Rolf Harris

486. Adam and the Ants – Prince Charming (1981)

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The Intro

1981 was the year of Adam and the Ants. No sooner had Ant and co. hit the top spot with Stand and Deliver! than they were at number 1 again with another early 80s classic.

Before

Following the success of Stand and Deliver!, Adam and the Ants spent most of the summer in continental Europe on tour. Upon their return they headed to London’s Air studios to record what became their last album.

Prince Charming, which became the title track, was an unusual sound for a number 1. Gone were the Burundi beat stylings of previous LP Kings of the Wild Frontier, and even the pop of Stand and Deliver!. Although Prince Charming is imperial Antmusic, it’s fair to say that, had this song been released by a total unknown, it wouldn’t have had the impact it did. Weirdly, it kind of already had been.

In 2010, Rolf Harris, still a national treasure at that point, claimed on BBC Radio 5 Live’s Danny Baker Show that a musicologist had found Prince Charming to sound identical to War Canoe, a 1965 release by Harris. You only have to hear 10 seconds of this (which is 10 seconds more than Harris deserves) to hear that they are indeed exactly the same.

However, Ant never denied it, and in fact showed Harris to be the devious bastard that he proved to be, when he noted that he owned a large collection of ethnic recordings, and War Canoe was in fact an old Maori folk song. Harris subsequently withdrew his complaint ‘with a bit of a giggle’. The prick.

Review

At least Ant and co-writer/guitarist Marco Pirroni made it interesting, adding the trademark Ant wailing alongside the guitar. Ant’s lyrics covered similar ground to Stand and Deliver!. That song concerned a dandy highwayman, whereas Prince Charming was lyrically inspired by Beau Brummel, the 18th-century dandy fashion leader, as well as the extravagance of men during the French Revolution. This tied in perfectly with the emerging New Romantic scene that Ant found himself in.

Much like David Bowie and Marc Bolan had encouraged men to not be afraid to wear make-up and experiment nearly 10 years previous, Ant made himself the voice of his generation, extolling the virtues of being flamboyant in 1981 – ‘Don’t you ever, don’t you ever, stop being dandy, showing me you’re handsome’ and the classic line ‘Ridicule is nothing to be scared of’.

Musically, yes, Prince Charming is far less adventurous than previous material, never changing from that War Canoe strum. But it is a true earworm that buries its way into the consciousness, and with Adam and the Ants, it’s more a case of taking note of the whole multimedia package, which means factoring in the video.

This Cinderella spoof is the strongest element of Prince Charming. Ant portrays the male version of Cinders, left at home while his drag queen evil stepsisters get to go to the ball and ‘dance the Prince Charming’. In one of her final roles, Diana Dors (Ant had personally appealed to her to take part) appears as Ant’s Fairy Godmother and dances iconically with five topless men. Ant becomes a Regency era dandy, goes to the ball and gets to do the dance himself, which went down in history as an essential element of this song. You simply cannot hear Prince Charming without picturing the dance, which is barely even a dance. The video ends with Ant in various guises, including Clint Eastwood, Alice Cooper and Marlon Brando, which he pulls off surprisingly well.

Prince Charming is perhaps Ant’s definitive statement on being a pop star, a love letter to his fans and the high watermark of his band’s popularity, and still sounds great today. But if I’ve spoiled it for anyone by linking it to Harris, I apologise.

After

In November, a few weeks after the single had began to slip down the charts, came the parent album, which surprisingly failed to hit number 1. Despite that, Adam and the Ants were one of the UK’s biggest-selling acts of 1981. In early 1982, Ant Rap peaked at number three. It was to be their final new release, as in March 1982, Ant disbanded his group. Pirroni, who was tired of touring, continued to work with Ant in a songwriting capacity. Bassist Gary Tibbs and drummer Chris ‘Merrick’ Hughes formed a short-lived duo.

The Outro

When Ant shot to number 1 as a solo star with the excellent Goody Two Shoes, it seemed to be a wise move. He was, after all, the star. However, his popularity began to wane soon after.

