37. Jimmy Young with Bob Sharples & His Music – The Man from Laramie (1955)

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The Intro

As well as the mambo craze of 1955, Britain was also in love with cowboys and country and western music. Slim Whitman’s Rose Marie held the top spot for 11 weeks, and the first ‘official’ country song to hit number 1 happened earlier that year – Tennessee Ernie Ford’s Give Me your Word (although, as I said here, it’s not really a country song, and you could argue that Frankie Laine’s Hey Joe should earn that honour).

Before

That summer had seen the release of Western movie The Man from Laramie, starring James Stewart in the title role, as a stranger who causes ructions by working for the rival of a cattle baron. Lester Lee and Ned Washington had written the theme, and Al Martino performed the US version. He only just scraped into the top 20 in the US, but Jimmy Young, riding high off his previous number 1 with Unchained Melody, became the first homegrown artist to have two consecutive number 1s in the UK.

Review

Young makes a better job of The Man from Laramie, than he did Unchained Melody. It’s a jolly, rickety old number, and I suppose it’s kind of catchy, but having said all this, I have no desire to ever hear it again.

Basically, it’s Young telling us all the ways in which the Man from Laramie is brilliant. His voice is better suited to this than his previous chart-topper, but he’s still bellowing, and the worst bit is the cringeworthy way he changes his voice to sing smarmily:

‘He had a flair for ladies
Now the ladies loved his air of mystery’

After

The fact Young is so fondly remembered for his career as a DJ rather than his music suggests he was right to switch careers. He became a disc jockey that year on Housewive’s Choice, but sensing the music climate was changing following Elvis’s success, he decided to go full-time, working for Radio Luxembourg and the BBC.

The Outro

In 1967 he was one of the original band of DJs on the fledgling Radio 1. Considered too ‘square’ by some of the station’s bosses, he proved them wrong and his morning show proved very popular. He switched to Radio 2 for the lunchtime show in 1973, and stayed with the station, becoming a national institution, loved for his charm and relaxed style. He was just as nice in person as on the air, by all accounts, and was mourned by millions when he died peacefully in his sleep on 7 November 2016, aged 95.

The Info

Written by

Lester Lee & Ned Washington

Producer

Dick Rowe

Weeks at number 1

4 (14 October-10 November)

Trivia

Births

18 October: Presenter Timmy Mallett

Deaths

14 October: Songwriter Harry Parr-Davies

35. Alma Cogan with Vocal Group & Orchestra by Frank Cordell – Dreamboat (1955)

The Intro

Alma Angela Cohen, better known as Alma Cogan, or ‘The Girl with the Giggle in Her voice’, scored her first and only number one with the poppy Dreamboat, written by Jack Hoffman.

Before

Born 19 May 1932 in Whitechapel, East London of Russian-Romanian Jewish descent, Cogan had been a star for a few years by this point. When she was 14, she had been recommended for a variety show by ‘Forces Sweetheart’ Vera Lynn. Two years later, formidable band leader Ted Heath told her to come back and try and work with him when she was older. He later said it was one of the biggest mistakes of his life.
She became a BBC radio regular, and earned her nickname after bursting into laughter while recording If I Had a Golden Umbrella in 1953. With her sweet timbre, she was compared to Doris Day, particularly on her first hit, Bell Bottom Blues, in 1954. She charted 18 times in the 50s, but Dreamboat was her biggest tune.

Review

Clocking in at under two minutes, Dreamboat is an average piece of 50s pop. It’s a bit too cutesy-wutesy and cheesy for its own good, but must have been fun at the time. The lyrics are confusing. It’s a nautical-themed love song (!), in which she seems to be singing about one person, and how devoted she is to him, how wonderful he is etc. But the first lines are:

‘You dreamboats, you lovable dreamboats
The kisses you gave me set my dreams afloat’
Make your mind up, Alma. The strangest lyric is:
‘I would sail the seven seas with you
Even if you told me to go and paddle my own canoe’

This creates the image of Alma Cogan paddling frantically behind her dreamboat. Or has she got several on the go? Anyway, by the time you’ve pondered all this, this harmless bit of fluff is over. And that was fine with pop fans of the day.

