Traditional Pop

3. Kay Starr – Comes A-Long A-Love (1953)

/ robbarker1979

The Intro

US pop and jazz singer Kay Starr hit number 1 with Comes A-Long A-Love (how ’50s’ is that title?). Unlike the first two top-selling tracks, this tune, written by former Tin Pan Alley songwriting veteran Al Sherman, was a chirpy, breezy little number, in which Starr extols the virtues of love. If you’re in love, you’re always singing, bells are ringing… you get the idea.

Before

Starr had been born Katherine Laverne Starks on 22 July 1922 on a reservation in Dougherty, Oklahoma to a native American father and mixed Irish and native American mother. The Starks moved to Dallas when her father got a job installing water sprinklers. Her mother raised chickens, which little Stark would serenade. Pretty idyllic, I’m sure you’ll agree. Her aunt was so impressed by the seven-year-old’s voice, she arranged for her to sing on a local radio station.

Fast forward a few years and the Starks were living in Memphis, and their daughter was regularly performing on the radio there. Misspellings in her fanmail resulted in her taking on the highly appropriate stage name Kay Starr.

Starr was only 17 and still at high school when she made her first recordings with legendary bandleader Glenn Miller in 1939. However, her vocal range didn’t really fit, and the partnership didn’t last long.

After working with Wingy Manone and Charlie Barnet’s ensembles, Starr took the plunge and went solo in 1946, but in a crowded market of female singers like Peggy Lee, the young hopeful was often left with the poorest material to record. Nonetheless, she did have hits in America, most notably with Wheel of Fortune in 1952, which went to number 1 there. Comes-A-Long-A-Love was released later that year.

Review

Although lyrically basic by today’s standards, this song does have something going for it. It must do as I’ve only heard it twice and it’s been in my head for days. Not sure about the lyrics below though…

‘I don’t care how
Blue you’re feeling now
You sparkle yes you bubble
Look out you gotta whole lotta trouble’

Is Starr basically telling the subject of her song, “I don’t care how down you are at the moment, just go and fall in love, alright?”. It seems harsh advice.

Nonetheless, she sings Sherman’s tune with a certain panache. In her voice you can hear the stylings of the rock’n’roll singers that would be all over the charts in a few years.

After

Comes A-Long A-Love was only number 1 for one week, but Starr, who Billie Holliday once proclaimed to be ‘the only white woman who could sing the blues’, would reach pole position one more time.

The Outro

It’s also worth noting that this is the first number 1 to be produced by Mitch Miller, the conductor and A&R man who would be responsible for many more chart-toppers over the next few years.

The Info

Written by

Al Sherman

Producer

Mitch Miller

Weeks at number 1

1 (23-29 January)

Trivia

Births

29 January: Footballer Ronnie Moore

Deaths

29 January: Criminal Derek Bentley

Meanwhile…

28 January: Derek Bentley was controversially hanged for murder at Wandsworth Prison in London. Bentley issued the infamous and ambiguous phrase “Let him have it” to his friend and accomplice Christopher Craig, and a policeman was shot dead. Bentley, who had health and developmental issues, was pardoned for the crime 45 years later, and the tragic case helped bring about the eventual end of the death penalty in the UK.

2. Jo Stafford with Paul Weston & His Orchestra – You Belong to Me (1953)

/ robbarker1979 / 3 Comments

The Intro

US singer Jo Stafford’s cover of You Belong to Me featured in the very first UK singles chart on 14 November 1952. When Al Martino’s Here in My Heart finally lost its grip on the top slot, Stafford became the first female solo artist to be number 1 on 16 January 1953.

Before

Stafford, born 12 November 1917 in Coalinga, California, caught the music bug from a young age, thanks to her mother’s love of folk music and banjo playing. She began performing at the tender age of 12 and her mother had high hopes for her. For a while she had voice lessons and ambitions to be an opera singer, but the Great Depression put paid to that. While at high school she teamed up with her elder siblings and they were known, obviously enough, as the Stafford Sisters.

They had some success on radio and in film, and it was in 1938 that Stafford met the singing group the Pied Pipers and became their lead singer. The following year, bandleader Tommy Dorsey hired them to provide backing vocals for his orchestra, and they helped propel Frank Sinatra to stardom. Dorsey eventually shone the spotlight on Stafford and awarded her solo performances. In 1944, she left the group and became the first solo artist to sign with Capitol Records.

Like Martino, Stafford’s vocal range was operatic, but there was more to her than that. Among her contemporaries she was considered one of the most versatile vocalists of the 50s and had several hit duets with Frankie Laine.

She had earned the nickname ‘GI Jo’ during World War Two, performing for soldiers stationed in the US, and like Martino’s track, You Belong to Me clearly touched a nerve for those who had suffered through the war.

This romantic ballad was credited to Pee Wee King, Chilton Price and Redd Stewart, but Price wrote the first draft. Originally entitled Hurry Home to Me, he envisaged it as being from the viewpoint of a woman missing her soldier sweetheart during the war. King and Stewart made alterations and made it less specific, providing the song with more of a universal appeal. After all, the war was seven years in the past by this point.

Review

You Belong to Me holds up better than Here in My Heart, and I think the lyrics can be interpreted in more than one way…

‘See the pyramids along the Nile
Watch the sun rise on a tropic isle
But just remember, darling, all the while
You belong to me’

Sounds sweet and lovely at first, doesn’t it, but could these be the words of a worried, paranoid control freak? Could she be issuing a threat to her partner to behave himself while he’s away? Or am I alone in thinking this?!

