488. The Police – Every Little Thing She Does Is Magic (1981)

The Intro

After a couple of near misses, The Police found themselves back at the top of the hit parade for the fourth time with Every Little Thing She Does Is Magic.

Before

The trio’s third album, Zenyatta Mondatta, had spawned their third number 1, Don’t Stand So Close to Me. But the next record – their ‘gibberish classic’ (as Alan Partridge called it) De Do Do Do, De Da Da Da – was understandably their lowest-placing chart position (minus some reissues) at five.

Sting, Stewart Copeland and Andy Summers headed to AIR Studios in Montserrat to record their fourth LP, Ghost in the Machine, which was co-produced by Hugh Padgham. First single from this collection was Invisible Sun, which did very well indeed, peaking at two.

Every Little Thing She Does Is Magic was an exception from the album, in that it was recorded at Le Studio at Morin Heights, Quebec, Canada. It was also the oldest track from Ghost in the Machine, having originated back in 1977 as a track by Sting, before the band had formed. He eventually revealed the inspiration for the track was Trudie Styler, who lived next door to Sting and his then-wife Frances Tomelty, who was Styler’s best friend at the time.

The demo of Every Little Thing She Does Is Magic eventually surfaced on the 1997 compilation Strontium 90: Police Academy. Strontium 90 was the name of Sting, Copeland and Summers’ – plus Gong’s Mike Howlett – previous band. On this rather charming, gentle acoustic guitar-led version, Sting played every instrument.

Four years later, Sting worked on a second demo in Le Studio, this time with piano to the fore. He was confident this would form the basis of a number 1 single, but Copeland and Summers were less keen, so they started from scratch on a band version. When this didn’t work out either, Sting finally persuaded the others to go back to the Le Studio demo.

Tensions grew when Sting decided to bring in session keyboardist Jean Roussel, who had played on Cat Stevens’ Wild World. Summers found Roussel pushy, and his inclusion on piano, Minimoog and clavinet certainly sounds like a potential recipe for excessive use of instrumentation on such a light track. However, Roussel’s input makes for that rather lovely intro, and adds colour in general throughout. The rhythm section did get to add some of that signature Police sound, though muted compared to their previous chart-toppers.

Review

It’s clear that Every Little Thing She Does Is Magic meant a lot to Sting and had personal meaning for him as it meant he could express his forbidden love. But his determination to get Copeland and Summers to in effect play backing band to this solo outing understandably caused problems.

However, Sting was ultimately proven right. Sure, it’s on the lighter side of The Police’s back catalogue and possibly too saccharine for some, but it’s a lovely, sun-kissed burst of upbeat loveliness. It’s not without flaws though. Rhyming ‘magic’ with ‘tragic’ is a bit rubbish, and I don’t understand why, after all the time spent getting Roussel to give the track more, they decided to make Sting sound like he’s singing from a cave. What happened there?

Far better is the second verse, which Sting returned to several times through the years:

‘Do I have to tell the story
Of a thousand rainy days since we first met
It’s a big enough umbrella
But it’s always me that ends up getting wet’

Again, this most likely has personal meaning to the singer and Styler, as he uses it again on O My God, a track on the final Police LP, Synchronicity (1983), and the song Seven Days from his fourth solo album Ten Summoner’s Tales (1993).

The video, filmed in Montserrat by Derek Burbidge, is also a mixed bag. It’s nice to see the band performing for locals and the island footage ties in nicely with the joy of the song. But this is the fourth Police video I’ve watched now, and they’re all the same. Put the band in a very literal setting that fits the theme of the track, and also film them pissing about in the studio and generally acting up for the camera.

After

Every Little Thing She Does Is Magic topped the charts in the UK, Canada, Ireland and the Netherlands, and peaked at three in the US. They had one more UK chart-topper to come before they split up.

The Outro

An orchestral version of Every Little Thing She Does Is Magic was recorded by Sting for his 10th album, Synchronicities, in 2010.

The Info

Written by

Sting

Producers

The Police & Hugh Padgham

Weeks at number 1

1 (14-20 November)

Trivia

Births

15 November: Labour MP Jared O’Mara
17 November: Girls Aloud singer Sarah Harding
20 November: Frightened Rabbit singer Scott Hutchison/Actress Andrea Riseborough

Deaths

14 November: Ulster Unionist MP Robert Bradford (see ‘Meanwhile‘)
17 November: Anglican bishop Colin Winter

Meanwhile…

14 November: Ulster Unionist MP Robert Bradford was gunned down by three IRA members in Finaghy, Belfast, during political surgery.