After

Cogan won the New Musical Express‘s Outstanding British Female Singer award four times between 1956 and 1960. Her star waned as the new decade dawned, but she branched out and remained popular due to her starring role as Nancy in the musical Oliver!, plus regular appearances on television and radio.
Her dwindling chart action didn’t prevent Cogan from throwing hip showbiz parties at her widowed mother’s flat in Kensington. Regularly seen attending were the likes of Princess Margaret, Cary Grant, Audrey Hepburn, Bruce Forsyth and Roger Moore.

She also become closely linked to The Beatles. The teenage John Lennon would playfully tease her, and according to Lennon’s ex-wife Cynthia, they had a romance after meeting on Ready Steady Go! in 1964, but it was kept out of the public eye. Allegedly, Paul McCartney first played the melody of Yesterday on her piano. So it seems a shame the Fab Four couldn’t work their magic and help Cogan’s music career.
In 1966, she collapsed several times while on tour, citing stomach problems.

The Outro

Tragically, Alma Cogan died of ovarian cancer on 24 October. She was only 34.

The Info

Written by

Jack Hoffman

Producer

Wally Ridley

Weeks at number 1

2 (15-28 July)

Trivia

Deaths

18 July: Footballer Billy McCandless

Meanwhile…

17 July, racing driver Stirling Moss, dubbed ‘the greatest driver never to win the World Championship’, became the first English winner of the British Grand Prix at Aintree.

34. Jimmy Young with Bob Sharples & His Music – Unchained Melody (1955)

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The Intro

Summer 1955 brought a heatwave to many parts of the country, particularly Yorkshire, and the UK enjoyed a modern record of low unemployment (barely 1% of the workforce). It was also the summer of Unchained Melody.

Before

Written for a little-known prison movie called Unchained, also released that year, the music came from Alex North, and lyrics were by Hy Zaret. The film centred on a prisoner deciding whether to go on the run or finish his sentence and live in peace with his family. Zaret only agreed to write the lyrics if he could leave out the film’s name, which might have helped with its longevity, ultimately. Todd Duncan sang the original vocals in the movie.

The song is now a standard, and one of the most covered in history, with well over a thousand recorded versions in various languages. In the summer of 1955 alone, four versions existed in the chart at one time – by Al Hibbler, Les Baxter, Liberace and future Radio 2 DJ, Sir Jimmy Young.

Leslie Ronald Young was born 21 September 1921 in Cinderford, Gloucestershire. He suffered greatly with illness as a child, nearly dying from bronchitis, double pneumonia and pleurisy. But he would later excel at sport, and turned down a place with Wigan’s rugby league team.

Young worked as an electrician and physical training instructor for the RAF before becoming a singer in 1950. His cover of Nat ‘King’ Cole’s Too Young was a big sheet music seller in 1951, and he signed with Decca Records a year later. But it was 1955 that proved his most successful year in music, with two number 1s to his name.

Review

By all accounts Young was a radio legend and a thoroughly nice person to boot. However, his version of Unchained Melody is a strange mess. It makes Robson and Jerome sound like the Righteous Brothers.
Whilst I admit I’m not much of a personal fan of crooners and opera-style singers like Al Martino and David Whitfield, I can appreciate the slickness of the production of their hits and their ability to sing. Young’s Unchained Melody sounds amateurish by comparison, with strings and guitar backing that seems ill-matched and uneven, and poor Young is either putting no effort in or bellowing, as if the producer is prodding him every now and then to display some passion.

After

In spite of all this, record buyers loved it for some reason, and he enjoyed three weeks at the top. Unchained Melody would return to number one three more times, courtesy of The Righteous Brothers in 1990, Robson & Jerome in 1995 and Gareth Gates in 2002.

The Info

Written by

Alex North & Hy Zaret 

Producer

Dick Rowe

Weeks at number 1

3 (24 June-14 July)

Trivia

Births

26 June: The Clash guitarist Mick Jones

Deaths

13 July: Criminal Ruth Ellis

Meanwhile…

30 June: Gloster Meteor jet fighter crashed on takeoff in Kent, killing all crew members and two fruit-pickers. Later that day, two Hawker Sea Hawk jets crash into the North Sea in two separate incidents, leaving one pilot dead.
13 July: Ruth Ellis became the last woman to be hanged in the UK before the death penalty was abolished. She had shot dead her lover, racing driver David Blakely on Easter Sunday (10 April).

