24. Vera Lynn with Frank Weir, His Saxophone, His Orchestra & Chorus – My Son, My Son (1954)

‘Vera, Vera, what has become of you?’ So Roger Waters sang on Pink Floyd’s Vera from 1980 double album The Wall. It may well be partly because I love that album, but at some point I got it into my head that Dame Vera Lynn had died, a long time back. I was shocked upon researching this to find out she turned 100 on 20 March 2017. 100! Well done Vera.

What’s more, ‘the Forces Sweetheart’ achieved an incredible feat that year. She released the compilation Vera Lynn 100, making her the first centenarian performer to have an album in the charts. Amazing really, when you consider that she had three singles in the initial UK top 12 back in 1952 (which was actually a top 15 due to tied positions) – Auf Wiederseh’n Sweetheart, The Homing Waltz and Forget-Me-Not. The first of those three had also been the first single by a British performer to be number 1 in the US. And now I’m updating this in 2019, Lynn is the oldest living number 1 artist on these shores.

It had taken a long time for Britain to recover from World War Two, so it’s no wonder that Lynn was still in vogue in the mid-50s. However, rationing had just come to an end, so I’m sure this would have been symbolic of a need to finally move on from such traumatic times. Perhaps this is partly why My Son, My Son remains her only number 1 single, and the beginning of her decline in fame. It had been written by Gordon Melville Rees, Bob Howard and trumpeter Eddie Calvert, who had scored a number 1 with Oh Mein Papa back at the start of the year. But how did Vera Lynn become such a national treasure?

Born Vera Margaret Welch in East Ham, Essex on 20 March 1917, she was performing publicly by the age of seven, and it was four years later that she took her grandmother Margaret Lynn’s surname and became Vera Lynn. She made her first radio broadcast with The Joe Loss Orchestra in 1935 and began making her initial recordings with them, plus other big dance band names such as Charlie Kunz.

At the same time, she was recording as a solo artist. Her first release was Up the Wooden Hill to Bedfordshire in 1936 and her first hit came a year later with The Little Boy That Santa Claus Forgot. But of course she is most famous for the 1939 recording We’ll Meet Again, the most memorable song of World War Two.

Her first solo live performance – by which time she had become the Forces Sweetheart – was 1940, the year of the Blitz. In 1941, Lynn began her own radio programme, Sincerely Yours, where she would perform soldiers’ requests and send messages to overseas troops. A year later came her second most well-known song, The White Cliffs of Dover.

She dedicated her career to the war effort, touring Egypt, India and Burma to lend moral support until Hitler was defeated in 1945. This of course also helped her become better known in other countries, and in 1952 her fame spread to the US. She went to number 1 there with Auf Wiederseh’n Sweetheart for nine weeks. And two years later came My Son My Son.

I feel bad slating this, but the fact she helped a nation keep sane in the war doesn’t make My Son, My Son any easier to enjoy now. Frank Lee’s production is overblown, with backing vocals from a male voice choir that hurt the ears. The lyrics tap into the spirit of songs like We’ll Meet Again by paying tribute to a mother’s son. You can picture a soldier’s mum singing it in-between sobbing over a letter from her brave boy fighting in another country. It seems trite in this day and age, and possibly to the younger generation back then, keen for something with some energy and spirit. Having said that, it was the all-too-typical-of-the-time Hold My Hand by Don Cornell that knocked Lynn off the top for a second run as bestseller.

My Son My Son was Lynn’s commercial peak, and her decline came soon after, like so many of her ilk, but in the 60s and 70s she had her own BBC variety series and would regularly guest on other shows, including The Royal Variety Performance and Morecambe and Wise’s 1972 Christmas special.

Lynn’s enduring popularity and link to the war effort meant she was a natural to use during anniversary celebrations, and her final performances marked VE Day’s 50th anniversary in 1995 by performing outside Buckingham Palace and later that evening in Hyde Park. A fitting end to a remarkable live career. Lynn died of pneumonia in 2020, aged 103.

It says a lot about Lynn that the fact she had (an admittedly) poor number one is somewhat of an afterthought really during her long career. Who cares when you are known as the person that kept so many soldiers going during terrible times?

Written by: Gordon Melville Rees, Bob Howard & Eddie Calvert

Producer: Frank Lee

Weeks at number 1: 2 (5-18 November)

Meanwhile…

13 November: Great Britain defeated France at the Parc des Princes in Paris to win the first ever Rugby League World Cup final.

