488. The Police – Every Little Thing She Does Is Magic (1981)

The Intro

After a couple of near misses, The Police found themselves back at the top of the hit parade for the fourth time with Every Little Thing She Does Is Magic.

Before

The trio’s third album, Zenyatta Mondatta, had spawned their third number 1, Don’t Stand So Close to Me. But the next record – their ‘gibberish classic’ (as Alan Partridge called it) De Do Do Do, De Da Da Da – was understandably their lowest-placing chart position (minus some reissues) at five.

Sting, Stewart Copeland and Andy Summers headed to AIR Studios in Montserrat to record their fourth LP, Ghost in the Machine, which was co-produced by Hugh Padgham. First single from this collection was Invisible Sun, which did very well indeed, peaking at two.

Every Little Thing She Does Is Magic was an exception from the album, in that it was recorded at Le Studio at Morin Heights, Quebec, Canada. It was also the oldest track from Ghost in the Machine, having originated back in 1977 as a track by Sting, before the band had formed. He eventually revealed the inspiration for the track was Trudie Styler, who lived next door to Sting and his then-wife Frances Tomelty, who was Styler’s best friend at the time.

The demo of Every Little Thing She Does Is Magic eventually surfaced on the 1997 compilation Strontium 90: Police Academy. Strontium 90 was the name of Sting, Copeland and Summers’ – plus Gong’s Mike Howlett – previous band. On this rather charming, gentle acoustic guitar-led version, Sting played every instrument.

Four years later, Sting worked on a second demo in Le Studio, this time with piano to the fore. He was confident this would form the basis of a number 1 single, but Copeland and Summers were less keen, so they started from scratch on a band version. When this didn’t work out either, Sting finally persuaded the others to go back to the Le Studio demo.

Tensions grew when Sting decided to bring in session keyboardist Jean Roussel, who had played on Cat Stevens’ Wild World. Summers found Roussel pushy, and his inclusion on piano, Minimoog and clavinet certainly sounds like a potential recipe for excessive use of instrumentation on such a light track. However, Roussel’s input makes for that rather lovely intro, and adds colour in general throughout. The rhythm section did get to add some of that signature Police sound, though muted compared to their previous chart-toppers.

Review

It’s clear that Every Little Thing She Does Is Magic meant a lot to Sting and had personal meaning for him as it meant he could express his forbidden love. But his determination to get Copeland and Summers to in effect play backing band to this solo outing understandably caused problems.

However, Sting was ultimately proven right. Sure, it’s on the lighter side of The Police’s back catalogue and possibly too saccharine for some, but it’s a lovely, sun-kissed burst of upbeat loveliness. It’s not without flaws though. Rhyming ‘magic’ with ‘tragic’ is a bit rubbish, and I don’t understand why, after all the time spent getting Roussel to give the track more, they decided to make Sting sound like he’s singing from a cave. What happened there?

Far better is the second verse, which Sting returned to several times through the years:

‘Do I have to tell the story
Of a thousand rainy days since we first met
It’s a big enough umbrella
But it’s always me that ends up getting wet’

Again, this most likely has personal meaning to the singer and Styler, as he uses it again on O My God, a track on the final Police LP, Synchronicity (1983), and the song Seven Days from his fourth solo album Ten Summoner’s Tales (1993).

The video, filmed in Montserrat by Derek Burbidge, is also a mixed bag. It’s nice to see the band performing for locals and the island footage ties in nicely with the joy of the song. But this is the fourth Police video I’ve watched now, and they’re all the same. Put the band in a very literal setting that fits the theme of the track, and also film them pissing about in the studio and generally acting up for the camera.

After

Every Little Thing She Does Is Magic topped the charts in the UK, Canada, Ireland and the Netherlands, and peaked at three in the US. They had one more UK chart-topper to come before they split up.

The Outro

An orchestral version of Every Little Thing She Does Is Magic was recorded by Sting for his 10th album, Synchronicities, in 2010.