33. Eddie Calvert – Cherry Pink and Apple Blossom White (1955)

The Intro

Tony Bennett’s Stranger in Paradise was toppled from number 1 by Cherry Pink and Apple Blossom White, but it wasn’t Pérez ‘Prez’ Prado’s version of Louiguy’s mambo tune, which had topped the charts only a few weeks previously. This was a cover by popular British trumpeter Eddie Calvert, the ‘Man with the Golden Trumpet’.

Before

Calvert was a big star at the time, and had been number one the year previous with Oh Mein Papa. He was also one of the writers of Vera Lynn’s only chart-topper, My Son, My Son, also in 1954. Back then it was perfectly normal for several versions of the same song to be in the charts at the same time. See David Whitfield and Frankie Laine‘s Answer Me, for instance, which were even both number 1 at the same time for one week.

Review

https://youtu.be/o2Weai78FTc

There’s no denying Eddie Calvert’s ability on his version, but it’s inferior to Prado’s. It’s missing the authenticity of the King of Mambo, and seems a little too mannered. It reminds me of the Strictly Come Dancing band’s covers of songs. The passion has been sucked out. But at the same time, Calvert actually goes off script more than Billy Regis does on Prado’s version, and does some nice little improvised playing in the song’s latter half, so it’s a decent cover. It’s certainly aged better than Oh Mein Papa.

After

Calvert, like many other 50s stars we’ve already seen, suffered when rock’n’roll and later The Beatles changed the musical landscape. He left the country in 1968, angry at the amount of tax he was paying under Harold Wilson’s Labour government, and moved to Johannesburg. There he remained until he died on 7 August 1978 of a heart attack, aged only 56.

The Info

Written by

Louiguy

Producer

Norrie Paramor

Weeks at number 1

4 (27 May-24 June)

Trivia

Births

30 May: The Clash drummer Topper Headon 
4 June: Author Val McDermid 
8 June: World Wide Web inventor Tim Berners-Lee 
13 June: Footballer Alan Hansen 
14 June: Comedian Paul O’Grady 

Deaths

14 June: Radium therapist Jacob Moritz Blumberg 

Meanwhile…

27 May: As predicted by the polls, the Conservatives won the General Election, with their new leader Anthony Eden back in power with a majority of 31 seats, up 17 from Winston Churchill’s success four years previous. Labour’s infighting between the left and right (sound familiar?) had caused them substantial losses. Their leader, Clement Atlee, who had achieved so much after World War Two, was unlikely to make it to a sixth election in a row.

32. Tony Bennett with Percy Faith & His Orchestra and Chorus – Stranger in Paradise (1955)

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The Intro

One of many versions in the chart that year of Robert Wright and George Forrest’s song from the 1953 musical Kismet, which had only just arrived in the UK, Stranger in Paradise marked the start of slick crooner Tony Bennett’s international success.

Before

Anthony Dominick Benedetto, born 3 August 1926 in Queens, New York to Italian immigrants, grew up loving music. Among his favourite trad pop and jazz stars were Al Jolson, Bing Crosby and Louis Armstrong. His uncle Dick was a tap dancer, and Benedetto loved the idea of joining him in showbusiness. At the age of 10, he sang at the opening of the Triborough Bridge, and as a young teen he worked as a singing waiter in various New York restaurants. But towards the end of World War Two he was drafted into the US army.

He later described his time in the front line as a ‘front-row seat in hell’. Returning to his previous career after the war, singer Pearl Bailey invited him to be her warm-up in 1949. She had invited Bob Hope to watch, and he was so impressed he took the young hopeful on the road with him. And that was the start of Tony Bennett, one of our last living original swingers.

Bennett’s first hit came with Because of You in 1951, a US chart-topper for 10 weeks. It was followed by versions of Cold, Cold Heart and Blue Velvet. Such was Bennett’s popularity among women, when he first married in 1952, 2,000 female fans gathered outside the ceremony in black as part of a mock mourning. With his star on the rise, it made perfect sense for the producers of Kismet to get him to record Stranger in Paradise as a way of promoting their musical during a newspaper strike.

