359. Ken Boothe – Everything I Own (1974)

The Intro

A tune that started out as a soft rock tribute to Bread singer David Gates’s dead father was repurposed as a reggae love song by Jamaican rocksteady singer Ken Boothe and became his sole number 1 in the autumn of 1974.

Before

Gates’s father had died in 1963, long before his son’s group became successful, but he considered him his greatest influence. The title was also inspired by him, as when Gates was a struggling musician he had bought his mother an orchid, and his father wrote to him saying he could have ‘anything she owned’ in return. It’s a lovely song, and will mean a lot to anyone who has lost a parent, but despite reaching number three in the US in 1972, it stalled at 32 in the UK.

Boothe was born in Denham Town, Kingston on 22 March 1948. He developed an interest in music while at Denham Primary Elementary School, with the help of his eldest sister Hyacinth Clover, who was part of a comedy double act. One of his biggest influences was Owen Gray, considered Jamaica’s first homegrown singing star.

As a teenager, Boothe formed a singing duo with his friend Winston ‘Stranger’ Cole. They released singles together as Stranger & Ken between 1963 and 1965. He also recorded as Roy & Ken with Roy Shirley in 1966, the same year he went solo and began recording at the famed Studio One, scoring his first hit with The Train Is Coming, on which he was backed by The Wailers. Boothe toured the UK the following year, promoted as ‘Mr Rocksteady’. To the unitiated, ‘rocksteady’ came after ska and before reggae, and is basically a slowed-down version of the two. It has nothing to do with rock.

Boothe enjoyed a number of hit singles over the next few years, including Moving Away and covers of American and British soul tunes. He switched to producer Leslie Kong’s Beverley’s Records in 1970, but following his untimely death he moved around and eventually settled with UK-based Trojan Records and Lloyd Charmers in 1971.

Two albums, 1973’s Black Gold and Green and 1974’s What’s Going On followed, and then when they began another album, Charmers suggested they work on a cover of Everything I Own, which eventually became the name of the LP too. It featured the Federal Soul Givers, Lloyd Parks on bass, Paul Williams from Toots and the Maytals on drums, Willie Lindo on guitar and Charmers on organ, piano and percussion. Unlike most covers, not only was the arrangement updated, but the lyrics were changed enough to alter the meaning of the song, altering it from a son mourning his father, to a spurned lover hoping to change her mind by whatever means necessary.

Review

Although a minor number 1 (strong enough to top the charts once more when Boy George released it in 1987, though), Boothe’s cover is a pleasant slice of light reggae-pop – the type of reggae I’d normally avoid (don’t get me started on UB40, plenty of time for that when I reach the 80s). Most of that is simply down to Boothe’s voice. Some find his delivery too exact and too tight to the music but his trademark deep timbre is unusual and makes the performance feel real to me, suggesting Boothe is wounded and broken but hopeful. However, it sounds like it was his fault, as Boothe mentions taking someone for granted.

Musically, Boothe’s version is better, but I prefer the lyrics to the original. They stand out more and after all, there are a million songs in which the singer is broken-hearted and trying to persuade their lover back. Not bad at all though.

After

Boothe had one more UK hit from the same album when Crying Over You reached 11. Unfortunately Trojan’s financial difficulties resulted in the label suspending operations, and Boothe’s career struggled to regain momentum when it returned in 1978. That year, he was name-checked in The Clash’s (White Man) In Hammersmith Palais.

Boothe and Trojan parted ways again, and his recording output dropped considerably from then on, with only two albums released in the 80s – Imagine (1986) and Don’t You Know (1987), but often he was reworking old Studio One material. UB40 (there they are again) covered Boothe on their Labour of Love album in 1983, and its sequel in 1992. In 1995 Boothe collaborated with Shaggy on a remake of The Train Is Coming on the soundtrack to the action film Money Train.

The Outro

In 2003, Boothe was awarded the Order of Distinction from his homeland for his contribution to Jamaican music.

The Info

Written by

David Gates

Producer

Lloyd Charmers

Weeks at number 1

3 (26 October-15 November)

Trivia

Births

29 October: Cricketer Michael Vaughan
2 November: Hammer thrower David Smith
4 November: Singer Louise Redknapp

Deaths

28 October: Poet David Jones

Meanwhile…

28 October: The wife and son of Sports Minister Denis Howell survived a Provisional IRA bomb attack on their car.

4 November: Judith Ward was sentenced to life imprisonment for the M62 coach bombing on 4 February. It took 18 years for her to be released due to a wrongful judgement.

7 November: Richard John Bingham, 7th Earl of Lucan, better known as Lord Lucan, went missing after his children’s nanny, Sandra Rivett, was bludgeoned to death in the Lucan family home. He was never found and his death certificate was granted in 2016.
Also that day, an IRA bomb explodes at the Kings Arms, Woolwich, killing two. 

11 November: The New Covent Garden Market in Nine Elms opened.

13 November: The Americanisation of the UK took a giant leap forward when the first McDonald’s restaurant opened in Woolwich, South London. 

299. Dave and Ansil Collins – Double Barrel (1971)

The Intro

‘I, AM THE MAGNIFICENT!’. After six weeks at the top, T. Rex’s Hot Love made way for the first reggae number 1 since Desmond Dekker & the Aces’ Israelites in 1969, and one of two to come from Trojan Records, Britain’s most famous label for reggae, dub and ska artists.

