes to the country after World War Two under Clement Atlee, and Elizabeth II had ascended to the throne earlier that year (that’s right, she’s been Queen longer than the charts have existed). That March, Maurice Kinn and Percy Dickins bought the Musical Express and Accordion Weekly, transforming it into the New Musical Express (wish it had kept that name). Dickins had been following what Billboard were doing with their chart system in the US, and decided to follow suit, with the charmingly antiquated and inaccurate system of ringing around 20 record stores around the country to find out what vinyl 78s were selling the most. He compiled a top 12 (Why 12? Who knows?) and thus US singer and actor Al Martino made history.

Martino was born Jasper Cini in Philadelphia, Pennsylvania on 7 October 1927. His parents were Italian immigrants who ran a construction business, and he worked as a bricklayer along with his brothers. But the young Cini aspired to be a singer and would emulate heroes like Perry Como and Al Jolson. Key to his ambitions was family friend Mario Lanza, who had become popular and encouraged Cini to follow in his footsteps.

Cini served with the United States Navy during World War Two, and after the war was over, Lanza suggested he try singing in local nightclubs. He adopted the stage name Al Martino and moved to New York in 1948, recording for the Jubilee label.

In a sense, Martino was the singles chart’s original X Factor-style success story. In 1952, he won first place on the TV show Arthur Godfrey’s Talent Scouts, which earned him a recording contract to record this single.

After reaching number 1 in the US, Here in My Heart remained at number 1 for nine consecutive weeks in the fledgling UK top 12, making it the only chart-topper of 1952, and therefore, the first Christmas number 1, too. Only eight other tracks have lasted longer – Bryan Adams’s (Everything I Do) I Do It For You, Wet Wet Wet’s cover of Love is All Around, One Dance by Drake, David Whitfield’s Cara Mia, Rihanna’s Umbrella, I Will Always Love You by Whitney Houston, Ed Sheeran’s Shape of You and current number 1, Dance Monkey by Tones and I.

Review

https://youtu.be/LfXU-UZZ4p4

It’s hard to see the huge appeal of Here in my Heart now. All the tracks above have their critics (me amongst them), but you can see how they did well. Martino’s track is a maudlin, melancholy piece of pop-opera (popera?) in which he shows off his vocal range to a slushy string-laden backing. The tune is forgotten as soon as the track ends, but to a country still suffering trauma from a terrible war, it may have provided some succour to the UK in the early 50s.

After

Martino signed with Capitol Records soon after, and the Mafia took an interest in him too, buying out his management and ordering him to pay thousands to them as a ‘safeguard’. Martino did what he was told, but wisely decided to move to the UK afterwards.

The chart hits continued here until 1955, but he had little exposure in his home country. Fortunately a family friend intervened and Martino returned to the US in 1958, but it wasn’t easy to resume his career thanks to the impact of rock’n’roll. The Exciting Voice of Al Martino, his 1962 LP, helped turn his fortunes around.

The following year he scored another big single in the US with his version of I Love You Because, and in 1966 he had his final top 10 hit on these shores with Spanish Eyes.

Martino’s run-in with the Mafia took on a whole new meaning when he played Johnny Fontane in The Godfather (1972) and sang the theme tune, Speak Softly Love. He would return to the role in The Godfather Part III in 1990.

The Outro

The first ever UK number 1 singles star continued to record and perform into the 21st century. Al Martino died of a heart attack on 13 October 2009, aged 82.

The Info

Written by

Pat Genaro, Lou Levinson & Bill Borrelli

Producer

Voyle Gilmore

Weeks at number 1

9 (14 November 1952-15 January 1953)

Trivia

Births

3 December 1952: Comedian Mel Smith
10 December: TV presenter Clive Anderson
20 December: Actress Jenny Agutter
4 January 1953: Journalist and politician Jackie Ballard/Director and producer Richard Boden

Meanwhile…

25 November: Agatha Christie’s play The Mousetrap began its run at the New Ambassador Theatre in London.

4-9 December: The Great Smog of London enveloped the capital, causing approximately 4000 deaths.

12 December: The fondly remembered children’s TV show Flower Pot Men, chronicling the adventures of Bill and Ben, debuted on the BBC Television service.

25 December: Queen Elizabeth II  made her first ever Christmas speech to the Commonwealth, sat in the same chair as George V and George VI before her.