Eurovision

478. Bucks Fizz – Making Your Mind Up (1981)

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The Intro

One of the most enduring pop images of the early 80s is the skirt-ripping routine of 1981 Eurovision Song Contest winners Bucks Fizz. This is the story of how their entry, Making Your Mind Up, brought about their creation and became their first of three number 1 singles.

Before

Allegedly, songwriter Andy Hill wrote Making Your Mind Up in 1980 with a view to entering it in the UK’s Eurovision qualifying contest, A Song for Europe. Hill’s girlfriend, singer Nichola Martin, suggested Hill team up with a musician called John Danter, who she could sign up to her publishing company, which would enable her to own half the rights to the song, as Hill was signed elsewhere. Hill had been a member of Rags, a group who failed to win the 1977 A Song for Europe.

That October, Hill and Martin recorded a demo with the singer Mike Nolan, who had worked with the latter before. Nolan had been in the boyband Brooks, who were put together by Freya Miller, who became Shakin’ Stevens‘ manager. Another original member of Brooks was Chris Hamill, later known as Limahl.

Two months after the demo was recorded, Making Your Mind Up was selected out of 591 submitted entries to be one of the eight finalists. Martin had decided to name the performer as ‘Buck’s Fizz’, in honour of her favourite drink, so when she discovered the song had been picked, she needed to act fast and create a group featuring Nolan.

In January 1981, Martin contacted Cheryl Baker, who she remembered from the 1978 Eurovision group Co-Co. Baker had previously been in the band Bressingham Spire, which also featured the soon-to-be Radio 1 DJ Mike Read. Worried that Baker, disillusioned after Co-Co’s loss, may say no, Martin also auditioned for another female vocalist, plus a second male singer. The winners were Jay Aston and Stephen Fischer. When Baker agreed to take part, Martin decided to keep Aston anyway, as her vocal complemented Baker’s well. Aston had trained to be a dancer and actress, as well as a singer, and had taken part in the 1978 Miss England contest, where the act during the interval had been Co-Co.

Fischer threw a spanner in the works when it turned out he was contracted to appear in the musical Godspell, so he was out. A year later Fischer was the male member of the duo Bardo, who came seventh in Eurovision with the song One Step Further (a number two hit).

Martin found a replacement in Bobby G, a singer/guitarist/actor who had impressed in previous editions. On 11 January 1981, Bucks Fizz (what happened to the apostrophe?) met for the first time and Jill Shirley, who had been in Rags with Martin, agreed to be their manager. This meant Martin and Hill could now concentrate on their own entry for A Song for Europe, Have You Ever Been in Love?.

During rehearsals for Making Your Mind Up, the attention-grabbing skirt ripping routine during the lyric ‘see some more’ was hit upon. But by who, remains a mystery. It could have been routine choreographer Chrissie Wickham, formerly of Hot Gossip, who spent two days with the group. Martin, Baker and Aston have all laid claim to the concept too. I’d personally go with Martin, as the Top of the Pops performance that Rags made in 1977 when promoting Promises Promises has something rather similar as they remove their, er, rags.

Martin and Shirley scored a recording deal for Bucks Fizz with RCA Records, and Hill went with the group to record Making Your Mind Up at Mayfair Studios in London. The record, featuring Alan Carvell on backing vocals, was done and dusted in a week.

Review

I have a lot of time for Making Your Mind Up and I feel no shame. It’s pure cheese of course, but it’s so bloody charming and fun. The lyrics are mostly nonsensical – aren’t most Eurovision entries? But, there is some meaning in there – it seems to be about someone playing the field that might have found someone to stick with, but they need to stop being indecisive.

Not that the words really matter when you have a tune like this on your hands. Making Your Mind Up is so sugary sweet, it was always going to go down well at home, and abroad – and the latter is helped by what sounds like an accordion in the latter half.

This is one of those songs that defies analysis, really. It’s pure pop and if you can’t enjoy it, you may be dead inside. It’s leagues ahead of the other UK winners before this point, and I prefer it to Waterloo, too. And Bucks Fizz were the perfect vehicle to promote this song. You’ve got the Ken dolls, Nolan and G, for the girls, Baker has mumsy appeal for the mums and grans, and Aston was very popular with the dads – as was the skirt-ripping when they sing ‘If you wanna see some more’ the last time.

