By 1966, London was established as the coolest capital in the world, and it was on 15 April that Time magazine ran a pop-art cover featuring the city, with the phrase ‘LONDON: The Swinging City’. Inside it stated ‘In a decade dominated by youth, London has burst into bloom. It swings; it is the scene’. With the World Cup soon to take place, this was a great time to be in England. The Moors Murders still cast a great shadow over all this positivity though. Ian Brady and Myra Hindley’s trial for three deaths began on 19 April at Chester Crown Court.
The Spencer Davis Group were at number 1 again for the last time. Sticking firmly to the formula that saw them shoot to the top with the classic Keep on Running, they borrowed another song from reggae singer-songwriter Jackie Edwards, who was signed to their producer Chris Blackwell’s Island Records.
Edwards’ original was more like Northern Soul than reggae, and a decent stab at it. However, the Spencer Davis Group made it sound as similar to their previous number 1 as is possible. Winwood’s voice was as great as ever (hearing him singing ‘When I was just/A little boy of seventeen’ is pretty amusing as he must have been that age roughly at the time), and there’s some occasional interesting guitar sounds from Davis, but there’s no way this would have been top of the pops if it had been released before Keep on Running. In 2003 it found new life when it became the theme tune to the long-running ITV drama The Royal, a medical drama set in the 60s.
Better songs were to follow. Both Gimme Some Lovin’ and I’m a Man were much more deserving of number 1 status, and they started to make progress in the US. In 1966 the group had also starred in their own film. The Ghost Goes Gear, also starring Nicholas Parsons, saw the Spencer Davis Group staying in the haunted childhood home of their manager. This sounds awfully amazing but seems to have been lost in the mist of time sadly.
In 1967 Steve and Muff Winwood decided to leave the band. Steve formed Traffic, adopting a more psychedelic sound and co-writing the excellent Paper Sun and Hole in My Shoe (later recorded by Neil from The Young Ones). He also played the organ on Voodoo Chile on the Jimi Hendrix Experience’s Electric Ladyland (1968), before forming the short-lived supergroup Blind Faith with his pal Eric Clapton, Ginger Baker and Ric Grech. His singing on the haunting Can’t Find My Way Home is particularly beautiful. After briefly reforming Traffic, he resurfaced as a solo artist in the late 70s, and found pop fame once more with the hit single Higher Love in 1986. He still occasionally releases new material, and his daughter Lily is now a singer.
His brother, Muff, went to work as an A&R man for Island Records, before becoming an executive for CBS Records. He produced Sparks’ hit This Town Ain’t Big Enough for Both of Us and was also responsible for signing several big names, including Prefab Sprout, Shakin’ Stevens and Sade.
The Spencer Davis Group soldiered on without the Winwoods, and actually briefly worked alongside Traffic on the soundtrack to Here We Go Round the Mulberry Bush. After several line-up changes, with Davis the only original member left, they split in 1969. They reformed several times over, and confusingly still exist in two different formations, one in Europe and one in the US. Will he form a third after Brexit?
Producer: Chris Blackwell
Weeks at number 1: 2 (14-27 April)
Model Samantha Fox – 15 April
Cricketer Tich Freeman – 28 January