Review

Tony Bennett’s voice is the best thing about this song. It’s yet another smooth ballad, smothered with the usual arrangement, but he sings his heart out and it’s plain to see why he became so famous. However, the lyrics are also noteworthy. It’s another love song, but we’re a step above the usual fare from these times. For example:

‘I saw her face
And I ascended
Out of the common place
Into the rarest
Somewhere in space
I hang suspended
Until I know
There’s a chance that she cares’

After

Despite being his only UK chart-topper, the best was yet to come for Bennett, but he faced several peaks and troughs. He survived the rock’n’roll boom that soon followed, and hit big again in 1962 with his version of I Left My Heart in San Fransisco. Even Sinatra said he was the best singer in the world, but the boom of The Beatles saw Bennett feeling out of place once more, and he faced trying times until he nearly died of a cocaine overdose in 1979.

In the 90s though, he enjoyed a big revival. The illness and eventual death of Sinatra in 1998 perhaps made the world realise the easy listening stars of the past should be enjoyed while they were still around.  Bennett was all over television at the time. His natural charm shone when telling tall tales of his career, and that voice was still golden.

Always a supporter of civil rights, and with opinions on the Iraq War and apartheid that have later proven him to be on the right side of history, he’s that rare commodity in music, namely a nice guy and one hell of a talent. He’s now 93 and still recording and performing, and long may he do so.

Tony Bennett is also the earliest UK number 1 act that I have ever seen live. Performing at a very muddy and wet Glastonbury Festival on Sunday 28 June, 1998, my friends and I sat on bin bags near our tents up on the hill by the Pyramid Stage. We probably began watching him with a sense of ironic detachment, as it certainly wasn’t the sort of music we were into. However, he won us over. Though it’s nearly 20 years ago, I remember we danced, we smiled, and the sun even shone for one of the few times that entire weekend. One of the better ‘legend’ slots in the festival’s history.

The Outro

Bennet died following a seven-year fight with Alzheimer’s disease on 21 July 2023, aged 96.

Written by:

The Info

Written by

Robert Wright & George Forrest 

Producer

Mitch Miller

Weeks at number 1

2 (13-26 May)

Trivia

Births

16 May: Singer Hazel O’Connor
22 May: Presenter Dale Winton

Meanwhile…

26 May: As soon as he replaced Winston Churchill, Anthony Eden sought to establish his presence in Number 10 by immediately announcing a General Election for this day. For the first time in an election, television proved to take a prominent role in campaigning for Eden’s Conservatives and Clement Atlee’s Labour. As the polls closed, all the signs pointed toward Eden having made a very shrewd move.

31. Pérez ‘Prez’ Prado & His Orchestra, The King of Mambo – Cherry Pink and Apple Blossom White (1955)

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The Intro

As mentioned in my blog for Mambo Italiano, the US and UK were going through something of a mambo craze in 1955. Rosemary Clooney’s number 1 was a very successful attempt to cash in on this phenomenon, but it was a novelty song. Bandleader Perez Prado was the real deal, though, and the craze was largely due to his success with songs such as Mambo No 5 at the start of the decade. Yes, that’s the song that Lou Bega remade in 1999, and then reworked by none other than Bob the Builder in 2001.

Before

Born in Matanzas, Cuba on 11 December 1916, Dámaso Pérez Prado was a musically gifted child (often the case with these early number 1 artists). He studied classical piano as a child and went on to play in local clubs. For most of the 40s he was performing with the casino orchestras of Havana, where he earned the nickname ‘El Cara de Foca’ (‘Seal Face’).

Prado moved to Mexico in 1949 and began his recording career there. He quickly ascended to the top of the mambo scene, developing trademark grunts as he powered his way through fiery, sometimes raunchy tunes.

His first hit, Mambo Jambo, appeared a year later. Also in 1950, Spanish-born French composer Louiguy, the man behind the melody of Edith Piaf’s La Vie en Rose, wrote Cerisier Rose et Pommier Blanc. This Latin jazz composition translated as Cherry Pink and Apple Blossom White. Lyrics were written in French by Jacques Larue, and English by Mack David, but Prado decided to record it as an instrumental, and it is this version that first went to number 1 in the UK, on 29 April, after its appearance in the movie Underwater!. starring Jane Russell, who dances to it in a famous scene.

Review

Prado’s version has a great, memorable opening, with a powerful brass blast before trumpeter Billy Regis performs a lazy drawl on his instrument (this is probably a strange way to describe it but it’s the best I can think of) and then the sultry rhythm takes hold. It’s easy to see why mambo was popular in the UK. Compared to number 1s by Vera Lynn and David Whitfield, this is exciting and exotic. The low horn sound that crops up from time to time is probably the weirdest noise to appear in the charts so far. It’s so deep it almost sounds alien and electronic. The most enjoyable number 1 so far, and the only one to get a reaction from my two-year-old.