That routine of course featured in the official video for Making Your Mind Up, which starts with the group cheekily waving their arses for an adoring crowd before breaking into song and dance. There’s no bells or whistles here – it’s for all intents and purposes a Top of the Pops or Eurovision performance, really.

After

On 11 March, Bucks Fizz won A Song for Europe, beating even Liquid Gold, a popular act at the time. A Top of the Pops performance followed, which helped the single enter the charts at 24, before soaring to five a week later.

Eurovision was held at the RDS Simmonscourt in Dublin on 4 April 1981. Bucks Fizz performed 14th that evening, and despite a rather off-key performance (which may or may not have been down to nerves or a mic mix-up), they became the fourth winners from the UK, after Sandie Shaw, Lulu and Brotherhood of Man. Two weeks later, Making Your Mind Up became the third UK winner to then become number 1. The record eventually sold four million worldwide, and Bucks Fizz were one of the hottest groups of 1981.

The Outro

In 2013, BBC Radio 2 listeners voted Bucks Fizz’s debut the best Eurovision entry of all time. The skirt-rip routine was spoofed endlessly, has appeared in numerous Eurovision entries since 1981, and was even copied by Mick Jagger and Tina Turner at Live Aid in 1985.

The Info

Written by

Andy Hill & John Danter

Producer

Andy Hill

Weeks at number 1

3 (18 April-8 May)

Trivia

Births

23 April: Actress Gemma Whelan
25 April: Paralympian sprinter John McFall
3 May: Charlie Brooks
5 May: Singer Craig David

Deaths

19 April: Labour Party MP Colin Jackson
21 April: Antiques caretaker Dorothy Eady/Pianist Ivor Newton/Electrical engineer Lesley Souter
22 April: Liberal Party politician Philip Rea, 2nd Baron Rea
23 April: Olympic rower Sir James Angus Gillan
24 April: Mathematician JCP Miller
25 April: Indologist Isaline Blew Horner
26 April: Robert Garioch
28 April: T Rex bassist Steve Currie/Educationalist Marjorie Rackstraw/Businessman Bernard Mason
1 May: Actor Barry Jones
2 May: Unionist politician Joseph Foster
4 May: Zoologist Alan William Greenwood
5 May: IRA member Bobby Sands (see ‘Meanwhile…‘)
6 May: Film director Gordon Parry

Meanwhile…

20 April: Steve Davis, 23, wins the World Snooker Championship for the first time.
Also on this day, skirmishes break out in Finsbury Park, Forest Green and Ealing in London. 100 people are arrested and 15 police officers are injured.

23 April: Unemployment passes the 2,500,000 mark.

29 April: Peter Sutcfliffe admits to the manslaughter of 13 women, on the grounds of diminished responsibility.

5 May: 27-year-old republican and Provisional IRA member Bobby Sands died following his hunger strike in Northern Ireland’s Maze Prison, one month after becoming MP for Fermanagh and South Tyrone.
Also on this day, Peter Sutcliffe’s trial begins at the Old Bailey in London.

7 May: Labour’s Ken Livingstone becomes leader of the Greater London Council.

477. Shakin’ Stevens – This Ole House (1981)

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The Intro

The UK’s bestselling artist of the 80s was Welsh singer Shakin’ Stevens. Hard to believe, several decades later. But with Elvis Presley gone, there was a gap in the market for old-school, good-time 50s rock’n’roll with an 80s sheen. The first of Shaky’s three chart-toppers had been a number 1 for Rosemary Clooney back in 1954.

Before

Stevens was born Michael Barratt in Ely, Cardiff on 4 March 1948. The youngest of 11 children, Barratt was a teenager in the mid-60s when he formed his first band The Olympics, who soon changed their name to The Cossacks, and quickly changed again to The Denims.

Barratt became associated with the Young Communist League – although he later said this was only because the person who booked their gigs was also in the YCL, who held a lot of sway back then through association with leading stars such as Pete Townshend.

By 1968, Barratt was an upholsterer and milkman during the week, and a would-be pop star at the weekend, performing in clubs and pubs around South Wales. He had long admired retro Penarth-based band The Backbeats, occasionally featuring as their guest vocalist. That year he became their full-time singer. When local impresario Paul ‘Legs’ Barrett saw them perform, he suggested a repackage of the group. With his old school friend Steven Vanderwalker in mind, Barratt and co became Shakin’ Stevens and the Sunsets.