The Info

Written by

Sting

Producers

The Police & Hugh Padgham

Weeks at number 1

1 (14-20 November)

Trivia

Births

15 November: Labour MP Jared O’Mara
17 November: Girls Aloud singer Sarah Harding
20 November: Frightened Rabbit singer Scott Hutchison/Actress Andrea Riseborough

Deaths

14 November: Ulster Unionist MP Robert Bradford (see ‘Meanwhile‘)
17 November: Anglican bishop Colin Winter

Meanwhile…

14 November: Ulster Unionist MP Robert Bradford was gunned down by three IRA members in Finaghy, Belfast, during political surgery.

18 November: The England football team qualified for the World Cup in Spain by defeating Hungary 1-0 at Wembley Stadium. It was the first time they had qualified for the tournament since 1970.

467. The Police – Don’t Stand So Close to Me (1980)

The Intro

The bestselling single of 1980 had a controversial subject matter and was The Police’s third number 1. Don’t Stand So Close to Me – the tale of a teacher’s Lolita-like relationship with a pupil – was made all the more eyebrow-raising due to the fact that singer Sting was a teacher before he was a pop star.

Before

Following their second number 1, Walking on the Moon, re-released their fourth single So Lonely, originally issued in 1978. As a pre-fame record it had failed to chart, but this time it peaked at six. A month after its release in February 1980, The Police embarked on their first world tour, performing in countries not used to western pop stars including India and Egypt. To capitalise on their global popularity, UK label A&M released Six Pack, a package featuring their previous five singles (including their first chart-topper, Message in a Bottle), plus an alternate take of album track The Bed’s Too Big Without You.

A&M seemingly couldn’t be satisfied by their biggest group of the moment, however, because they started pressuring The Police for a third album. Recorded in four weeks that July-August, the trio later said Zenyatta Mondatta was too rushed. Nonetheless, it was scheduled for an October release, to be preceded by lead single Don’t Stand So Close to Me on 19 September.

Before he was Sting, Gordon Sumner had taught English at St Paul’s First School in Cramlington, Northumberland. Sting has always understandably stated that Don’t Stand So Close to Me was not about him, but whether it came from experience of a scandal of a colleague, or was just inspired by his teaching career, we don’t know. Anyone who might think a handsome man like Sting may have had no shortage of schoolgirl fans might be right, but nobody has ever claimed the singer has also walked on the moon or been stranded on a desert island.

Review

Opening with a dark and brooding synth, Don’t Stand So Close to Me starts very strong. Sting’s lyrics are compelling and not the subject matter of your average pop song. The first verse is purely focused on the schoolgirl’s desire for the teacher. So far, so very good. But when it gets to the chorus, Don’t Stand So Close to Me goes downhill. While the verses are atmospheric, tense and foreboding, the workmanlike reggae of the chorus is perhaps a sign of the lack of time spent making this album. It’s like a demo recording – as is the instrumental section, featuring some more synth work that screams ‘this will do until we work out what goes here’, but they never went back to it.

Apparently however, The Police and producer Nigel Gray did work on this track for some time, with it initially tried out as a Hammond organ-based soul track. Several complex arrangements were tried, but, perhaps with the ticking of the clock in mind, they were abandoned and the band reverted to an earlier sound.

The second and third verses are strong, detailing the teacher’s lack of torment. However, you could say Sting tries harder to make the listener gain sympathy for the man here, mentioning ‘Temptation, frustration, so bad it makes him cry’. And the definite low point is:

‘It’s no use, he sees her, he starts to shake and cough,
Just like the old man in that book by Nabokov’.

You guessed it! The book in question is Lolita! Terrible, yet Sting later claimed to think it was ‘hilarious’ that he was given so much flak for it.

So the song ends with both student and teacher as the subject of gossip in the classroom and staffroom, and Sting pleading with his pupil to keep away, possibly partly to keep his temptation at bay, but also the rumours. The ending is overlong and if you’re not a fan of Sting’s attempt at reggae singing, Don’t Stand So Close to Me is not going to rank as their best number 1. In a year of so many chart-toppers, with the average duration at the top of the hit parade being only a fortnight, this doesn’t really deserve it’s lofty bestseller status.

