The Intro
Ghost Town had spent three weeks at number 1, soundtracking the country’s dissent over rising unemployment. What did it take to reunite the country? It took the Royal Wedding of Prince Charles II and Lady Diana Spencer, and the retro rock’n’roll of Shakin’ Stevens, who was at the peak of his fame with Green Door.
Before
Shaky-mania was a very real thing back then. Grandparents and parents loved the Welsh pop star, who had filled in the sizeable gap left by the death of Elvis Presley, boys thought he was cool, and girls swooned.
Stevens’ cover of This Ole House had topped the hit parade in the spring, and so it was a case of striking while the iron was hot. Work began on his fourth album, the imaginatively titled Shaky. Adopting the ‘if it ain’t broke, don’t fix it’ methodology, it featured a mix of self-penned Stevens numbers and covers of 50s rock’n’roll tunes. The first fruits of Shaky to see the light of day was the original track You Drive Me Crazy, which was a strong track and rushed out hot on the heels of This Ole House. It was brand new, but could easily have been mistaken for a 50s or 60s hit. It very nearly became Shaky’s second number 1, but it was kept off the top spot by Stand and Deliver!, by the UK’s other hottest pop star of 1981.
Perhaps sensing that Stevens could repeat the success of his last number 1 by releasing a song the old folks would remember from their youth, Philips Records released his cover of Green Door.
Green Door had been written by US orchestra leader Bob ‘Hutch’ Davie, with lyrics by Marvin J Moore, in 1956. The original version was recorded by Jim Lowe, a singer-songwriter and radio presenter. The green door in question refers to the entrance to a private club, that Lowe is desperate to enter. He can hear laughter, an old piano which is being played ‘hot’, and can see smoke coming through the keyhole. Lowe’s recording, which became number 1 in the US and eight in the UK, is an interesting production, on which Davie played piano, that he sped up to give it a honky tonk sound.
In the UK, Lowe’s version was eclipsed by Frankie Vaughan’s, which reached number two. Vaughan, known as ‘Mr Moonlight’, was hugely popular in the UK, and in time he would have two number 1s. However, Lowe’s version is the superior one.
Review
I don’t know if it’s age or nostalgia, but here I am bigging up Shaky, whose version of Green Door is better than Lowe’s and Laine’s. It is very similar to the latter, but where normally I’d prefer an authentic primitive 50s production over a glossy 80s take, that isn’t the case here.
Producer Stuart Colman gives it sheen but also some oomph. It’s catchy as hell and to be fair, the country must have been ready for a party after all the civil unrest that had been going down that summer. And yet, it’s only a few months since I reviewed This Ole House, and I marked that down considerably, despite both singles being very, very similar. Perhaps Stevens caught me on a good day, this time.
Or perhaps it was the silliness of the video that made me warm to Green Door. Shaky’s videos are always good for an easy laugh, and this is no exception. Just like This Ole House, the director is taking things very literally (possibly the same director?). Stevens jumps around in front of some, yes, green doors in much the same way he jumped off the old house (yes, really). There are repeated shots of an eye looking through a keyhole, a piano… you get the message. Then he finally gets inside the club and gets the chance to do some Elvis-style gyrations on the piano. It’s ridiculous, but in a good way, and I can totally see why he must have seemed so cool to me as a little lad.
After
After spending nearly all of August 1981 at the top of the singles chart, the parent album Shaky was released, and went on to be his most successful LP ever, also reaching number 1. It’s Raining, also from the album, peaked at 10, but he would soon be back at pole position.
The Outro
Green Door is obviously squeaky clean and upbeat. But it also took on a more sinister meaning for me, thanks to its reworking for a 1976 public information film, that continued to be shown well into the 80s. Looking at it now, it’s really not scary, but it did its job when I was a boy, as after seeing it I’d be too scared to answer the door to anyone. Cheers, Central Office of Information!
The Info
Written by
Bob Davie & Marvin J Moore
Producer
Stuart Colman
Weeks at number 1
4 (1-28 August)
Trivia
Births
8 August: S Club 7 singer Bradley McIntosh
11 August: Scottish singer-songwriter Sandi Thom
17 August: Conservative Party MP Johnny Mercer/Actor Chris New
20 August: Ben Barnes
27 August: Comedian Olivia Lee
28 August: Scottish Labour Party leader Kezia Dugdale
Deaths
5 August: Poet Molly Holden/Clarinettist Reginald Kell
9 August: Landowner Ralph Bankes
10 August: Civil servant Sir Alan Lascelles/Anglican clergyman James Parkes
12 August: Royal Navy captain Howard Bone
15 August: Lawyer Sir Humphrey Waldock
16 August: Cinematographer Denys Coop
18 August: Second World War pilot Athol Forbes
19 August: Actress Jessie Matthews
21 August: Journalist JRL Anderson
22 August: First World War nurse Mairi Chisholm
24 August: Physician Margery Blackie
26 August: Television producer Peter Eckersley
28 August: Record producer Guy Stevens
Meanwhile…
1 August: Kevin Lynch became the seventh IRA hunger striker to die.
2 August: Less than 24 hours later, Kevin Lynch became the eighth.
8 August: Thomas McElwee became the ninth.
9 August: Broadmoor Hospital is criticised when double murderer Alan Reeve became the second prisoner to escape there in three weeks.
17 August: An inquiry opened for the Moss Side riots.
20 August: Michael Devine was the 10th IRA hunger striker to die in prison.
Also on this day, Minimum Lending Rate ceased to be set by the Bank of England.
25 August: Britain’s largest Enterprise Zone was launched in Tyneside.
27 August: 31-year-old Moira Stuart was appointed to be the first black newsreader on the BBC.
