505. Irene Cara – Fame (1982)

The Intro

Irene Cara’s infectious theme to the musical Fame failed to chart in the UK when released in the summer of 1980 as a preview to the forthcoming film. However, the movie became huge, and the title track won the Academy Award for Best Original Song. Two years later, the spin-off TV series was so popular in the UK, a re-release saw the song become top of the pops.

Before

The film had been conceived by producer David De Silva in 1976, inspired by A Chorus Line. He hired Christopher Gore to write a film about the lives of ambitious students at the real-life High School of Performing Arts, based in Manhattan, New York City. It was directed by Alan Parker, an English director who had worked on some of the most memorable UK television advertisements of all time, before making his first movie, Bugsy Malone, in 1976. He named the film after David Bowie’s 1975 song. Taking the lead role of Coco Hernandez was a young singer and actress called Irene Cara, who Parker was initially sceptical of.

Irene Cara Escalera was born on 18 March 1959 in the Bronx. Her father was Puerto Rican and her mother was Cuban. She began dance lessons as a five-year-old and was only eight when she recorded her first album, Ésta es Irene. She also appeared on The Tonight Show.

As a teen in the 70s she attended the Professional Children’s School in Manhattan and went on to appear in Broadway shows, before making the move into TV. Critical acclaim came with her role in the mini-series Roots: The Next Generations in 1976. She was originally cast in Fame as a dancer, but when De Silva, co-producer Alan Marshall and Gore heard her voice, they made her character a singer.

The musical supervisor on Fame was Michael Gore, brother of Lesley Gore, who sang the original hit version of It’s My Party – a cover of which became a UK number 1 for Dave Stewart and Barbara Gaskin in 1981. Gore worked with Dean Pitchford on the songs for the movie, and when he played him the chorus melody for the theme, Pitchford instantly replied ‘Fame! I’m gonna live forever!’ However, the rest of the theme came less easily, and it took a month to write.

It made perfect sense to write the song from the stardom-hungry Hernandez’s perspective, so Cara sang the funky title track. Among the backing singers was Luther Vandross, who was yet to become a star, but had provided backing vocals on Bowie’s soul album Young Americans – which featured Bowie’s Fame. It was Vandross that came up with the winning idea to chant ‘Remember’ over and over, as well as contributing other ideas.

The title track was originally released in the UK in June 1980, the same month as the film hit US cinemas (it hit UK cinemas the following month). The single sank and initially the critical response to the film was mixed, but it became a box office hit, and then came the accolades. Out of six Oscar nominations in 1981, Fame won Best Original Score and Best Original Song. Another song from the film – Out Here on My Own – had also been nominated.

Two years on from the film, a TV series sharing its name began on NBC in the US and BBC One in the UK. Many of the cast returned – but Cara had declined, with her role taken by Erica Gimpel, who sang the theme tune too. Nonetheless, it was Cara’s version that was rereleased and subsequently became number 1.

Review

I was too young to want anything to do with Fame at the time, and to be honest, even from a young age I would recoil a bit at stage show children and teenagers showing off. And there was certainly a lot of it about back then. So it’s hard to judge the theme song on its own merits.

However, I’ve always appreciated it’s very good at what it does – e.g., it makes you want to fly – high – and, as John Shuttleworth would say, ‘punch the air’. And listening with a fresh pair of ears, it’s great really. Slickly produced, a passionate vocal from Cara, and well arranged too – props to Vandross, who was spot on in inventing the ‘remember’ hook. I still don’t think I’d ever choose to listen to it, but I wouldn’t complain if I heard it for the millionth time, either.

To promote the re-release, Cara starred in a new video, with scenes filmed mainly on and around Broadway. It’s interspersed with clips from the film. Considering it coincided with the TV series, which didn’t feature Cara, this may have been rather confusing to some. It did the job though, and Cara on top of a taxi is an iconic 80s pop moment.

After

Fame was the third bestselling song in the UK of 1982. Surprisingly, neither the original release nor the 1982 single did the same feat in the US, peaking at number four only.

Cara had continued to release music and star in TV and films after the success of Fame, with mixed results. Several series she hoped to star in failed to get picked up, and her album Anyone Can Dream, released in 1982, was a commercial failure.

In early 1983 she was working on a follow-up when she was contacted by Paramount Pictures to provide lyrics for the soundtrack of a new film called Flashdance. Ironically, Giorgio Moroder, the genius producer behind the project, had approached Cara after Fame, but she declined as she didn’t want to be compared to Donna Summer, who of course was best known for I Feel Love, her number 1 collaboration with Moroder.

Moroder had tasked his session drummer Keith Forsey, who played on I Feel Love, to write the lyrics to what would be the title track to the new film, which starred Jennifer Beals as a dancer who dreams of becoming a professional ballerina. Forsey had stalled, so he and Cara set to work. Having been shown the film’s final scene, in which Beals auditions in front of a panel of judges, they were inspired to write a euphoric song about achieving your dreams through dancing. Not too far removed from Fame, then, but with a more modern sound, thanks to Moroder. Cara sang Flashdance… What a Feeling, and it became number 1 in the US and around the world – although it was held off the top spot in the UK by Rod Stewart’s Baby Jane.