After

Despite only topping the charts for one week, its appeal has stood the test of time – Bob Dylan and Tori Amos are among the notable artists to release cover versions.

As for Stafford, she continued to record with her husband Paul Weston (they had wed in 1952), the famous orchestra leader and producer on this track. In 1954, she became the second artist after Bing Crosby to sell 25 million records for Columbia. But by the end of the decade she and her husband were mostly performing comedy songs, which seems like a waste of a great voice to me.

Stafford was offered a contract to perform in Las Vegas in 1959, but she declined and went into semi-retirement soon after to concentrate on her family. In 1977 she and Weston released a cover of the Bee Gees’ Stayin’ Alive.

The Outro

Weston died in 1996, and Stafford passed away due to heart failure on 16 July 2008, aged 90.

The Info

Written by

Pee Wee King, Chilton Price & Redd Stewart

Producer

Paul Weston

Weeks at number 1

1 (16-22 January)

1. Al Martino – Here in My Heart (1952)

/ robbarker1979

The Intro

So, we begin. Going back, back, way back in time, before boy and girl bands, before dance, punk, psychedelia, The Beatles and rock’n’roll, to a smog-ridden UK on 14 November 1952.

Before

Winston Churchill’s Conservatives had been back in power a year, following Labour’s huge socialist changes to the country after World War Two under Clement Atlee, and Elizabeth II had ascended to the throne earlier that year (that’s right, she’s been Queen longer than the charts have existed). That March, Maurice Kinn and Percy Dickins bought the Musical Express and Accordion Weekly, transforming it into the New Musical Express (wish it had kept that name). Dickins had been following what Billboard were doing with their chart system in the US, and decided to follow suit, with the charmingly antiquated and inaccurate system of ringing around 20 record stores around the country to find out what vinyl 78s were selling the most. He compiled a top 12 (Why 12? Who knows?) and thus US singer and actor Al Martino made history.

Martino was born Jasper Cini in Philadelphia, Pennsylvania on 7 October 1927. His parents were Italian immigrants who ran a construction business, and he worked as a bricklayer along with his brothers. But the young Cini aspired to be a singer and would emulate heroes like Perry Como and Al Jolson. Key to his ambitions was family friend Mario Lanza, who had become popular and encouraged Cini to follow in his footsteps.

Cini served with the United States Navy during World War Two, and after the war was over, Lanza suggested he try singing in local nightclubs. He adopted the stage name Al Martino and moved to New York in 1948, recording for the Jubilee label.

In a sense, Martino was the singles chart’s original X Factor-style success story. In 1952, he won first place on the TV show Arthur Godfrey’s Talent Scouts, which earned him a recording contract to record this single.

After reaching number 1 in the US, Here in My Heart remained at number 1 for nine consecutive weeks in the fledgling UK top 12, making it the only chart-topper of 1952, and therefore, the first Christmas number 1, too. Only eight other tracks have lasted longer – Bryan Adams’s (Everything I Do) I Do It For You, Wet Wet Wet’s cover of Love is All Around, One Dance by Drake, David Whitfield’s Cara Mia, Rihanna’s Umbrella, I Will Always Love You by Whitney Houston, Ed Sheeran’s Shape of You and current number 1, Dance Monkey by Tones and I.

Review

https://youtu.be/LfXU-UZZ4p4

It’s hard to see the huge appeal of Here in my Heart now. All the tracks above have their critics (me amongst them), but you can see how they did well. Martino’s track is a maudlin, melancholy piece of pop-opera (popera?) in which he shows off his vocal range to a slushy string-laden backing. The tune is forgotten as soon as the track ends, but to a country still suffering trauma from a terrible war, it may have provided some succour to the UK in the early 50s.

After

Martino signed with Capitol Records soon after, and the Mafia took an interest in him too, buying out his management and ordering him to pay thousands to them as a ‘safeguard’. Martino did what he was told, but wisely decided to move to the UK afterwards.

The chart hits continued here until 1955, but he had little exposure in his home country. Fortunately a family friend intervened and Martino returned to the US in 1958, but it wasn’t easy to resume his career thanks to the impact of rock’n’roll. The Exciting Voice of Al Martino, his 1962 LP, helped turn his fortunes around.

The following year he scored another big single in the US with his version of I Love You Because, and in 1966 he had his final top 10 hit on these shores with Spanish Eyes.

Martino’s run-in with the Mafia took on a whole new meaning when he played Johnny Fontane in The Godfather (1972) and sang the theme tune, Speak Softly Love. He would return to the role in The Godfather Part III in 1990.

The Outro

The first ever UK number 1 singles star continued to record and perform into the 21st century. Al Martino died of a heart attack on 13 October 2009, aged 82.

The Info

Written by

Pat Genaro, Lou Levinson & Bill Borrelli

Producer

Voyle Gilmore

Weeks at number 1

9 (14 November 1952-15 January 1953)

Trivia

Births

3 December 1952: Comedian Mel Smith
10 December: TV presenter Clive Anderson
20 December: Actress Jenny Agutter
4 January 1953: Journalist and politician Jackie Ballard/Director and producer Richard Boden

Meanwhile…

25 November: Agatha Christie’s play The Mousetrap began its run at the New Ambassador Theatre in London.

4-9 December: The Great Smog of London enveloped the capital, causing approximately 4000 deaths.

12 December: The fondly remembered children’s TV show Flower Pot Men, chronicling the adventures of Bill and Ben, debuted on the BBC Television service.

25 December: Queen Elizabeth II  made her first ever Christmas speech to the Commonwealth, sat in the same chair as George V and George VI before her.