After

Other acts wanted in on the mambo craze, and ‘Man with the Golden Trumpet’ Eddie Calvert’s inferior cover of this track also went to number 1 a few weeks later.

The Outro

This was Prado’s only number 1, but although the mambo craze was short-lived, he continued to enjoy success around the world for years to come. He died of a stroke on 14 September 1989, aged 72, but his music has lived on, and aged very well. In addition to the remakes of Mambo No.5, his track Guaglione was used in a famous advert for Guinness in 1995, which is where I first came across his work. And despite never seeing Underwater!Cherry Pink and Apple Blossom White sounds very familiar to me, and I’m certain it’s been used on TV, so if anyone can tell me where, please do!

The Info

Written by

Louiguy 

Producer

Herman Diaz

Weeks at number 1

2 (29 April-12 May)

Trivia

Births

16 May: Singer Hazel O’Connor

Deaths

11 May: Cricketer Gilbert Jessop

29. Ruby Murray with Ray Martin & His Orchestra – Softly, Softly (1955)

The Intro

The early months of 1955 saw freezing weather conditions across much of the UK. The plunge in temperature had begun in January, and despite a thaw at the end of the month, an icy blast returned. Sport and rail services were cancelled, the RAF were forced to drop food and medical supplies, and many communities became completely isolated.

Before

During this extremely cold spell, Ruby Murray, a young rising star from Northern Ireland, had a three-week stint at number 1 with Softly Softly. It was written by Mark Paul and Pierre Dudan, but the English lyrics were provided by Ivor Novello Award-winning songwriter Paddy Roberts.

Murray, born 29 March 1935 in Belfast, was a former child star with a distinctive voice due to an early throat operation. Her first TV appearance came at the age of 12.

An instant success, Murray’s debut single, Heartbeat, had reached number three in December 1954. Once Rosemary Clooney and the Mellomen’s Mambo Italiano ran its course, Murray hit the top with this follow-up.

Review

We’re back in the realms of slushy ballad here. With syrupy strings as her backing, Murray is in fine voice. She sounds quite sensual at the start, to the extent you wonder if it’s going to get quite saucy. Alas, it’s merely another tender love song. Pleasant enough if you like that sort of thing.

After

Murray’s career peaked that year, with a Royal Command Performance, and a single in the charts every week for a full year. She had a few more hits as the decade drew to a close, but sadly it seems Murray’s lasting legacy is that her name became Cockney rhyming slang for going for a curry. It was adopted in the classic sitcom Only Fools and Horses, and seems to have stuck ever since, even featuring in The Oxford Dictionary of English now. She spent her last few years, after a battle with alcoholism, entertaining staff and fellow guests at a nursing home.

The Outro

Murray died of liver cancer on 17 December 1996, aged 61.

The Info

Written by

Mark Paul & Pierre Dudan/Paddy Roberts (English lyrics)

Producer

Norrie Paramor

Weeks at number 1

3 (18 Feb-10 March)

Trivia

Births

23 February: Singer Howard Jones

27. Dickie Valentine with the Stargazers and Johnny Douglas & His Orchestra – Finger of Suspicion (1955)

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The Intro

By the time 1955 rolled around, people were a bit exhausted from a month of honky tonk madness courtesy of Winifred Atwell. Let’s Have Another Party was toppled by Finger of Suspicion, sung by Dickie Valentine with The Stargazers. The Stargazers had twice before took number 1, with Broken Wings and I See the Moon, but this was Valentine’s first of two that year.

Before

Valentine, born Richard Maxwell in Marylebone, London on 4 May 1929, had been a child actor, starring in Jack’s the Boy in 1932 when he was only three years old. he moved into music as a teen, impersonating famous singers, before music publisher Sid Green brought him to the attention of bandleader star Ted Heath. He joined Ted Heath’s band in 1949, singing alongside Dennis Lotis and Lita Roza, who had a number one in 1953 with (How Much is That) Doggie in the Window?.

Looking rather like a young Orson Welles, Valentine demonstrated star quality and was voted Top UK Male Vocalist in 1952, and again in 1954. By this point he was a solo artist. Following the success of his Royal Command Performance that November, Finger of Suspicion worked its way to the top.