The video is a typical Police promo. Sting does a decent job playing the stressed-out teacher, with a young girl hovering around him, while Andy Summers and Stewart Copeland probably revelled in the chance to wind him up by throwing paper aeroplanes and smoking in the classroom. This is intercut with the trio skanking around a schoolroom, with Copeland looking particularly silly holding his drumsticks. Mind you, Summers gives him a run for his money by dropping to his knees for a guitar solo that isn’t actually there. Sting’s adoring fans will have particularly enjoyed their hero getting his top off at one point (bit harsh him telling the girl to keep away when he’s behaving like that).

Don’t Stand So Close to Me has aged better than other similar Lolita-style songs, such as 1968 chart-topper Young Girl, but any sensitivity in which Sting broaches the subject matter quickly evaporates with that terrible rhyme, and nothing is resolved.

After

The melody to Don’t Stand So Close to Me found its way on to another huge 80s hit, when Dire Straits asked Sting to sing on the epic intro to Money for Nothing. Sting sang ‘I want my MTV’ to the tune, and after the release of the LP Money for Nothing, he received a co-writing credit.

The Outro

In 1984 The Police went on hiatus. Two years they reconvened, but the chance of a new album was doomed when Copeland broke his collarbone before they’d had chance to jam. Their final single was Don’t Stand So Close to Me ’86. Copeland and Sting fell out over what to use as drums, the former won out with his Fairlight CMI over the latter’s Synclavier. Unfortunately, while the idea of a reworked version showed a desire to breathe new life into an underworked song, this version is actually inferior. The production is too 80s, and the chorus less catchy. The video, directed by 10cc’s Godley and Creme, is one of the most comically mid-80s things you’ll ever see. The single made it to 24 after the group disbanded.

The Info

Written by

Sting

Producers

The Police & Andy Gray

Weeks at number 1

4 (27 September-24 October) *BEST-SELLING SINGLE OF THE YEAR*

Trivia

Births

5 October: Motorcycle racer James Toseland
13 October: Football player Scott Parker
14 October: Actor Ben Wishaw

Deaths

27 September: Banker Sir Michael Turner
28 September: Pianist Horace Finch
29 September: Labour Party MP Peter Mahon
30 September: Botanist James Wyllie Gregor/Conservationist George Waterston
6 October: Actress Hattie Jacques
7 October: Designer Sir Gordon Russell
10 October: Conservative MP Evelyn Emmet, Baroness Emmet of Amberley/Cricketer Wilfred Hill-Wood
11 October: Singer Cassie Walmer
12 October: Actress Ambrosine Phillpotts
14 October: Labour Party MP Arthur Pearson
15 October: Writer Katharine Mary Briggs
19 October: Radio producer DG Bridson
20 October: TV personality Isobel, Lady Barnett/Tennis player Phoebe Holcroft Watson
24 October: Conservative MP Sir Richard Glyn, 9th Baronet

Meanwhile…

3 October: The 1980 Housing Act came into effect, which gave council house tenants of three years or more in England and Wales the right to buy their home from their local council, at a discount.  

6 October: Express coach services were deregulated.

8 October: British Leyland launched the Austin Metro.

10 October: Prime Minister Margaret Thatcher made her infamous ‘The lady’s not for turning’ speech at conference, after being warned her economic policy was to blame for the recession and record-breaking rising unemployment.

15 October: Former Prime Minister James Callaghan resigned as Labour Party leader after four and a half years in the job.
Also this day, former Prime Minister Harold Macmillan and union leaders criticised Thatcher’s economic policies.

17 October: Queen Elizabeth II became the first British monarch to make a state visit to the Vatican.

22 October: Lord Thomson announced The Times and Sunday Times would close within five months unless a buyer was found.

24 October: MG car production ended.