The future looked bright, at first. Shakin’ Stevens and the Sunsets signed to Parlophone Records in 1970 and released their first album, A Legend, produced by Dave Edmunds. However, the group spent the vast majority of the 70s touring Europe to minor success, and achieved next to nothing in the UK.

In 1977, producer Jack Good (the man behind early TV music series Six-Five Special) was working on Elvis!, a musical based on the life and recent death of ‘the King’. Good wanted three men to play Presley in different stages of his life, and he chose Tim Whitnall as young Elvis, Stevens as prime Presley, and PJ Proby for the Las Vegas era.

Elvis! was only planned to run for six months, so The Sunsets waited for Stevens to return. But the musical was a hit and ran for a further two years. Stevens released an eponymous LP in 1978 with Track Records, and appeared on Good’s revival of his TV show Oh Boy! and Let’s Rock.

In late-1979, Freya Miller became his new manager, and she told him to ditch The Sunsets. She was right, as he signed with Epic Records and released Take One!. The first single to be released was a cover of Buck Owens’ Hot Dog, and it became his first hit, reaching 24. Stevens, together with new producer Stuart Colman, never looked back. Which is ironic as his music was constantly doing just that.

His second album Marie, Marie, was released in October 1980. The title track, an old song by The Blasters, broke the top 20, peaking at 19. But the next single, Shooting Gallery, couldn’t crack the top 40. It took Stevens’ take on NRBQ’s 1979 arrangement of a former UK number 1 to really catapult Stevens to the big time.

This Ole House is – I believe – the first instance of a number 1 by two different artists in two different decades. In Every UK Number 1: The 50s, I wrote about its creation:

‘Stuart Hamblen was an alcoholic, gambling-addicted singer-songwriter and radio personality. He was constantly getting into scrapes and being bailed out, thanks to his charm. In 1949, he decided to take a different path, converting to Christianity after attending one of Billy Graham’s rallies. He was fired from his radio show for refusing to do beer commercials, and then he gave up his vices.

While out hunting with a friend one day, he came across an abandoned shack on a mountain. Upon inspection, they found a dog guarding a dead body. Allegedly, he came up with the lyrics while riding back down the mountain. So the “ole house” in question is in fact the body you leave behind when you die.’

Actress and singer Rosemary Clooney took This Ole House for a week on 26 November 1954, around the time of the release of White Christmas, in which she starred alongside Bing Crosby and Danny Kaye.

Review

I gave Clooney’s recording of this song – featuring Thurl Ravenscroft, voice of Tony the Tiger, a thumbs up, and I stand by it. It’s one of the best pre-rock’n’roll chart-toppers, and one of the rare number 1s of those first few years you can genuinely enjoy.

I also commented on my thoughts on Shaky in that review:

‘It never occurred to me that This Ole House could be about anything other than house renovation. To me, and probably most children of the late-70s and early 80s, it conjures up happy memories of Shakin’ Stevens hanging around an old building in the video of his 1981 cover version. What with this, his cover of Green Door, and his love of denim, I think I assumed “Shaky” was some sort of singing builder as a child’.

Returning to this song, and video, all these years later, nothing has changed. Stevens’ version is serviceable enough, and sums up his appeal. It’s nostalgic but removes the grit and grime of earlier versions, making it swing more but in a very early 80s way that adds nothing exciting or original.

Although it’s hard to be overly critical of Stevens for nostalgic reasons (something that’s going to be a potential problem with lots of 80s chart-toppers for me), one listen to the NRBQ version (This Old House) lowers my opinion more. They’re almost exactly the same, apart from the lead vocal by their singer Terry Adams –which is arguably better than Stevens’ rendition. It’s music for grandparents and children, not a 45-year-old music snob.

After

Such was the success of Stevens’ This Ole House, his LP Marie, Marie was retitled to share its name. Many more hits followed, and his second number 1, Green Door, wasn’t far away.

The Outro

In 2005, Stevens, fresh off the back of an appearance on ITV’s Hit Me Baby One More Time, re-released This Ole House along with a cover of P!nk’s Trouble. The double A-side reached 20.