Before

The label’s origins trace back to 1968, when Island records boss Chris Blackwell and Musicland’s Lee Gopthal pooled their resources and launched a devoted reggae sub-label. The name came from the Trojan truck used by Duke Reid as a sound system in Jamaica, which became known as ‘the Trojan sound’.

With the growing interest in reggae and ska in the UK and the rise of skinhead culture, by 1970 Trojan Records had scored several hits by artists including The Maytals, Lee ‘Scratch’ Perry’s Upsetters, and The Harry J All Stars. They did so by licensing Jamaican 7′ records by producers such as Reid and Leslie Kong. Dave and Ansell Collins were the lucky duo thrown together to record Double Barrel.

Dave, aka Dave Barker (my dad’s name) was a session vocalist, born David John Crooks on 10 October 1947 in Kingston, Jamaica. Crooks was raised by his grandmother and three uncles from the age of four. He developed a stammer as a result of beatings as a child, but by the time he was a teenager he was interested in singing, thanks to American radio stations playing James Brown.

Crook’s first group was The Two Tones, and from there he briefly joined The Techniques, led by his future producer Winston Riley. While one half of the duo Glen and Dave and working at Studio One, he was introduced to Perry, who took him on as a regular singer. It was Perry that told him to change his name to Dave Barker, and he also encouraged him to adopt his toasting style, in which he would shout over songs in the style of a US disc jockey and make grand pronouncements like the first line of this blog, which introduces Double Barrel. Which brings us to the other half of Dave and Ansil Collins – confusingly, musician Ansel Collins (his name was spelt differently on the record’s release).

Collins, born 1949, also in Kingston, began his career as a drummer before moving to keyboards in the mid-60s. At the end of the decade he was a member of The Invincibles alongside Sly Dunbar. Collins also played on two of The Maytals’ greatest tracks, Pressure Drop and Sweet and Dandy, both from 1969. He also began to work with Perry around this time, and it’s likely this is how Barker and Collins met.

Riley had written the instrumental Double Barrel and probably contacted his old colleague Barker to toast over the top while Collins provided organ and piano. Dunbar makes his recording debut on drums here, several years before becoming one half of Sly and Robbie with Robbie Shakespeare.

Review

Double Barrel is essentially very similar to The Harry J All Stars’ excellent instrumental The Liquidator from 1969. It’s a charming, quirky reggae/rocksteady track led by Collins’ nimble work at the piano, with organ at times. What made it edge to the top when The Liquidator (which is a superior tune) didn’t is likely down to Dave. His showing off at the start really gets your attention, and makes it one of the most memorable intros since The Crazy World of Arthur Brown’s Fire. Clearly, shouting before the music starts is the way to go, even if in Dave’s case, it’s not always clear what the hell he’s on about. He’s the Magnificent W-O-O-O, I get that, but the rest is vague due to the echo… something about soul, I think. Anyway, whatever it is, Dave’s enthusiasm is infectious, particularly ‘break’ (I think) over and over on the beat, and in a way you could see this as a forerunner of hip-hop thanks to his toasting. Double Barrel is short, sweet, and a nice taste of something different to mix things up a bit. 70s record buyers had their faults, but one look at 1971’s number 1s proves they were an eclectic bunch.

After

Dave and Collins also released an LP together called Double Barrel, and one of the tracks, Monkey Spanner, made it to number seven later that year. Dave’s intro this time ‘This is the heavy, heavy monster sound!’, combined with ‘Don’t watch that, watch this!’ from an earlier track he worked on, Funky Funky Reggae, were adopted by Chas Smash on the intro to Madness’s brilliant One Step Beyond in 1979.

The Outro

The duo parted company after this, bar a short-lived reunion in 1981. Barker remained in England and joined the vocal group Chain Reaction. He’s appeared on stage with The Selecter and The Riffs.

Collins continued as a session musician and solo artist at times, working with some of the world’s foremost reggae and dub artists, including Jimmy Cliff, Black Uhuru, Prince Tubby, Augustus Pablo and Prince Far I. He also collaborated with fellow UK number 1 star Serge Gainsbourg.

The Info

Written & produced by

Winston Riley

Weeks at number 1

2 (1-14 May)

Trivia

Births

9 May: Footballer Jason Lee/Oasis bassist Paul McGuigan

Deaths

1 May: RMS Titanic survivor Violet Jessop

Meanwhile…

1 May: Far-Left militants The Angry Brigade struck again when a bomb exploded in fashion company Biba’s Kensington store.
Also that day, the Daily Mail appeared as a broadsheet newspaper for the last time. It relaunched as a tabloid the day after.

8 May: Arsenal won the FA Cup final with a 2–1 win over Liverpool at Wembley Stadium. Arsenal’s Eddie Kelly became the first substitute to score in an FA Cup final, and this was only the second time that century (and the fourth time ever) that an English team had completed the double of the Football League First Division and the FA Cup.

11 May: Britain’s oldest tabloid newspaper, the Daily Sketch, was withdrawn from circulation after 62 years. It was absorbed by the Daily Mail.