The Info

Written by

Adam Ant & Marco Pirroni

Producer

Chris Hughes

Weeks at number 1

4 (19 September-17 October)

Trivia

Births

21 September: Singer-songwriter Sarah Whatmore
23 September: Field hockey defender Helen Richardson
29 September: Hear’Say singer Suzanne Shaw
1 October: Journalist Deborah James
9 October: Actor Rupert Friend/Labour MP Jess Phillips
10 October: Journalist Stinson Hunter
13 October: Footballer Ryan Ashford/Bloc Party singer Kele Okereke

Deaths

19 September: Writer Ruth Tongue
21 September: Actor Nigel Patrick
23 September: Disc jockey Sam Costa 
24 September: Actor John Ruddock
27 September: Physician Sir Stanley Davidson
28 September: Conservative MP Edward Boyle, Baron Boyle of Handsworth
29 September: Historian Frances Yates/Football manager Bill Shankly (see ‘Meanwhile…‘)
30 September: Welsh rugby union player Roy John/Conductor Boyd Neel
1 October: Conservative MP Sir Graham Page
8 October: Labour MP Arthur Allen
12 October: Political analyst Robert McKenzie

Meanwhile…

21 September: Belize was granted independence.  

25 September: Ford announced it was to discontinue the Cortina model, which would be replaced by the Sierra.

29 September: Liverpool mourned former football manager Bill Shankly after he died of a heart attack, aged 68.

1 October: 24-year-old Bryan Robson became Britain’s most expensive footballer when he moved from West Bromwich Albion to Manchester United for £1.5 million.

3 October: The hunger strikes at Northern Ireland’s Maze Prison came to an end after six months.

10 October: The Provisional IRA bombed the Chelsea Barracks, killing two people.

12 October: Granada Television’s Brideshead Revisited began transmission on ITV.

13 October: Opinion polls revealed Margaret Thatcher was still unpopular as Prime Minster, largely due to her anti-inflationary economic measures.

15 October: Norman Tebbit’s famous speech in which he told fellow Conservative MPs, how his father didn’t riot when he was unemployed during the 30s. ‘He got on his bike and looked for work’ etc. Whoop-de-do, Norman.

322. Gilbert O’Sullivan – Clair (1972)

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The Intro

I said you’d never get a song like Mouldy Old Dough at number 1 now, and it also applies to this song that toppled it in the winter of 1972. Thanks to 60s and 70s celebrities like Jimmy Savile, Rolf Harris and Gary Glitter (two of which had number 1s), any song referencing love for a child is understandably looked upon with suspicion nowadays. In this song, Irish singer-songwriter Gilbert O’Sullivan professes his love for his manager’s young daughter.

Before

O’Sullivan was originally Raymond Edward O’Sullivan, born in Waterford on 1 December 1946. The family moved to Battersea, London when he was seven, and Swindon, Wiltshire a year later. O’Sullivan attended St. Joseph’s and the Swindon College of Art, and he briefly played drums in the band Rick’s Blues. Rick was Rick Davies, who went on to form Supertramp. He taught O’Sullivan drums and piano.

1967 was a big year by O’Sullivan. His then-manager Stephen Shane suggested a name change from Ray to Gilbert as a play on ‘Gilbert and Sullivan’. At the time his songs were avant-garde – so much so, Vivian Stanshall of the Bonzo Dog Doo-Dah Band expressed an interest in recording some. He was then signed to CBS Records by Mike Smith, producer of number 1s by The Marmalade, The Love Affair and The Tremeloes.

His first three singles, all credited to just ‘Gilbert’, got nowhere, but things improved after O’Sullivan sent demo tapes to Gordon Mills, manager of Engelbert Humperdinck and Tom Jones. Mills signed him to MAM Records, despite not being a fan of his idiosyncratic image. At a time of long hair and flares, O’Sullivan was going against the grain with a retro look consisting of a pudding-bowl hairstyle, cloth cap and short trousers.

In 1970 O’Sullivan had his first top 10 hit with Nothing Rhymed, considered one of his best tracks. He built on this success the following year with his debut album Himself and singles We Will and No Matter How I Try, which was recognised as Best Ballad or Romantic Song at the 1972 Ivor Novello Awards.

Then came his most famous single. Alone Again (Naturally) was a bleak introspective tale of a man contemplating suicide after being jilted at the altar. This critically-acclaimed 7-inch reached number three here, but topped the Billboard Hot 100 in the US.