The Info

Written by

Stuart Hamblen

Producer

Rock Masters Productions

Weeks at number 1

3 (28 March-17 April)

Trivia

Births

1 April: S Club 7 singer Hannah Spearritt
10 April: Atomic Kitten singer Liz McClarnon

Deaths

28 March: Cartoonist Bernard Hollowood/Artist Helen Adelaide Lamb
29 March: Racing driver David Prophet
30 March: Olympian athlete Douglas Lowe
31 March: Playwright Enid Bagnold
1 April: Writer Dennis Feltham Jones
3 April: Labour Party MP Will Owen
4 April: Journalist Donald Tyerman
7 April: Ice hockey player Lorne Carr-Harris/Music producer Kit Lambert
8 April: Film composer Eric Rogers
13 April: Actor Albert Burdon/Novelist Gwyn Thomas
14 April: Composer Christian Darnton
15 April: Actor Blake Butler
16 April: Political activist Peggy Duff/Cricketer Eric Hollies
17 April: Palaeontologist Francis Rex Parrington

Meanwhile…

28 March: Controversial Ulster Unionist Enoch Powell warned of racial civil war.

29 March: The first London Marathon was held.

30 March: The Academy Award-winning historical sporting drama Chariots of Fire was released.

4 April: Bucks Fizz became the fourth UK act to win the Eurovision Song Contest, with future number 1 Making Your Mind Up.
Also on this day, Oxford University student Susan Brown became the first female cox in a winning Boat Race team. And cancer survivor Bob Champion won the Grand National with his horse Aldaniti.

5 April: The UK Census was conducted.

10 April: IRA member Bobby Sands, on hunger strike in Northern Ireland’s Maze prison, was elected MP for Fermanagh and South Tyrone in a by election.

11 April: Rioting in Bristol resulted in more than 300 injured people (mostly police officers).

13 April: Home Secretary William Whitelaw announced a public inquiry into the Brixton riot.

458. Johnny Logan – What’s Another Year (1980)

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The Intro

Irish singer Johnny Logan became the first Eurovision Song Contest winner to also reach number 1 with their song since Brotherhood of Man in 1976 with Save Your Kisses for Me. He also went on to be the first act to win Eurovision twice – hence the nickname ‘Mr Eurovision’.

Before

Logan was born Seán Patrick Michael Sherrard on 13 May 1954 in the Australian suburb of Frankston, Victoria, as his father, the Irish tenor known as Patrick O’Hagan, was touring the country at the time. The Sherrards returned to Ireland when he was three, and by the age of 13 he had taken to composing his own songs. When he left school he became an apprentice electrician but was able to indulge his first love by performing music in pubs.

Sherrard starred in the title role of rock musical Adam & Eve in 1976, and a year later he was the lead in Joseph and the Amazing Technicolour Dreamcoat. In 1978 he took the name Johnny Logan from the main character in 1954 Western Johnny Guitar. His debut single was No, I Don’t Want to Fall in Love, which failed to chart. The following year he made his first attempt to appear at Eurovision, but finished third in the Irish National Final.

In 1980 Logan tried again. This time he entered the Irish National with a song by broadcaster Shay Healy, who had previously written for Billy Connolly, among others. What’s Another Year had been written with Glen Curtin in mind originally, but reworked by co-producer Bill Whelan to suit Logan better. 14 years later, Whelan was asked to compose some incidental music for that year’s Dublin-based Eurovision. He came up with Riverdance, and you know how well that went down.

Logan won the Irish National final in Dublin on 9 March, and so headed to the Eurovision final in the Netherlands on 19 April. Giving a very doe-eyed, woe-is-me performance in a white suit, he won over the judges and became the first Irish winner of the contest since Dana with the execrable All Kinds of Everything.

Review

What’s Another Year isn’t much more pleasing to the ears than Dana’s song, sadly. The saxophone at the start is probably the highlight, because it brings to mind Gerry Rafferty’s Baker Street. It’s downhill from there. This is bog-standard MOR dross, in which a lovelorn Logan moans about yet another anniversary of being alone. He sings it well enough, and makes things slightly more interesting when he trills the song’s title at times. But you ultimately want to give him a shake and tell him that’s more than enough wallowing. He’s good-looking, only bloody 26, and looks a lot younger. Get on Bumble, lad! There’s very little else to add other than this was clearly a victory for the older generation, hitting back after the exciting new sounds of Blondie and Dexys Midnight Runners. Oh, and the video to What’s Another Year is classic 80s soft-focus close-up tediousness.

