The Intro
Before they reached number 1, New York soul trio Odyssey were best known for Native New Yorker. But Use It Up and Wear It Out, which didn’t even chart in the US, was originally tucked away as a B-side, before it began igniting UK dancefloors.
Before
None of Odyssey were native New Yorkers. Before the group existed, there were The Lopez Sisters, from Stanford, Connecticut. Lead vocalist Lillian Lopez Collazo Jackson and elder sisters Louise Lopez and Carmen Lopez were raised there after being initially raised in the Virgin Islands.
The Lopez Sisters had been performing from a young age, and they headlined New Faces of 1968 at Carnegie Hall. They were spotted by an agent and booked to perform a European tour. When they returned five months later, Carmen left to get married. Lillian and Louise resolved to continue, but with a man on the team, so they hired Filipino bassist and singer Tony Reynolds.
As soul and disco act Odyssey, they signed with RCA Records in 1977 and worked with prolific producer and songwriter Sandy Linzer, who helped create many 60s pop tunes with Denny Randell and Bob Crewe. They recorded their eponymous debut LP and Native New Yorker became their debut single. The upbeat Native New Yorker had previously been an album track for Frankie Valli, but it was Odyssey’s version that became a hit. Though the single only peaked 21 in the US, it reached five in the UK. No further singles from the album charted, and Reynolds left the trio, to be replaced by Fayetteville, North Carolina native William ‘Bill’ McEachern.
Second LP Hollywood Party Tonight was released in 1978 but didn’t leave much of a mark, with no singles charting. Odyssey were beginning to look like one-hit wonders, who had arrived too late to ride the wave of disco. Third album Hang Together came out a year later, and the single Don’t Tell Me, Tell Her, was another failure. On the flip side was Use It Up and Wear It Out. Linzer co-wrote the track with L Russell Brown, who had co-written Knock Three Times and Tie a Yellow Ribbon Round the Ole Oak Tree.
Review
Use It Up and Wear It Out is an infectious combination of disco and salsa, which had been all the rage a few years previous when Saturday Night Fever was everywhere. But then came the ‘Disco Sucks’ movement. From an acid-fuelled club movement in the mid-70s, disco was now attempted by most mainstream artists, with varying degrees of success. So a backlash was inevitable. But the ‘Disco Sucks’ concept was ugly, often used as an excuse for homophobic, racist remarks. And it led to the ridiculous Disco Demolition Night, where records were blown up and a riot ensued between Major League Baseball games at Comiskey Park in Chicago, Illinois on 12 July 1979.
‘Disco Sucks’ had sped up disco’s demise in the US, but not so much in the UK. So Use It Up and Wear It Out was welcomed here with open arms. And deservedly so, because although it’s not up there with classics of the genre, it’s good fun. The jerky, Latin groove gets under the skin, while Odyssey issue a call to arms to get up and dance. If the music’s right and the stars align, it’s true that dancing becomes everything, so the line ‘Ain’t nothin’ left in this whole world I care about’ is particularly effective. As is often the case with disco, the 12″ version is better because it’s easier for the rhythm to work its magic, although there’s not that much difference between this and the single edit. The keyboard sounds… well, yes, they’re a bit quirky and an acquired taste, but I enjoy them. Use It Up and Wear It Out may be a minor chart-topper, but it’s a decent one.
After
Capitalising on momentum, Odyssey followed up Use It Up and Wear It Out with If You’re Lookin’ for a Way Out, which peaked at six. The parent album’s title track fared less well, only making it to 36 in 1981. That same year came another album, I Got the Melody, which contained their version of Lamont Dozier’s classic Going Back to My Roots – and it soared to four.
Odyssey’s last charting single was Inside Out (three), the first track from 1982’s Happy Together. This was their final work for RCA, and Reynolds left, so the name proved more than a little ironic.
The Outro
Odyssey continue but the line-up has changed. For some time, the trio consisted of Lillian, her future husband Al Jackson and her son Steven Collazo. When his mother and step-father retired in 2003, Collazo took charge and hired twins Annis and Anne Peters for the 2011 album Legacy. They were replaced in 2013 by Jerdene Wilson and Romina Johnson, who had sang on Artful Dodger’s 2000 garage hit Movin’ Too Fast.
The Info
Written by
Sandy Linzer & L Russell Brown
Producer
Sandy Linzer
Weeks at number 1
2 (26 July-8 August)
Trivia
Births
28 July: Rock climber Leo Houlding
Deaths
26 July: Theatre critic Kenneth Tynan
28 July: Businessman Sir Cullum Welch
29 July: Nurse Eileen Skellern
4 August: Actress Dorice Fordred
5 August: Composer Normal Fulton
6 August: Agriculturalist Leslie Hilton Brown
7 August: Socialist activist Lady Clare Annesley/Railway engineer Henry Everard/Children’s author Kathleen Fidler
Meanwhile…
26 July: Bow Wow Wow’s C30, C60, C90, Go – the first pop single to be released on cassette format –peaked at 34 in the charts.
29 July: Prime Minister Margaret Thatcher announced the introduction of Enterprise Zones. The new employment relief was targeted at areas in Britain which had been hardest hit by deindustrialisation and unemployment.