Upon the release of his second album Back to Front, O’Sullivan ditched the old image and went to a different extreme, perming his hair and displaying his hairy chest like labelmate Tom Jones. Despite this, the music contained within was still light melancholic pop with a touch of music hall.

Review

Clair begins as a straightforward love song. O’Sullivan and Clair began as friends, but he knew from the start this was special, and his feelings grew even more as the friendship did. But hang on, there’s an age gap, which has clearly thrown a spanner in the works:

‘But why in spite of our age difference do I cry.
Each time I leave you I feel I could die.
Nothing means more to me than hearing you say,
“I’m going to marry you. Will you marry me? Oh hurray!”‘

Wonder what the gap is… sounds tricky, a teen perhaps?

‘I’ve told you before “Don’t you dare!”
“Get back into bed.”
“Can’t you see that it’s late.”
“No you can’t have a drink.”
“Oh allright then, but wait just a minute.”
While I, in an effort to babysit, catch up on my breath,
What there is left of it.’

Oh… he’s her babysitter… and it’s his manager and producer’s daughter… right.

Now, I’m not going to be silly enough to suggest O’Sullivan is a paedophile, or that everyone who kept this at number 1 for a fortnight condones such behaviour. Clearly they saw this as nothing more than a cute song about this lovely little girl and how he can’t help but love her. They perhaps also liked the punchline of it being about a child, in the same way they Brotherhood of Man’s Save Your Kisses for Me at number 1 for six weeks in 1976. Times have changed.

But yes, there’s no escaping how problematic some of the lyrics are, namely the fact he can see himself marrying Clair eventually, and most of all ‘I don’t care what people say, to me you’re more than a child.’ When we’re only a year off the likes of Glitter conquering the charts, it can’t help but make modern listeners feel queasy.

The Outro

Songs about children are a precarious concept. Even a musical genius like Stevie Wonder overdid it with Isn’t She Lovely, a nice tune that went on far too long and didn’t need baby noises thrown in. John Lennon’s Beautiful Boy (Darling Boy) just about stays on the right side of sentimentality. It’s very easy to be too twee and make the listener feel sick, and that’s what Clair does for me, particularly that ‘Oh Clair’ and the giggle at the end. Yuck.

The Info

Written by

Gilbert O’Sullivan

Producer

Gordon Mills

Weeks at number 1

2 (11-24 November)

Meanwhile…

18 November: 100 years to the day since the England men’s team played its first official association football match, the women’s team did the same, against Scotland, in Greenock. They won 3-2.

281. Edison Lighthouse – Love Grows (Where My Rosemary Goes) (1970)

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The Intro

It’s time to delve into the 70s. A fascinating decade, if not always an enjoyable one, when it comes to number 1 singles, but rarely dull.

In 1970, The Beatles were (nearly) gone, and pop scratched its head in search of its next move. There was a year to go until glam rock reared its beautiful glittery sparkly head, and the hippy dream was turning somewhat sour.

The bubblegum pop of the last two years was still going strong as the decade dawned, however, and finally the undercover paedophile Rolf Harris relinquished his grip on the top spot to Edison Lighthouse.

Love Grows (Where My Rosemary Goes) had been written by Tony Macauley and Barry Mason, who between them had plenty of experience at writing number 1s. Macauley had co-written Baby Now That I’ve Found You and Let the Heartaches Begin, and Mason co-wrote The Last Waltz and I Pretend. This first new number 1 of the 70s certainly has Macauley’s joyous pop stamp all over it, Mason’s perhaps less so as he was more used to MOR ballad material.

Before

Originally they gave the song to Jefferson, former guitarist with The Rockin’ Berries. That demo remained unreleased however, and instead they offered it to a session singer called Tony Burrows.

Born Anthony Burrows in Exeter, Devon on 14 April 1942, he had been a member of The Kestrels in the early 60s, and subsequently vocal trio The Ivy League, before they became The Flower Pot Men, who became one-hit wonders with Let’s Go to San Francisco in 1967. Despite their short-lived success, at one point they featured future Deep Purple members Jon Lord and Nick Simper.