After

What’s Another Year became number 1 across Europe. Hoping to capitalise on his Eurovision success, In London (which was the B-side of his debut) was released in June as the follow-up, and Save Me not long after that. Neither charted. As we’ve learned, with a few exceptions, Eurovision winners can quickly get forgotten about. In a blatant attempt to win over the grandparents once more, Logan recorded a recent Cliff Richard track, but Give a Little Bit More also flopped.

Logan attempted a comeback in 1983, but his new look and single Becoming Electric were a turn-off. However, in 1985 he was involved with another number 1 single. He was among The Crowd, the supergroup that recorded a cover of You’ll Never Walk Alone in aid of the Bradford City Disaster Fund, launched in the aftermath of the terrible fire that killed 56 spectators. He followed this up by becoming simply ‘Logan’, but Stab in the Back didn’t chart.

In 1984 Logan had written Ireland’s Eurovision entry, Terminal 3, for Linda Martin. And it very nearly won, coming second to Sweden’s amazingly titled Diggi-Loo Diggi-Ley by Herreys. In 1987 he won the contest in Belgium with his self-penned saccharine power ballad Hold Me Now, which reached two in the UK. He also released a cover of 10cc’s 1975 chart-topper I’m Not in Love, which was produced by fellow chart-topper Paul Hardcastle.

Logan continued to release material, but it failed to dent the UK charts. But he still faired OK in Ireland and elsewhere in Europe. He even recorded a cover of Richard’s song Miss You Nights with Elvis Presley’s backing band, the Jordannaires in 1990.

Then in 1992, Mr Eurovision struck a third time. He was the man behind Martin’s Irish entry, Why Me, which won the contest in Sweden. He became one of the select few to have written two winning Eurovision entries.

Logan has continued to release material, but has mostly stuck to Europe, particularly Germany. His stature as Mr Eurovision has ensured he’s remembered by fans of the competition. In 2005 at the 50th anniversary concert in Copenhagen, Hold Me Now was voted third most popular Eurovision entry. A new version peaked at nine in Denmark four years previous. In 2007 the double A-side Don’t Cry/I Love to Party (with Kaye Styles) climbed to seven in Belgium. The last chart success he’s had to date was Pray, a number three hit in his home country in 2013.

The Outro

When the 2020 Eurovision was cancelled due to COVID-19, the Netherlands instead hosted the programme Eurovision: Europe Shine a Light. The show featured previous participants, so of course Mr Eurovision was there, performing the suddenly relevant and even poignant What’s Another Year.

The Info

Written by

Shay Healy

Producers

Bill Whelan & Dave Pennefather

Weeks at number 1

2 (17-30 May)

Trivia

Births

22 May: Actress Lucy Gordon
30 May: Footballer Steven Gerrard

Deaths

17 May: Entrepeneur CC Roberts 
18 May: Joy Division singer Ian Curtis (see ‘Meanwhile…‘/Trade unionist Bert Papworth
19 May: Janet Hitchman/Conservative MP Sir Christopher Peto, 3rd Baronet
20 May: Diplomat Sir Oscar Morland
24 May: Diplomat Ronald Burroughs
25 May: Gardener Alan Chadwick
28 May: Rugby league player Albert Brough/Trade union leader Jack Greenhalgh

Meanwhile…

18 May: In the early hours of the morning, Ian Curtis, lead singer of Joy Division, died by suicide, aged only 23 years old, after writing a note to his wife, Deborah. The couple were soon to be divorced. Deborah discovered her husband’s body on the eve of the band’s tour of North America.

27 May: The inquest into the death of New Zealand-born teacher Blair Peach, killed during a demonstration against the National Front in 1979, returns a verdict of misadventure.

28 May: Nottingham Forest retained the European Cup by defeating West German league champions Hamburger SV 1-0 in Madrid. This was the fourth year in a row that an English club had won the trophy.

418. Brotherhood of Man – Figaro (1978)

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The Intro

Brotherhood of Man took their perceived similarity too far with their second number 1 Angelo. When their next single tanked they followed it up with another song named after a man with a similar name to Fernando. It paid off yet again and gave them a hat trick of chart toppers.