Review

https://youtu.be/ByrWKWVlzOE

Written by Paul Mann and Al Lewis, Finger of Suspicion trundles along nicely. At first unassuming, it’s somewhat of an earworm. It’s not a song about crime, unless the crime is taking Valentine’s heart. Yes, the singer is just being a bit of a charmer really. He’s not sleeping well, he’s so in love with this girl, which might explain the song’s stately pace. The Stargazers work well as his backing singers, making up for the abomination that was I See the Moon.

After

Finger of Suspicion had somewhat of a chart war with Rosemary Clooney and the Mellomen’s Mambo Italiano. She knocked him off the top after only a week, before Valentine took over again for a fortnight, only for Clooney and co. to win out again. 1955 was easily Dickie Valentine’s biggest year of success. with three more top 10 hits, before getting the Christmas number 1 spot. The Stargazers had further hits that year, but their time at number 1 was over, and by the end of the 50s they were no more.

The Info

Written by

Paul Mann & Al Lewis

Producer

Dick Rowe

Weeks at number 1

3 (7-13 January, 21 January-3 February)

Trivia

Births

3 February: Presenter Kirsty Wark

Deaths

7 January: Artist Lamorna Birch
10 January: Dancer Annette Mills
29 January: Conservative MP Sir Rhys Rhys-Williams

Meanwhile…

23 January: An express train derailed at Sutton Coldfield railway station after taking a curve too fast. 43 were injured, and 17 killed.

27 January: Michael Tippett’s controversial opera The Midsummer Marriage was premiered at the Royal Opera House.

25. Rosemary Clooney with Buddy Cole & His Orchestra – This Ole House (1954)

The Intro

It never occurred to me that This Ole House could be about anything other than, well, doing up an old house. To me, and probably most children of the late-70s or early-80s, it conjures up happy memories of Shakin’ Stevens hanging around an old building in the video of his 1981 cover version. What with this, his cover of Green Door, and his love of denim, I think I assumed Shaky was some sort of singing builder as a child. Upon researching the original number 1 version, by Rosemary Clooney, I found out the dark origins of this chirpy tune, and suddenly the song is probably the deepest UK number 1 up to this point.

Before

Stuart Hamblen was an alcoholic, gambling-addicted singer-songwriter and radio personality. He was constantly getting into scrapes and being bailed out due to his charm. In 1949, he decided to take a different path, converting to Christianity after attending one of Billy Graham’s rallies. He was fired from his radio show for refusing to do beer commercials, and stopped his addictions. While out hunting with a friend, he came across an abandoned shack on a mountain. Upon inspection, they found a dog guarding a dead body. Allegedly, he came up with the lyrics while riding back down the mountain. So, the ‘ole house’ in question is in fact the body you leave behind when you die. Seems obvious when you then read the lyrics, but to be fair, I didn’t do that back in 1981, I was barely reading.

Clooney, born 23 May, 1928 in Maysville, Kentucky, was one of three children born to alcoholic parents, which meant a lonely existence, often being left with relatives. But at the age of 16 she formed a singing duo with her sister Betty. Brother Nick would later become a newsreader, and of course Rosemary’s nephew is Hollywood star George Clooney.

Clooney made her first recordings with Tony Pastor’s big band, before turning solo in 1949. Two years later, she rocketed to success with Come On-a My House in 1951, which she hated (yet another ‘house-related’ song). 1954 was one of her most successful years, as that winter also saw the release of the film White Christmas, in which she starred alongside Bing Crosby and Danny Kaye.

Review

Of course, the fact the tune is so catchy and, (especially by comparison to most number 1s of the day), kind-of rollicking, also obscures the subject matter. It wouldn’t make a bad funeral song. Sod the fact you’re dying, your body has had it anyway, and better times await. It’s the perfect vehicle for Clooney, who belts it out with gusto.

The Outro

Unlike most number 1s of the era, people could actually dance to this! Pop was back at the top. In particular, the piano break is a lot of fun, and best of all, the man with the deep voice singing ‘Ain’t a-gonna need this house no longer…’ is Thurl Ravenscroft, the original voice behind Tony the Tiger! What more could you ask for?