In effect, Edison Lighthouse was originally Macauley, Mason, Burrows and session musicians. The writers chose the name as a play on the Eddystone Lighthouse off the coast of Devon. Upon its release in November 1969, the single rapidly gained attention, allegedly becoming the fastest-climbing number 1 up to that point. This meant finding Burrows a backing band for Top of the Pops appearances. They picked Greenfield Hammer for the job following an audition a week before their debut on the show, making the initial line-up of Edison Lighthouse Burrows on vocals, Stuart Edwards on lead guitar, Ray Dorey on guitar, David Taylor on bass and George Weyman on drums.

Review

I’ve been watching lots of off-air recordings of Top of the Pops of late from 1970, so I’ve heard plenty of this track, and that’s no bad thing. Okay, it’s pretty much just a chorus and the verses are afterthoughts, but a chorus so uplifting and catchy is not to be sniffed at. The lyrics are your typical 60s flower power fare, about a dreamlike girl who’s captured the singer’s heart. However, some people believe there’s a filthy meaning behind these words:

‘There’s something about her hand holding mine
It’s a feeling that’s fine
And I just gotta say
She’s really got a magical spell
And it’s working so well
That I can’t get away’

Yes, they think it might be about getting a handjob. I don’t agree, personally, and I tend to look out for stuff like that. Of course, there’s a chance the writers deliberately left it up to interpretation as a sly joke, who knows? Whatever the meaning, Love Grows (Where My Rosemary Goes) is reminiscent of Love Affair’s Everlasting Love, and a decent start to the 70s number 1s.

After

Burrows was an incredibly busy bunny during those first few months of 1970. He found himself on Top of the Pops appearing as the singer in Edison Lighthouse, as part of White Plains (performing My Baby Loves Lovin’) and as lead singer in an early incarnation of Brotherhood of Man, performing United We Stand. At the same time, he also had a hit as one half of The Pipkins with Gimme Dat Ding. No wonder he soon quit Edison Lighthouse – he must have thought success was guaranteed no matter who he recorded with.

Macauley owned the name Edison Lighthouse, and replaced Burrows with actor and singer Paul Vigrass. He was the first in a long list of line-up changes over the next few years. Nothing was able to match their debut single’s success. The closest they came was when It’s Up to You, Petula reached number 49 in 1971. Edison Lighthouse called it a day in 1972 after the single Find Mr Zebedee. As is so often the case with bands of this era, the name Edison Lighthouse now belongs to different groups – Brian Huggins in the UK, and Les Fradkin in the US. Original guitarist Edwards died of cancer in 2016.

The Outro

As for Burrows, he only had one ‘hit’ under his own name – a cover of Melanie Makes Me Smile in the US in 1970. He did however continue as a session singer, helping out both Elton John and Cliff Richard over the years, to name just two.

The Info

Written by

Tony Macauley & Barry Mason

Producer

Tony Macauley

Weeks at number 1

5 (31 January-6 March)

Trivia

Births

31 January: Actress Minnie Driver
10 February: TV and radio scriptwriter Rob Shearman
14 February: Actor Simon Pegg
25 February: Sailboat racer Ian Walker
1 March: Field hockey player Tina Cullen

Deaths

2 February: Philosopher Bertrand Russell
14 February: Cricketer Herbert Strudwick
15 February: RAF fighter commander Hugh Dowding
28 February: Painter Arthur Henry Knighton-Hammond

Meanwhile…

13 February: A demonstration at the Garden House Hotel by Cambridge University students against the Greek military junta led to police intervention with eight students receiving custodial sentences for their part.
Plus, Brummie rockers Black Sabbath released their self titled landmark debut album in the UK – the first major heavy metal album.

19 February: The Prince of Wales joined the Royal Navy.

23 February: Rolls-Royce asked the government for £50,000,000 towards developing the RB 211-50 Airbus jet engine.

27 February-1 March: The first National Women’s Liberation Conference was held, at Ruskin College in Oxford.

2 March: Four years after independence was declared, Rhodesian Prime Minister Ian Smith declared Rhodesia a republic, breaking all ties with the British Crown. The government refused to recognise the new state for as long as the Rhodesian Government opposed majority rule.

6 March: An outbreak of rabies in Newmarket, Suffolk caused the importation of pets to be banned.