Before

The quartet had released Highwayman after Angelo but scuppered a major chance of promoting it on the 1977 Royal Variety Performance by electing to play the former instead. Figaro was their first release from their seventh album B for Brotherhood. As usual, singers Lee Sheriden and Martin Lee penned the track with producer and manager Tony Hiller. I don’t want to be cruel and call them a low budget Stig Anderson, Benny Andersson and Björn Ulvaeus but…

Review

I was incredibly scathing about Angelo and couldn’t believe it when I saw they topped the charts a third time with what was bound to be another Fernando rip-off. So, put it down to very low expectations but I was pleasantly surprised by this. That’s mainly down to it not actually sounding like a straightforward ABBA copy. And I’m all for a bit of wah-wah guitar and the bawdy brass and song’s theme put me in mind of some kind of politically incorrect 70s British comedy film.

Figaro is a lecherous Spanish waiter intent on pursuing the opposite sex. The dirty dog is constantly at it, winking at the girls with his guitar and wandering the beaches looking for prey. The idea came about when Hiller’s daughter returned from a holiday with tales of real-life Figaros trying to romance her and other young ladies. It’s total throwaway nonsense of course, but it’s better than other Brotherhood of Man songs Angelo and Save Your Kisses For Me. Was the title this time around a reference to Bohemian Rhapsody?

After

Brotherhood of Man’s downfall came soon after. The next single Beautiful Lover was the last time they troubled the charts, peaking at 15. A compilation LP, Twenty Greatest, did at least give them their biggest album chart placing at six.

Hiller set up Dazzle Records in 1980 and signed his group but perhaps due to missing Pye’s promotional budget, they stopped selling well. They signed with Warwick Records. No, I’ve never heard of them either. Sheriden opted to leave in 1982 to study for a degree in music. He was replaced by Barry Upton, later a songwriter for Sonia and Steps.

Encouraged by the huge success of Bucks Fizz, Brotherhood of Man signed with EMI in 1982 and Hiller had high hopes of ripping off another Eurovision-winning group. A year later Hiller, Lee and Upton wrote a tune for A Song for Europe for Hiller’s male/female trio Rubic (how early 80s!) but they came fifth. When Upton decided to leave in 1984, the whole group called it a day.

However in 1985 Sheriden returned with Lee, Nicky Stevens and Sandra Stevens for a one-off TV reunion and decided to continue. They became stalwarts of the nostalgia circuit, becoming regulars at Butlins and other holiday camps. As well as their hits from the 70s they performed tracks like 1999 by Prince. That I have to hear.

The Outro

As 2000 dawned they cut back on touring but two years later they unveiled their show The Seventies Story, a nostalgic look back at the decade that brought them their glory years. They still tour now, sometimes with the current incarnation of Bucks Fizz and are often wheeled out for Eurovision-related shows, remaining one of the most successful winners of the competition.

The Info

Written by

Tony Hiller, Lee Sheriden & Martin Lee

Producer

Tony Hiller

Weeks at number 1

1 (11-17 February)

Trivia

Births

12 February: Welsh rugby player Gethin Jones

Meanwhile…

13 February: Anna Ford becomes the first female newsreader on ITV. Also on this day, an opinion poll conducted for the Daily Mail shows the Conservatives 11 points ahead of the Labour government, with an election due by October next year. The quick turnaround for the Conservatives, who last month were behind Labour, is believed to be due to Margaret Thatcher’s recent negative comments on immigration.

17 February: 12 people are killed by the Provisional IRA in the bombing of the La Mon restaurant in Belfast. It was one of the most horrific incidents in The Troubles, with some bodies left melted and unrecognisable by incineration.

414. Baccara – Yes Sir, I Can Boogie (1977)

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The Intro

The first ever number 1 by a female duo, Yes Sir, I Can Boogie is also one of the best-selling songs of all time.

Before

Spanish duo Baccara had only formed the year previous. Mayte Mateos (born 7 February 1951 in Logroño) graduated as a teacher at the Royal Spanish Academy for Arts, Drama and Dance. She started at a television ballet company, where she met fellow performer María Mendiola (born 4 April 1952 in Madrid). They bonded and formed variety show singing and dancing duo Venus and left the company.

Venus garnered a few TV and nightclub appearances but they decided to relocate to the Canary Islands. In Fuertaventura, they were performing flamenco dance and Spanish songs for mostly German tourists at the Tres Islas Hotel. Among the guests was Leon Deane, manager of the German subsidiary of RCA Records. He invited them to Hamburg to meet producer and composer Rolf Soja.