The Info

Written by:

Written by

Stuart Hamblen

Producer

Mitch Miller

Weeks at number 1

1 (26 November-2 December)

24. Vera Lynn with Frank Weir, His Saxophone, His Orchestra & Chorus – My Son, My Son (1954)

‘Vera, Vera, what has become of you?’ So Roger Waters sang on Pink Floyd’s Vera from 1980 double album The Wall. It may well be partly because I love that album, but at some point I got it into my head that Dame Vera Lynn had died, a long time back. I was shocked upon researching this to find out she turned 100 on 20 March 2017. 100! Well done Vera.

What’s more, ‘the Forces Sweetheart’ achieved an incredible feat that year. She released the compilation Vera Lynn 100, making her the first centenarian performer to have an album in the charts. Amazing really, when you consider that she had three singles in the initial UK top 12 back in 1952 (which was actually a top 15 due to tied positions) – Auf Wiederseh’n Sweetheart, The Homing Waltz and Forget-Me-Not. The first of those three had also been the first single by a British performer to be number 1 in the US. And now I’m updating this in 2019, Lynn is the oldest living number 1 artist on these shores.

It had taken a long time for Britain to recover from World War Two, so it’s no wonder that Lynn was still in vogue in the mid-50s. However, rationing had just come to an end, so I’m sure this would have been symbolic of a need to finally move on from such traumatic times. Perhaps this is partly why My Son, My Son remains her only number 1 single, and the beginning of her decline in fame. It had been written by Gordon Melville Rees, Bob Howard and trumpeter Eddie Calvert, who had scored a number 1 with Oh Mein Papa back at the start of the year. But how did Vera Lynn become such a national treasure?

Born Vera Margaret Welch in East Ham, Essex on 20 March 1917, she was performing publicly by the age of seven, and it was four years later that she took her grandmother Margaret Lynn’s surname and became Vera Lynn. She made her first radio broadcast with The Joe Loss Orchestra in 1935 and began making her initial recordings with them, plus other big dance band names such as Charlie Kunz.

At the same time, she was recording as a solo artist. Her first release was Up the Wooden Hill to Bedfordshire in 1936 and her first hit came a year later with The Little Boy That Santa Claus Forgot. But of course she is most famous for the 1939 recording We’ll Meet Again, the most memorable song of World War Two.

Her first solo live performance – by which time she had become the Forces Sweetheart – was 1940, the year of the Blitz. In 1941, Lynn began her own radio programme, Sincerely Yours, where she would perform soldiers’ requests and send messages to overseas troops. A year later came her second most well-known song, The White Cliffs of Dover.

She dedicated her career to the war effort, touring Egypt, India and Burma to lend moral support until Hitler was defeated in 1945. This of course also helped her become better known in other countries, and in 1952 her fame spread to the US. She went to number 1 there with Auf Wiederseh’n Sweetheart for nine weeks. And two years later came My Son My Son.

I feel bad slating this, but the fact she helped a nation keep sane in the war doesn’t make My Son, My Son any easier to enjoy now. Frank Lee’s production is overblown, with backing vocals from a male voice choir that hurt the ears. The lyrics tap into the spirit of songs like We’ll Meet Again by paying tribute to a mother’s son. You can picture a soldier’s mum singing it in-between sobbing over a letter from her brave boy fighting in another country. It seems trite in this day and age, and possibly to the younger generation back then, keen for something with some energy and spirit. Having said that, it was the all-too-typical-of-the-time Hold My Hand by Don Cornell that knocked Lynn off the top for a second run as bestseller.

My Son My Son was Lynn’s commercial peak, and her decline came soon after, like so many of her ilk, but in the 60s and 70s she had her own BBC variety series and would regularly guest on other shows, including The Royal Variety Performance and Morecambe and Wise’s 1972 Christmas special.

Lynn’s enduring popularity and link to the war effort meant she was a natural to use during anniversary celebrations, and her final performances marked VE Day’s 50th anniversary in 1995 by performing outside Buckingham Palace and later that evening in Hyde Park. A fitting end to a remarkable live career. Lynn died of pneumonia in 2020, aged 103.

It says a lot about Lynn that the fact she had (an admittedly) poor number one is somewhat of an afterthought really during her long career. Who cares when you are known as the person that kept so many soldiers going during terrible times?

Written by: Gordon Melville Rees, Bob Howard & Eddie Calvert

Producer: Frank Lee

Weeks at number 1: 2 (5-18 November)

Meanwhile…

13 November: Great Britain defeated France at the Parc des Princes in Paris to win the first ever Rugby League World Cup final.