243. Love Affair – Everlasting Love (1968)

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On 4 February, 96 Indians and Pakistanis arrived in Britain from Kenya. By this date, 1,500 Asians had arrived in the country from Kenya, where draconian immigration laws had been forcing them out. Two days later the Winter Olympics began in Grenoble, France. Great Britain and Northern Ireland were rubbish, and didn’t win a single medal.

Enjoying a fortnight at number 1 were London-based pop and soul quintet Love Affair with their slick, anthemic Everlasting Love. Singer Steve Ellis (barely 16), keyboardist Morgan Fisher, guitarist Rex Brayley, bassist Mick Jackson and drummer Maurice Bacon formed the group, originally the Soul Survivors in 1966.

Impressive live shows led to Decca Records signing them that year. However, their first and last single for the label, a cover of She Smiled Sweetly by the Rolling Stones, was a flop. Around this time, Fisher left briefly to be replaced by the perfectly named Lynton Guest.

They then signed with CBS Records, and had their first stab at recording Everlasting Love, with Muff Winwood of Spencer Davis Group producing. This song was written by Buzz Cason, better known to the music world as rock’n’roll singer Garry Miles, and country singer-songwriter Mac Gayden. Soul singer Robert Knight originally made it a hit in the US, but when it was offered to the Marmalade, they rejected it. They were to have a number 1 in 1969 with their cover of Ob-La-Di, Ob-La-Da.

The version that Love Affair made didn’t meet the approval of their new label, and so the released version only actually features Ellis on vocals, with the rest of the band replaced by session musicians. The rhythm section featured Russ Stableford on bass and the number 1 session legend Clem Cattini behind the drum kit. The trio were bolstered by strings, brass, flutes and female backing singers (one of which may or may not have been future number 1 star Kiki Dee). This arrangement came from Keith Mansfield, later the man behind the theme to BBC’s Grandstand. Production came from Mike Smith, making this two concurrent number 1s in a row for him after the success of Georgie Fame’s The Ballad of Bonnie and Clyde.

Everlasting Love is an effervescent blast of slick 60s pop, and it’s not hard to see why it’s endured over the years. Smith and Mansfield crafted a sophisticated sound that puts it above lots of pop of the era. Ellis’s vocal is great – despite his age, that boy had soul, much like his contemporaries Steve Winwood and Steve Marriott. It’s the rhythm section that really shines though, particularly Stableford, whose bass pulsates throughout, and it’s a wonder that his break in the intro hasn’t been sampled by now.

It’s a weird one though – as much as I can admire this single, I don’t love it, and everything tells me I should. It ticks all the right boxes, but I feel something is missing. Yet I can’t put my finger on what it is. Such is the subjectivity of taste, I guess. Click above and you can see the promo video the band put out, featuring Love Affair performing in front of posters of Mick Jagger and Jimi Hendrix, and dancing from the archetypal 60s blonde model and another girl, dancing strangely and dressed a bit like a clown in John Lennon-style shades.

There was some controversy when it was discovered that Love Affair didn’t perform on the single, which seems a little unfair to me. Plenty of bands I’ve reviewed on this blog used session musicians, even culturally significant ones such as the Byrds on Mr Tambourine Man.

It didn’t seem to damage the band at first though, with the next few singles reaching the top ten too, namely Rainbow Valley and A Day Without Love. But they stuck too rigidly to the template of their biggest hit, and grew wary of having become teen idols when they wanted to be considered serious soul musicians. They also continued using other musicians on their A-sides, which won’t have helped. The true band only got a say in the B-sides.

Debut album The Everlasting Love Affair, with Fisher back in the band, also featured mostly session musicians. Despite their singles success, the album flopped, and in 1968, that was the wrong way round to go about things.

By the end of 1969, an increasingly frustrated Love Affair tried to change the template with the single Baby I Know, but it didn’t chart. That December, Ellis left the group to go solo. He recorded with Zoot Money as Ellis, sang with Widowmaker and released an album under his own name in 1978, but none of this made much of a mark.

Love Affair soldiered on as LA for a few years, taking a more progressive rock direction with new vocalist August Eadon. In 1971 their second album New Day did so badly they were dropped by their label. Fisher eventually ended up in Mott the Hoople, and Love Affair returned several times, but without any original members, for cabaret shows.

Love Affair’s Everlasting Love became popular once more when it featured in the romantic comedy sequel Bridget Jones: The Edge of Reason in 2004, where an inferior version by Jamie Cullum also featured on the soundtrack and over the closing credits.

Written by: Buzz Cason & Mac Gayden

Producers: Mike Smith & Keith Mansfield

Weeks at number 1: 2 (31 January-13 February)

Deaths:

Welsh journalist Gomer Berry, 1st Viscount Kemsley – 6 February 

75. Connie Francis – Carolina Moon/Stupid Cupid (1958)

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Thanks to Who’s Sorry Now? Connie Francis had become a star. MGM changed their minds and offered her a new contract. The problem now was, how do you follow it up? Her next two singles, I’m Sorry I Made You Cry and Heartaches, sank without trace. Francis needed another track that would appeal to both young and old listeners. As luck would have it, she got one of each.

