53. Guy Mitchell with Ray Conniff & His Orchestra – Singing the Blues (1957)

The Intro

1957 began with happy-go-lucky crooner Guy Mitchell at the top for the third time, with his version of Singing the Blues.

Before

Previously recorded by country star Marty Robbins, it had been written by Mervin Endsley, a musician who had contracted polio at the age of three and had been in a wheelchair ever since. From the age of 11 he spent three years in the unfortunately-named Crippled Children’s Hospital in Memphis. While there he became a huge country music fan and taught himself the guitar. He had written Singing the Blues in 1954 and taken it to Nashville in the hope of getting a hit. And a hit is what he got, several times over.

Review

I wasn’t too flattering about Mitchell’s 1953 number 1s – She Wears Red Feathers and Look at That Girl – but Singing the Blues is a cut above both of them.

Produced once more by Mitch Miller, Mitchell is in his element here. The country element is hard to detect – this version of Singing the Blues sounds more like the older generation trying to harness rock’n’roll and put their own, safer, stamp on it. Unlike Kay Starr on (The) Rock and Roll Waltz, Mitchell and Miller pull it off. That’s largely down to the song itself, a winning tune set to effectively downbeat lyrics, rather than a naff novelty song with a new genre awkwardly shoved into it.

Mitchell, from the evidence I’ve heard, couldn’t sing a sad song if he tried, and he certainly doesn’t try here. Somehow though, it all gels, with Mitchell turning it into a cheeky come-on over a chirpy backing of whistling, ukulele and backing harmonies. He’s hoping to charm his ex into coming back.

After

And listeners kept coming back to Singing the Blues – his version made it to number 1 for two more week-long stints, making him one of only five acts to have the same number 1 on three separate occasions. The other artists are Frankie Laine with I Believe, Pharrell Williams with Happy, What Do You Mean? by Justin Bieber and Despacito (Remix) by Luis Fonsi and Daddy Yankee featuring Justin Bieber.

The Outro

At the same time as the Mitchell and Robbins versions were released, they found themselves competing with a third, by up-and-coming rock’n’roller Tommy Steele. More on that next time…

The Info

Written by

Melvin Endsley

Producer

Mitch Miller

Weeks at number 1

3 (4-10 January, 18-24 January & 1-7 February)

Trivia

Births

6 January: Astronaut Michael Foale
22 January: Journalist Francis Wheen
24 January: Comedian Adrian Edmondson

Meanwhile…

9 January: 1957 began with political change. Prime Minister Anthony Eden had struggled at the end of 1956 to recover from the debacle of Suez, and perhaps because of this he had suffered ill health. His doctors advised him to quit if he wanted to carry on living, and so he resigned.

10 January: With no formal process in place at the time, the Conservative Party decided Eden would be succeeded by then-Chancellor Harold Macmillan. The political situation was so rocky at the time that Macmillan told Queen Elizabeth II he could not promise the government would last longer than six weeks.

44. Kay Starr with Hugo Winterhalter’s Orchestra & Chorus – (The) Rock and Roll Waltz (1956)

The Intro

US jazz singer Kay Starr was the third person to have a UK number 1 back in 1953, and had added some much needed light relief after the previous two chart-toppers with the poppy Comes A-Long A-Love.

Before

Starr was ahead of her time and one of the main influences for the early rock’n’roll acts. So she must have seemed a natural choice when the older generation decided to have a stab at this new genre that Bill Haley & His Comets had got so many teenagers all fired up over. ‘Just imagine the crossover appeal such a song could have!’, writers Shorty Allen and Roy Alfred must have thought. ‘We’ll stick the genre in the title, get Kay Starr to sing it, and the teens AND their parents will go out and buy it!’

And while it seems that was the case (after all, (The) Rock and Roll Waltz did knock It’s Almost Tomorrow off the top for a week) it’s a big missed opportunity.

Review

https://youtu.be/OksecMs-c-M

For a start, apart from perhaps the bass, this tune is sadly lacking in both rock and roll. It’s just a cheesy novelty waltz. Starr sings of coming home late one night after a date, to hear a ‘jump tune’ coming from the front room. What the hell are her parents doing in there? Oh, don’t worry, the silly buggers are just trying to waltz to one of Starr’s rock’n’roll records! The chorus is exceedingly naff:

‘A-one, two, and then rock
A-one, two, and then roll
They did the rock and roll waltz
A-rock, two, three, a-roll, two, three
It looked so cute to me
I love the rock and roll waltz’

Apparently Starr wasn’t a fan of (The) Rock and Roll Waltz either, but gave it a bash anyway, and it paid dividends, so who am I to criticise?

After

(The) Rock and Roll Waltz was Starr’s final hit in the UK, as rock’n’roll continued to grow, with no further charting singles. She left Capitol Records in 1966 and from then on worked with smaller independent labels, recording mostly jazz and country material.

In addition to performing in revue-style tours, Starr duetted with Tony Bennett on his 2001 album Playin’ with My Friends: Bennett Sings the Blues.

The Outro

Starr died from complications of Alzheimer’s on 3 November 2016, aged 94. Despite her second number one, she will be remembered as an important part of the genesis of rock’n’roll.

The Info

Written by

Shorty Allen & Roy Alfred

Producer

Joe Carlton

Weeks at number 1

1 (30 March-5 April)

Trivia

Deaths

30 March: Writer Edmund Clerihew Bentley