22. Frank Sinatra with Orchestra conducted by Nelson Riddle – Three Coins in the Fountain (1954)

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The Intro

The first true musical legend to appear in this blog, Frank Sinatra was one of the 20th-century’s true icons, he remains an influential figure to this day, and the epitome of cool. If you choose to ignore his links to crime and the more unpleasant stories about him, that is.

Before

Francis Albert Sinatra was born on 12 December 1915 in Hoboken, New Jersey, the only child of Italians ‘Dolly’ and ‘Marty’ Sinatra. Delivered via forceps, Sinatra was born with a perforated eardrum and severe scarring on his left cheek, neck and ear. A skinny child with bad acne, he was given tough love by his parents, with some biographers claiming his mother abused him in his youth. Sinatra became interested in jazz music from a young age, and his idol was Bing Crosby. His uncle bought him a ukelele when he was 15, and he would entertain his family, getting his first kick out of entertaining others. Expelled from high school in 1931 for being rowdy, he took on several odd jobs and would sing for free on local radio stations. He never learnt to read music properly, and would do so by ear only.

In 1935 his mother persuaded him to join local singers The 3 Flashes. He worshipped them, but they only let him join because he had a car. Renamed the Hoboken Four, they won first prize on a local radio talent show, and Sinatra became their lead singer, provoking jealousy due to the attention he received from girls. By 1939 he was working as a singing waiter when he joined the Harry James Band as their singer, and it was with them that he released his first record, From the Bottom of My Heart. He then moved on to The Tommy Dorsey Band. Dorsey became Sinatra’s father figure, who would learn and copy his mannerisms. Their bond was so strong, Sinatra asked him to be godfather to his daughter Nancy, born in 1940.

For the next two years his popularity grew with each recording, and he pushed Dorsey to let him make music under his own name. He became obsessed with the idea of overtaking Crosby as a star, and following a legal battle he left the group. According to some newspaper reports, Sinatra’s mobster godfather had to hold a gun to Dorsey’s head in order to persuade him.

In 1943 Sinatra signed with Colombia, and Sinatramania was in full swing. It was around this time he became known as ‘The Voice’. His fame eclipsed Crosby and he would entertain US troops during World War Two. His first album, The Voice of Frank Sinatra, was released in 1946.

In 1954, Frank Sinatra was the comeback kid. The early 50s had seen his career slump drastically. His Mafia connections had caused problems, he had left his label, Columbia, Hollywood had rejected him, and his audiences were dwindling. However, his suitably bitter performance in World War Two drama From Here to Eternity in 1953 earned him rave reviews and marked a spectacular turnaround in fortunes. He even later won an Oscar for Best Supporting Role, but before then he had signed with Capitol and released a cover of the now-creepy-sounding I’m Walking Behind You, which was a UK number 1 for Eddie Fisher and Sally Sweetland.

February 1954 saw the release of his album Songs for Young Lovers. Featuring I Get a Kick Out of You and They Can’t Take That Away from Me, it is still considered one of his best. The same month, his duet with Doris Day, Young at Heart, was a huge hit.

Three Coins in the Fountain was the title track for a new romantic drama. With lyrics by US star collaborator Sammy Cahn and music by UK songwriter Jule Styne, the song refers to the traditional act of throwing a coin into Rome’s Trevi Fountain and making a wish. They had been asked to write the song without any knowledge of the movie whatsoever, and it was so rushed that 20th Century Fox didn’t sign a contract, meaning the composers were screwed over the royalties. Charming.

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The song isn’t that memorable, and although I’m no Sinatra expert, it doesn’t strike me as up there with his classics. But what does shine through is the quality of his voice. That warm, unmistakable timbre to his croon puts him head and shoulders above other stars of the era. And considering the rushed nature of the song’s creation, it’s not too shabby. It earned him his first UK number 1, and he stayed at the top for three weeks. It also went to number 1 in the US too, but performed by The Four Aces. In 1955, it earned Sinatra another Oscar, this time for Best Original Song.