Yet again, her father suggested wisely when he picked Carolina Moon. Like Who’s Sorry Now? it was an oldie. It had been written by Joe Burke and Benny Davis in 1924, and was a hit for Gene Austin four years later. Both songwriters were responsible for a number of famous tunes – Joe Burke came up with Tiptoe Through the Tulips and Davis wrote Baby Face with Harry Akst.

Carolina Moon is a sweet, wistful ballad, tenderly sang by Francis. She’s missing her love and is hoping the moon will find him and tell him she’s ‘blue and lonely’. They can’t have had a decent postal service near Francis, I guess. Crap joke aside, it’s a good showcase for the singer, and the plaintive harmonica solo is a highlight. On it’s own though, I doubt it would have reached number 1 Luckily for Francis, her luck turned once more.

Howard Greenfield and Neil Sedaka were still in their teens and struggling to get their foot in the door of the world of songwriting. Eventually they wound up at the office of Aldon Music, a new company formed by producers Don Kirshner and Al Nevins. I say office… by all accounts the tiny room was a piano, two desks and lots of boxes as they had only just moved in. Nonetheless, Kirshner was impressed (Nevins less so), and he contacted Francis to say the boys could help her out.

Kirshner, Greenfield and Sedaka were surprised to see Francis was still living in humble surroundings, in a small house with no carpet. They played ballad after ballad to her and Bobby Darin (the singer had started in music as Francis’s songwriter). She later recalled in an interview for DISCoveries Magazine that hours later, after Kirshner had left, she said, ‘Look, fellas. I hate to tell you this and don’t get me wrong, your music is beautiful, but it’s too educated. The kids don’t dig this kinda stuff anymore. You guys are putting me to sleep. Don’t you have something a little more lively?’ Greenfield told Sedaka to play a sample of a new song they had written for the Shepherd Sisters. Sedaka was horrified. He considered Francis way too classy to even suggest such a thought. He relented, played her Stupid Cupid, and finally Francis, Kirshner, Greenfield and Sedaka got what they looking for. A big hit.

Stupid Cupid was inspired. Sedaka might not have thought it was classy, but music didn’t need to be anymore. It had witty lyrics, a memorable tune and great production from Morty Kraft. The bass player remains unknown but whoever it was, their work is considered some of the best in rock’n’roll up to that point. The guitar twang every time Francis reaches ‘Stupid Cupid, stop picking on me’ is clever or annoying depending on your mood, but the way Francis sings that line is perfect. She certainly had a knack of owning the songs she worked on

Spending six weeks at number 1, Carolina Moon/Stupid Cupid finally established Francis, and although she never reached the top again, the hits continued. Lipstick on Your Collar is still considered a 50s classic. She continued her winning ways around the world for years to come, and had further number 1 success in the US into the 60s, but the 70s were tough on the singer. She was raped and nearly suffocated in a motel in 1974. The attacker was never found, and Francis became reclusive and addicted to medication. In 1977 she completely lost her voice following surgery. When it returned, she had to learn to sing all over again. She began performing again, but in 1981 her brother was murdered by Mafia hitmen, and she was diagnosed with manic depression before being committed to 17 different hospitals. Having led such a rollercoaster life, she decided to release her autobiography, Who’s Sorry Now? in 1984, and it became a bestseller. Despite her tribulations she is remembered as one of the biggest stars during a time that was mainly male-dominated. Greenfield and Sedaka of course became very successful, and Sedaka later a star in his own right, and Kirshner earned himself the nickname ‘The Man with the Golden Ear’, managing, among others, The Monkees, before they broke free.

On 1 October the sovereignty of Christmas Island is transferred from the UK to Australia, and two of the BBC’s longest-running television series also began during Francis’s second reign at the top. 11 October saw the start of sports programme Grandstand, which lasted until 2007, and five days later, Blue Peter began, which continues to this day. 21 October saw the first women take to their seats in the House of Lords, and a week later, the State Opening of Parliament was broadcast on TV for the first time.

Written by:
Carolina Moon: Joe Burke & Benny Davis/Stupid Cupid: Howard Greenfield & Neil Sedaka

Producers: Connie Francis/Leroy Holmes

Weeks at number 1: 6 (26 September-6 November)

Births:

Novelist Irvine Welsh – 27 September
Musician Thomas Dolby – 14 October
Duran Duran singer Simon Le Bon – 27 October 

Deaths:

Birth control advocate Marie Stopes – 2 October
Cricketer Charlie Townsend – 17 October
Philosopher GE Moore – 24 October
Physicist Stephen Butterworth – 28 October