Soja remodelled Venus, developing their stage act, recruiting backing musicians and renaming them Baccara. This was a reference to the black rose, which Soja compared the duo to due to their dark Spanish looks. He took their flamenco stylings and updated them for the disco era, which was growing ever more popular. By suggesting Mateos, who would normally sing lead, in black and Mendiola in white, he created a striking image. Together with their sexy groans, Baccara fitted in nicely with the era in which Donna Summer had released the filthy epic Love to Love You Baby.

Soja co-wrote their debut single Yes Sir, I Can Boogie with Frank Dostal. In the 60s, Dostal had been singer with German rock group The Rattles.

Review

I was very surprised to see this single ranked so highly among the bestselling of all time. In my mind, Yes Sir, I Can Boogie was a minor entry in the canon of 70s disco hits, but it was very popular around Europe, reaching the top of the charts in Ireland, Belgium, Germany, the Netherlands, Norway, Sweden and Switzerland.

It’s not the most inspiring of tracks. The steamy moans at the start bring to mind Summer’s classic and the music is almost a complete lift of Don’t Leave Me This Way by Harold Melvin & the Blue Notes. Baccara’s number 1 is a low rent combination of the two.

The lyrics, written only the night before the duo recorded, are rather seedy and desperate, depending on how you read them. Is this some kind of dirty game, with the ‘Sir’ in question in charge, and ‘boogie woogie’ meaning something rather less innocent? Incidentally, I hate the words ‘boogie woogie’, which doesn’t help my enjoyment. Unless we are meant to take them on face value and Baccara really are just exclaiming about how great they are in the disco. The way Baccara sing this in a broken English makes it both grubby and rather comical at the same time.

Having said that, there are a couple of lines which are genius: ‘Yes sir, already told you in the first verse and in the chorus/But I will give you one more chance…’. The chorus, particularly the string stabs, are pretty memorable. But for me there are plenty of other better disco tracks out there.

After

Baccara’s eponymous debut LP followed and next single Sorry, I’m a Lady (great title) was another hit, reaching number 1 in many European countries and peaking at eight in the UK. Third single Darling did OK in Europe but the hits then dried up. Their second album Light My Fire was released in 1978 and one single, Parlez-vous Francais? was selected to be Luxembourg’s entry in that year’s Eurovision Song Contest, where it placed seventh. Baccara appeared weekly on French singing star Sacha Distel’s TV series in the UK. Third album Colours failed to chart anywhere in 1979.

Such was Baccara’s fall from grace that their final album Bad Boys didn’t even get released here in 1981. Disco was dying and tensions were high after a disagreement between Mateos and Mendiola over the vocal mix of the single Sleepy-Time-Toy the previous year. As a result of the fall-out neither Soja or Dostal were involved in Baccara’s last album. They decided to go their separate ways.

Following the split Mateos began working with Soja on solo material. She reformed Baccara in 1983 with Marisa Pérez. This pairing was short-lived and Mateos went through umpteen partners across Europe’s light entertainment circuit. In 1999 Mateos and Cristina Sevilla released a reworked version of Yes Sir, I Can Boogie and recorded an album, Baccara 2000. This version attempted to enter Eurovision in 2004 but didn’t get selected. In 2008 Mateos recorded another Baccara album with Paloma Blanco (?) Satin …in Black & White was produced by Soja and Dostal and featured yet more reworked back catalogue material.

In 1985 Mendiola teamed up with vocalist Marisa Pérez and they became New Baccara. Two years later they had a Spanish top five hit with Call Me Up and their Hi-NRG songs went down well in European clubs. Towards the end of the 90s they confusingly dropped the ‘New’ from their name. In 2004 they appeared on UK reality show Hit Me Baby One More Time. To make matters even more confusing, Pérez left in 2008 and was replaced by Sevilla from Mateos’s Baccara. In 2016 they released yet another version of their UK number 1, with the band Plugin.

The Outro

Yes Sir, I Can Boogie was reworked and improved on by Goldfrapp in 2003. Yes Sir turned up the sleaze and dropped any mention of ‘boogie’. In November 2020 the original made the top 60 again after members of the Scotland football team posted online videos of them dancing to it. Sounds bloody awful.

Mendiola’s death was announced on 12 September 2021. She was 69.

The Info

Written by

Rolf Soja & Frank Dostal

Producer

Rolf Soja

Weeks at number 1

1 (29 October-4 November)

Trivia

Births

1 November: Singer-songwriter Alistair Griffin
4 November: Singer Kavana