After

It would be 12 years before Sinatra had another UK number 1 single. By then, pop music had changed and changed again, but Ol’ Blue Eyes would remained a colossal star throughout.

The Outro

During Three Coins in the Fountain‘s reign, the UK singles chart increased in size from its initial 12 to 20. It’s also worth me pointing out that this chart, that first began in 1952, was originally only seen in the New Musical Express. However, it is now considered to be the most important chart of the time, until it was overtaken by Record Retailer from 1960 to 1969.

The Info

Written by

Jule Styne & Sammy Cahn

Producer

Voyle Gilmore

Weeks at number 1

3 (17 September-7 October)

20. David Whitfield, with Chorus and Mantovani and His Orchestra – Cara Mia (1954)

The Intro

Doris Day’s Secret Love had a second, lengthy eight-week stay at number 1 after toppling Johnnie Ray’s Such a Night. Eventually Day ran out of steam and on 2 July, Hull’s favourite soprano David Whitfield returned to number one with his version of Cara Mia, with dual credit going to popular conductor Mantovani and his orchestra.

Before

Both were at the height of their fame and had previous chart-toppers to their name, Whitfield with Answer Me and Mantovani had The Song from The Moulin Rouge. This track easily outdid the success of both, and stayed top of the pops for a mammoth 10 weeks, a UK record at the time.

Cara Mia, Italian for ‘My Beloved’, was credited to Tulio Trapani and Lee Lange. In fact, Trapani was Mantovani, who had arranged the song, and Lange was producer Bunny Lewis. Why did they use aliases? I’m not sure, but it’s the first time we’ve seen a number 1 with credits for pseudonyms. Why am I mentioning it? Because there’s not a lot that can be said about the song itself, unfortunately.

Review

After a run of interesting tracks, we’re back in the rather’dull, overblown sludge territory that seemed so popular in the early 50s. Whitfield can hold a note, that’s for sure, but once more I find myself asking how this could be number 1 for so long. Then again, I did the same when Bryan Adams reigned for so long in the summer of 1991, so perhaps it’s going to be a common theme with the biggest sellers.

After

Neither artist had a number 1 again, although Mantovani came close with follow-up Swedish Rhapsody, and continued to enjoy huge sales figures, as well as presenting his own TV series in 1959. The composer ceased recording in the mid-70s, and died in a Kent care home on 8 April 1980, aged 74.

As for Whitfield, he too had further success for a few years, and his top 10 entries continued until 1957. including recording the theme music to the TV series The Adventures of William Tell, he fell out of favour when rock’n’roll took hold. It also didn’t help that he would turn down offers to go to America, preferring to stay put in Hull.

The Outro

Whitfield recorded two further versions of Cara Mia, in 1966 and for his final album in 1975. He too died in 1980, of a brain haemorrhage while touring Australia on 15 January, aged only 54.

The Info

Written by

Tulio Trapani & Lee Lange

Producer

Bunny Lewis

Weeks at number 1

10 (2 July-9 September)

Trivia

Births

10 July: Pet Shop Boys singer Neil Tennant
11 August: Singer Joe Jackson
25 August: Singer Elvis Costello

Deaths

11 July: Physician Henry Valentine Knaggs

Meanwhile…

4 July: Meat rationing came to an end in the UK.

18. Doris Day with Orchestra conducted by Ray Heindorf – Secret Love (1954)

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The Intro

US smash-hit musical western Calamity Jane was first released in November 1953. Loosely based on the life of the title character and her alleged romance with notorious folk hero “Wild Bill” Hickok, it starred Doris Day and Howard Keel in the central roles.

Before

Day, born Doris Mary Kappelhoff on 3 April 1922 was one of the most well-known singers and actresses of the era. Originally she wanted to be a dancer, but an accident at the age of 15 forced her out of action and she discovered a talent for singing, with Ella Fitzgerald her idol.

She took singing lessons, and caught the attention of jazz musician Barney Rapp. Kappelhoff began working with him, but he understandably felt she needed a new stage name. Admiring her rendition of Day After Day, he suggested Doris Day.