18 November: The England football team qualified for the World Cup in Spain by defeating Hungary 1-0 at Wembley Stadium. It was the first time they had qualified for the tournament since 1970.

286. England World Cup Squad ’70 – Back Home (1970)

The Intro

Seems rather fitting that on the day Brexit finally happens, that this blog covers an event from 50 years ago in which this country was embarrassed on the world stage, doesn’t it?

Before

Three weeks before the England football team began their defense of the FIFA World Cup in Mexico, they had their first number 1 single. The jolly, charming anthem Back Home marked the start of a not-often-grand tradition, in which the squad recorded an official, FA-approved song to mark that year’s failed attempt at the World Cup or UEFA European Championship.

Football songs were not a new idea – UK clubs had been recording them for years, and in 1966 skiffle king Lonnie Donegan released World Cup Willie before England’s legendary win. But this was the first (and only time) we were the world champions, and they were going into the tournament with a supposedly superior line-up to 1966 and so it must have been felt we had momentum, and that this should be commemorated.

I’m assuming it was the FA who asked Bill Martin and Phil Coulter to write and produce Back Home. After all, with their two previous number 1s and Eurovision big-hitters, Puppet on a String and Congratulations (plus Coulter was involved in All Kinds of Everything), the duo were more than capable of getting the nation to sing along in a big competition.

And so Alf Ramsey’s boys were assembled to record their vocals. It’s unclear who out of the 22 men picked to represent the country made it on to the recording, but the biggest names in the squad included captain Bobby Moore, goalkeeper Gordon Banks, Bobby Charlton, Geoff Hurst, Nobby Stiles and Emlyn Hughes. Also recorded was the bizarre B-side Cinnamon Stick. It’s not a weird song, it’s a typical mid-60s lightweight pop song about a pretty girl, but lots of footballers singing it together is weird.

Review

I’ve never been a fan of footballers such. I tried, but I was terrible at school, and so I took no interest in clubs. However, I do get swept up in the World Cup and Euros, going right back to Mexico 86, where I can still remember being an upset seven-year-old, as angry as my dad at Maradona’s ‘Hand of God’. I have felt the dizzying highs and terrible lows intensely. I don’t think I have the nervous disposition to cope with the tension more than once every two years. So I do take notice of the official England songs, or at least I used to before they ceased to be. Obviously the best are World in Motion and Three Lions, but I have a soft spot for Back Home.

Opening with the familiar stadium clap-a-long bit (forgive the terrible terminology), Back Home is a lovely, charming postcard from more innocent times, set to a brass band backing, in which our proud, brave boys sing about how the fans will be watching their every move. Here are the world champions, at the top of their game, but rather than boast, they just hope they won’t let their country down. There’s no mention of them winning again (just as well), they just say they’ll give all they’ve got to give. Nice, isn’t it? I’m probably also fond of it because it became the theme tune to BBC2’s mid-90s comedy competition Fantasy Football League, presented by Three Lions singers Frank Skinner and David Baddiel.

After

The 1970 World Cup began on 31 May, while Back Home was still at number 1. Before England had even played a game they faced a setback when Moore was arrested and released on bail three days previous in Colombia on suspicion of stealing a bracelet.

England were in Group 3, along with Brazil, Romania and Czechoslovakia. They came second in their group, beating the latter two but losing to the mighty (and eventual winners) Brazil, one of the greatest teams of all time, featuring legends including Pelé.

The quarter-finals saw a repeat of the 1966 final, with England facing West Germany on 14 June. It looked like Moore and co would win once more, as they were up 2-0. But Banks was ill and out of the match, and substitute goalie Peter Bonetti let a goal by Frank Beckenbauer through in the 70th minute. And then Charlton was substituted, and Uwe Seeler made it 2-2 in the 81st minute. In extra time, Gerd Müller made it 3-2. It was all over for England.

The Outro

There would be no more England World Cup songs for 12 years – we didn’t qualify in 1974 or 1978. And it would be 20 years before the England team would make it to number 1 again.

How many years before we’re back in the EU? Less than that, let’s hope.

The Info

Written & produced by

Bill Martin & Phil Coulter

Weeks at number 1

3 (16 May-5 June)

Trivia

Births

20 May: Journalist Louis Theroux
21 May
: Field hockey player Jason Lee
22 May: Model Naomi Campbell

Meanwhile…

19 May: The government made a £20,000,000 loan available to help save the financially troubled car maker Rolls-Royce.

2 June: Cleddau Bridge, in Pembrokeshire, collapsed during erection. Four people died.

4 June: Tonga became independent from the UK.