The Intro
US Grammy-winning soul singer Deniece Williams is probably best known for her US number 1 Let’s Hear It for the Boy from the musical drama Footloose. However, she had a UK number 1 seven years earlier with Free, which seems to have been mostly forgotten about. This is wrong.
Before
June Deniece Chandler was born 3 June 1951 in Gary, Indiana. She grew up singing gospel in a Pentecostal church but at home she particularly loved jazz singers like Nancy Wilson and Carmen McRae. Chandler went to Morgan State University in Baltimore, Maryland in the hopes of becoming a registered nurse, but she dropped out after a year and a half. Chandler had taken up a part-time job singing and also spent time working as a ward clerk and for a telephone company.
In 1968, as Deniece Chandler, she began recording for The Toddlin’ Tow group of labels in Chicago. Her debut was Love Is Tears. Her early work left little mark, but one song, I’m Walking Away, became popular with the Northern Soul scene in the UK. In 1969 she briefly joined and sang lead with The Lovelites.
In 1971 Chandler became Deniece Williams after marrying high-school sweetheart Kendrick Williams, Around this time, her cousin John Harris was working as a valet for his childhood friend Stevie Wonder. He introduced her to Wonder, and he asked her to join Wonderlove, his group of backing singers. And so Williams had the pleasure of performing on some of Wonder’s greatest work, including the albums Talking Book in 1972, Fulfillingness’ First Finale in 1974 and Songs In the Key of Life in 1976. Williams also featured on Syreeta’s 1974 LP Stevie Wonder Presents: Syreeta, Minnie Riperton’s Perfect Angel in 1974 and Roberta Flack’s Feel Like Makin’ Love a year later.
But in 1975 Williams decided to try again as a solo artist, befriending Earth, Wind & Fire’s Maurice White. He and record producer Charles Stepney set up production company Kalimba Productions and got her signed to Columbia. Williams worked with them on her debut album, This Is Niecy, released in 1976. A few months before it hit the shops, Stepney died. The first single to be released was Free.
Review
This sprawling sophisticated soul stretches out to 5.58 on the album, but unfortunately it’s hacked back to 2.50 in its single form. It’s a shame as it does take away some of its beauty. But then again, it’s too good a song to keep as just an LP track. Williams puts in a gorgeous performance, cooing and seducing, sweet and sensuous. It’s very refreshing to hear a woman singing about how she has no intention of sticking around once she’s spent the night with this guy. Excellent production from White and Stepney too. It’s very similar in sound to a Gamble & Huff classic, sung by Minnie Riperton. Free definitely deserves to be better known and it’s nice to see the British public sending something like this to the top of the charts for a fortnight.
After
Another single from This Is Niecy – That’s What Friends Are For – followed and also did well here, peaking at eight. White produced Williams’ follow-up album Song Bird alone, but a lone single, Baby, Baby My Love’s All for You only reached 32. In 1978 she guested on Johnny Mathis’ album You Light Up My Life and their duet from it, Too Much, Too Little, Too Late was a US number 1 and climbed to three on these shores. They decided to record a full album together, named after That’s What Friends Are For.
The next few years saw little in the way of chart success, bar It’s Gonna Take a Miracle (10 in the US) from 1982 LP Niecy. Another duet with Mathis, Love Won’t Let Me Wait, was released in 1984. But it was the title track to her next album, Let’s Hear It for the Boy, which saw her make a great comeback later that year. It reached two in the UK and was a US number 1, no doubt helped by its exposure in Footloose. The following year she worked with Wonder again, on his album In Square Circle.
In 1986 Williams went back to her roots, releasing the gospel album So Glad I Know. Over the past few years she had been nominated for many Grammys. She finally won two in 1987 – Best Female Soul Gospel Performance for I Surrender All and Best Duo or Group Gospel Performance with Sandi Patti for They Say. A year later she won Best Female Gospel Performance for I Believe in You. Understandably, with such plaudits coming her way, Williams began concentrating on gospel.
The Outro
Her output began to slow during the 90s but Williams did guest on Nancy Wilson’s 1990 album A Lady With a Song, George Duke’s 1992 album Snapshot and Stevie Wonder’s Conversation Peace in 1995. In 1998 she released This Is My Song, a gospel album that earned her Grammy number four, for Best Pop/Contemporary Gospel Album. WIlliams’ last album to date is 2007’s Love, Niecy Style.
The Info
Written by
Deniece Williams, Hank Redd, Nathan Watts & Susaye Greene
Producers
Maurice White & Charles Stepney
Weeks at number 1
2 (7-20 May)
Trivia
Births
13 May: Actress Samantha Morton
Meanwhile…
7 May: The third G7 summit is held in London.
Also on this day, the 22nd Eurovision Song Contest is held in London. Marie Myriam wins for France with L’oisseau et l’enfant (The Bird and the Child). In second place were the UK thanks to Lynsey de Paul and Michael Moran’s Rock Bottom.
10 May: An explosion at Dounreay nuclear power plant is caused by potassium and sodium.
15 May: Liverpool become English Football League champions for the 10th time.
17 May: The Queen commences her Silver Jubilee tour in Glasgow.