17. The Stargazers with Syd Dean & His Orchestra – I See the Moon (1954)

The Intro

If Eddie Calvert’s nine-week run seems odd now, well, I See the Moon having a five-week stint, followed by a further week later on, is just staggering.

Before

I See the Moon was written by US playwright and composer Meredith Wilson, who later became best known for being the man behind hit Broadway musical The Music Man.

Review

This was the radio comedy group’s second of three number 1s. Broken Wings, was quite a staid, serious affair, but I’d always take that over this, unless I needed to torture someone.
The actual song isn’t too bad, but the production and performance, full of self-consciously wacky noises that harm the ears, are nauseating. The only real selling point is that it offers a curious glimpse into what passed as comedy in 1954. The Stargazers, for some unfathomable reason, decide to sing as though they are pissed-up and tone deaf. Easily the worst number 1 so far.

After

Hard to believe now but for five weeks this was considered the best song in the country, until Doris Day toppled it with the more deserving Secret Love. Yet somehow I See the Moon went back to number 1 on 23 April. Strange days indeed.

The Info

Written by

Meredith Wilson

Producer

Dick Rowe

Weeks at number 1

6 (12 March-15 April, 23-29 April)

Trivia

Births

17 March: Actress Leslie Anne-Down

Deaths

26 March: Rugby union international James Peters

Meanwhile…

24 March: Following an eight-day trial, The Lord Montagu of Beaulieu, Peter Wildeblood and Michael Pitt-Rivers were convicted for ‘conspiracy to incite certain male persons to commit serious offences with male persons’. Sent to prison for being gay, basically. Montagu protested his innocence, and eventually public opinion turned in his favour, and his case is considered one of the main reasons for the reform of the law on homosexuality.

16. Eddie Calvert – Oh Mein Papa (1954)

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The Intro

As 1954 began, Frankie Laine was loosening his grip on the charts, and it would be another two years before he topped them for the final time. On 8 January, trumpeter Eddie Calvert, from Preston in Lancashire, took over from Laine with his cover of Oh Mein Papa.

Before

Oh Mein Papa was, as the title suggests, a German song. It was written by Swiss composer Paul Burkhard in 1939 for the musical Der Schwarze Hecht and became his most successful tune. It concerned a young woman remembering the days her father worked as a clown, and these days, you’re most likely to know it from an episode of The Simpsons, in which Krusty the Clown sings it with Rabbi Hyman Krustofsky (Like Father, Like Clown).

Albert Edward Calvert, born 15 March 1922, came from a family who loved brass band music, but he became particularly interested in the trumpet.

After World War Two, he graduated from amateur to professional dance orchestras. Calvert earned the nickname ‘The Man with the Golden Trumpet’ (aren’t they all golden?) after appearing on the TV with the Stanley Black Orchestra, and the name stuck for the rest of his career. He was a BBC radio and TV star by the time he cut his chart-topping version of Oh Mein Papa.

Review

Oh Mein Papa did as well as Frankie Laine’s initial run at the top with I Believe, remaining there for nine weeks. Impressive, and somewhat bizarre, all things considered, but we’re only on 1954 and rock’n’roll was yet to change the world.

Although classed as an instrumental, a choir occasionally sing the song’s title. Other than Calvert’s trumpet, there is an incredibly dated-sounding organ. In the charts at the same time, was a vocal version by previous number 1 artist Eddie Fisher. Despite his previous success, he was unable to beat Calvert here, whereas in the US, the opposite occurred.

The Outro

Calvert was the first artist to receive a gold disc for an instrumental record. It was also the first number one to be recorded at the legendary Abbey Road Studios, which was a good few years off becoming the go-to studio for the likes of Cliff Richard and most famously The Beatles.

The Info

Written by

Paul Burkhard

Producer

Norrie Paramor

Weeks at number 1

9 (8 January-11 March)

Trivia

Births

16 February: Writer Iain Banks
20 February: Actor Anthony Head
4 March: Snooker player Willie Thorne
8 March: Swimmer David Wilkie

Deaths

18 January: Actor Sydney Greenstreet
8 February: Royal Navy Captain Ronald Niel Stuart

Meanwhile…

12 February: A report was issued by the British Medical Committee suggesting a link between smoking and lung cancer. It would be some time before the music world took any link on board.