Cara sang Flashdance… What a Feeling, and it became number 1 in the US and around the world – although it was held off the top spot in the UK by Rod Stewart’s Baby Jane. Nonetheless, the single also won many accolades. She shared the Academy Award for Best Original Song with Moroder and Forsey, becoming the first black woman to win an Oscar in a non-acting category and the youngest to receive an Oscar for songwriting.

Cara never charted in the UK again, though she had a few more US hits. Her next album What a Feelin’ continued her collaboration with Moroder, and its single Why Me? reached number 13 on the Billboard Hot 100. She starred as herself in the 1983 comedy movie DC Cab, and her song The Dream (Hold On To Your Dream), which played out over the end credits, reached 37. Her final US hit, Breakdance, peaked at number eight in 1984.

She continued to act, appearing in films including City Heat (1984), Certain Fury (1985) and Busted Up (1986). The following year she released the LP Carasmatic.

In the 90s, Cara starred in a touring production of Jesus Christ Superstar, released Eurodance singles and worked as a backing vocalist. 1993 saw her awarded $1.5 million from her 1985 lawsuit in which she claimed royalties from Flashdance and her first two solo LPs had been withheld from her. She later claimed this stopped record labels from working with her.

Cara appeared in the 2005 NBC TV series Hit Me Baby, One More Time, and in 2011 she released her last album, Irene Cara Presents Hot Caramel

The Outro

Cara died of arteriosclerosis and hypertensive heart disease on 25 November 2022, aged 63.

The Info

Written by

Michael Gore & Dean Mitford

Producer

Michael Gore

Weeks at number 1

3 (17 July-6 August)

Trivia

Births

18 July: Actor Andre Alexander
28 July: Footballer Michael Rose
30 July: Cricketer James Anderson
6 August: Actor Karl Davies

Deaths

19 July: Actor John Harvey
21 July: Bible translator John Bertram Phillips
22 July: Anti-apartheid activist Sir Robert Birley
27 July: Olympic swimmer Hilda James/Olympic runner Jack Powell
29 July: Engineer Maysie Chalmers/Army general Sir Richard Gale
2 August: Cathleen Nesbitt
3 August: Art historian David Carritt
5 August: Orthopaedic surgeon Sir John Charnley

Meanwhile…

19 July: Home Secretary William Whitelaw announces that the Queen’s bodyguard, Michael Trestrail, has resigned from the Metropolitan Police Service over a relationship with a male prostitute.

20 July: The Provisional IRA detonates two bombs during British military ceremonies in Hyde Park and Regents Park, Central London. Eight soldiers are killed, 47 people are wounded, and seven horses die.

21 July: The Falklands War Royal Navy flagship HMS Hermes returns home to Portsmouth to a hero’s welcome.

22 July: Production of the Ford Cortina ends after 20 years and five generations.
Also on this day, the exclusion zone around the Falklands is lifted, and Prime Minister Margaret Thatcher rejects calls in parliament for a return of the death penalty for terrorist murder.

23 July: A coroner’s jury returns the verdict of suicide on Roberto Calvi.

1 August: The Conservative government creates Britoil as the privatised successor to the British National Oil Corporation.

3 August: The Queen Elizabeth 2 returns to civilian use.

4 August: The first child of The Prince and Princess of Wales is christened William Arthur Philip Louis.

6 August: The Kessock Bridge in Inverness is opened by Queen Elizabeth the Queen Mother.

475. Joe Dolce Music Theatre – Shaddap You Face (1981)

The Intro

The UK singles chart of early 1981 was in a strange state of flux. John Lennon’s murder had understandably turned much of the top 10 into a shrine, with three posthumous chart-toppers. At the same time, Lennon’s fans suffered the indignation of seeing his records be overtaken in the hit parade not once (There’s No One Quite Like Grandma), but twice, by novelty songs. And the type of novelty songs that are retrograde, screaming ’70s or earlier’, rather than displaying any sign of the new, youthful pop of the 80s that was (thankfully) right around the corner. This time around, it was one-hit wonder Joe Dolce Music Theatre’s Shaddap You Face. Yep. That one.

Before

Joseph Dolce was born 13 October 1947 in Painesville, Ohio. He was the eldest of three children to Italian-American parents. In his senior year at Thomas W Harvey High School, Dolce got the acting bug, playing the lead role of Mascarille in Molière’s Les Précieuses Ridicules, and he also created a song based on material in the script. One of his co-stars, the Canadian Carol Dunlop, introduced Dolce to folk music and poetry.

From 1965 to 1967, Dolce majored in architecture at Ohio University. While there he formed several bands, including country rock act Headstone Circus, who released the album Please Tell a Friend in 1968. One member, Jonathan Edwards, had a US hit with Sunshine in 1971.