The sugary timbre of her voice and film-star looks soon captivated radio, film and television audiences, right from her first hit, Sentimental Journey, back in 1945.

Her first UK singles success came in 1952, with a Frankie Laine duet, Sugarbush, and the following year she duetted with Johnnie Ray on the number four hit Let’s Walk That-a-Way.

On 16 April, 1954, UK singles buyers saw sense and decided that this track from Calamity Jane was more deserving of the number 1 spot than the execrable I See the Moon by The Stargazers. The ballad was written by composer Sammy Fain, with Paul Francis Webster providing the lyrics that describe the joy of finally being able to tell the world of a love kept under wraps.

Day was visibly moved when Fain visited her to play it for the first time. The day of the recording, she warmed-up her voice, cycled to the studio and announced to musical director Ray Heindorf that she would only perform one take of her vocal. Despite understandable misgivings, Heindorf was ecstatic after the take, agreeing that she could never outdo herself.

Review

It would seem this song had special meaning for Day, she clearly loved it and it shows in that one-take performance. A cut above other songs of this ilk, her authentic vocal turns from typically sweet to barely-contained delight at times. The stirring strings replicate the chorus and add to its hit factor.

After

Secret Love gave Day her fourth US number one, and won the Academy Award for Best Original Song on 25 March. However she caused controversy by refusing to perform it at the ceremony. The subsequent bad press saw Day housebound with depression for some time afterwards. Nonetheless, a few weeks later it became her first UK number 1.

The Outro

In a clear display of how mad the British record-buying public can often be, I See the Moon returned to the top after only a week. Not for long though, and on 8 May, Secret Love toppled Johnnie Ray’s Such a Night, beginning eight weeks as best-selling single.

The Info

Written by

Sammy Fain & Paul Francis Webster 

Producer

Ray Heindorf

Weeks at number 1

9 (16-22 April, 8 May-1 July) *BEST-SELLING SINGLE OF THE YEAR*

Trivia

Births

19 April: Footballer Trevor Francis
8 May: Entertainer Gary Wilmot

Deaths

7 June: Mathematician Alan Turing

Meanwhile…

29 May: Diane Leather became the first woman to break the five-minute mile.
29 June: The IRA returned after a long period of inactivity.

17. The Stargazers with Syd Dean & His Orchestra – I See the Moon (1954)

The Intro

If Eddie Calvert’s nine-week run seems odd now, well, I See the Moon having a five-week stint, followed by a further week later on, is just staggering.

Before

I See the Moon was written by US playwright and composer Meredith Wilson, who later became best known for being the man behind hit Broadway musical The Music Man.

Review

This was the radio comedy group’s second of three number 1s. Broken Wings, was quite a staid, serious affair, but I’d always take that over this, unless I needed to torture someone.
The actual song isn’t too bad, but the production and performance, full of self-consciously wacky noises that harm the ears, are nauseating. The only real selling point is that it offers a curious glimpse into what passed as comedy in 1954. The Stargazers, for some unfathomable reason, decide to sing as though they are pissed-up and tone deaf. Easily the worst number 1 so far.

After

Hard to believe now but for five weeks this was considered the best song in the country, until Doris Day toppled it with the more deserving Secret Love. Yet somehow I See the Moon went back to number 1 on 23 April. Strange days indeed.

The Info

Written by

Meredith Wilson

Producer

Dick Rowe

Weeks at number 1

6 (12 March-15 April, 23-29 April)

Trivia

Births

17 March: Actress Leslie Anne-Down

Deaths

26 March: Rugby union international James Peters

Meanwhile…

24 March: Following an eight-day trial, The Lord Montagu of Beaulieu, Peter Wildeblood and Michael Pitt-Rivers were convicted for ‘conspiracy to incite certain male persons to commit serious offences with male persons’. Sent to prison for being gay, basically. Montagu protested his innocence, and eventually public opinion turned in his favour, and his case is considered one of the main reasons for the reform of the law on homosexuality.