By 1974, Dolce was performing a mix of poetry and rock along the US east coast. Four years later he relocated to Melbourne, Victoria in Australia. His first single, in 1979, was Boat People, a protest song about the poor treatment of the growing community of Vietnamese refugees in the city.

That same year saw the formation of Joe Dolce Music Theatre. This revue toured cabarets and pubs with various line-ups, including Dolce playing a character he called Guiseppe. Among the songs he performed was Shaddap You Face, based on his memories of childhood (‘Just about the eighth grade’), where parents and grandparents would often speak in broken English. Audiences loved the story of Guiseppe and his dreams of stardom, answering his bossy mum back with the song’s title. So much so in fact, that drunken crowds began cheering ‘Heh” inbetween each chorus line.

Shaddap You Face was recorded and released in late 1980 by Australian musician Mike Brady’s label Full Moon Records, who correctly predicted a monster hit.

Review

My opinion on Shaddap You Face is divided. Clearly, we’re not talking about high art here. Dolce’s one-hit wonder is catchy to the point of extreme irritation. The over-the-top Italian-American accent is annoying and highly cliched, annoyingly shifting between spoken word and singing, and the tune is simplistic in the extreme, never shifting a gear. In a pop climate that was about to erupt with Adam and the Ants and the New Romantics, Shaddap You Face belongs in the 70s along with other novelty number 1s like Kung Fu Fighting (which is highly superior). It’s also a good example of the UK’s obsession with distilling an entire country and its culture into a silly song. So no wonder it was huge here.

However, Dolce is rather charming, so it’s also simultaneously hard to dislike, too. The accordion adds a nice touch of authenticity, and the story the song tells is rather sweet. Grown-ups doubt loved the breezy, infectious tune, while children relished the chance of shouting ‘Ah, shaddap you face’ to their parents. As novelty number 1s go, there’s much worse out there – and how many feature an accordion solo?

The official video is filmed in a smoky club full of nonplussed people, until the end, when Dolce successfully urges the audience to shout ‘Heh’, until a weird guy in sunglasses brings proceedings to a sudden halt by throwing a pizza at the singer.

After

Shaddap You Face was massive, becoming number 1 in the UK and 11 other countries – though, perhaps surprisingly, not in the US. Whether deliberate or not, beloved DJ Terry Wogan played a part in the UK success by spinning the record on his show, proclaiming it to be the worst thing he’d ever heard. Bit rich, when you consider The Floral Dance. It kept Ultravox’s Vienna from number 1 in the UK, and became Australia’s best-selling single ever, ironically usurping Up There Cazaly by Brady.

Dolce turned his back on comedy songs, forming several performance groups with Lin Van Hek, including Skin the Wig and Difficult Women. In 1984 the duo wrote Intimacy, which became the final track on the original soundtrack to The Terminator. Dolce also became an actor, starring in the Australian comedy Blowing Hot and Cold (1988). Since 2009 he has been a successful, award-winning poet.

The Outro

I’m very happy to report that writing this blog helped me become reacquainted with a bastardised version of Shaddap You Face, used in a 1990 advert for McCain Pizza Slices.

The Info

Written by

Joe Dolce

Producers

Joe Dolce & Ian McKenzie

Weeks at number 1

3 (21 February-13 March)

Trivia

Deaths

22 February: Olympic athlete Guy Butler
25 February: Labour politician Mary Sykes
26 February: Conservationist Robert Aickman/Actor Gerald Cross/Actor Robert Tonge
28 February: Carry On screenwriter Talbot Rothwell
1 March: Welsh Congregationalist Minister Martin Lloyd-Jones
4 March: Chess player Nancy Elder/TV producer Ian Engelmann/Actor Torin Thatcher
5 March: Artist Winifred Nicholson/Actress Totti Truman Taylor
6 March: Cricketer George Geary/Actor Garry Marsh/Motorcycle racer Roland Stobbart
8 March: Conservative MP Nigel Birch, Baron Rhyl/Biologist Joseph Henry Woodger
10 March: Composer Bill Hopkins
11 March: Intelligence chief Sir Maurice Oldfield
12 March: Newspaper proprietor William Denholm Barnetson
13 March: Writer Wrey Gardiner/Industrialist Sir Patrick Hennessy/Author Robin Maugham, 2nd Viscount Maugham

Meanwhile…

21 February: 30,000 people in Glasgow march in an unemployment protest.

24 February: The engagement of Charles, Prince of Wales and Lady Diana Spencer is announced. 

26 February: The England cricket team withdraws from the Second Test when the Guyanese government serves a deportation order on Robin Jackman.

27 February: Two-time former Labour Prime Minister Sir Harold Wilson announces he is to retire from Parliament at the next general election.
Also on this day, The Archbishop of Canterbury to view homosexuality as a handicap, not a sin. Jesus.

3 March: The first Homebase DIY and garden centre superstore opens in Croydon, Surrey.

5 March: The ZX81 (my first ever computer) is launched by Sinclair Research.

9 March: Lorry driver John Lambe is sentenced to life imprisonment for the rape of 12 women.
Also on the day, thousands of civil servants hold a one-day strike over pay.