Guy Mitchell only enjoyed a week at the top of the charts with Singing the Blues before record buyers decided they preferred Tommy Steele’s version, This bizarre turn of events had happened before in December 1953, when Frankie Laine‘s version of Answer Me knocked David Whitfield‘s from the top.
Tommy Steele was enjoying immense popularity at the time, and is considered by many to be Britain’s first rock’n’roll star. Born Thomas William Hicks in 1936, he had been a merchant seaman, and sang and played guitar and banjo in London coffee houses in his spare time. He fell in love with rock’n’roll when a ship he worked on docked in Norfolk, Virginia in the US and he heard Buddy Holly on the radio. He and his group, the Steelmen scored their first hit with Rock with the Caveman in 1956, reaching number 13. It was a rip-off of Rock Around the Clock, but a pretty good one. It was beginning to become common practise for British singers to record covers of songs that were going down well in the US, and release them over here before the imports became better known. Although his version of Singing the Blues hadn’t beaten Mitchell’s to the top spot, it had knocked it down after only a week.
By this point, Elvis-mania had well and truly gripped the nation, and Tommy Steele decided to ape him for his version. Clearly this worked at the time, but his affectation is so obvious now as to sound laughable. His slurring of the opening line is way too over-the-top, and makes Pat Boone sound much more authentic at ripping the King off. Thankfully Steele settles down and things pick up when he drops the impression, but the Steelmen’s backing is almost identical to Mitchell’s, right down to the whistling, so inevitably you compare the two, and when you do, Steele is the loser. Mitchell was a veteran by this point, and sounds relaxed and at home with the material. So, Steele had succeeded in beating Presley to a UK number 1 single, and won the initial battle with Mitchell, but was only in pole position for a week before everybody decided they’d actually preferred Mitchell’s version, which went back to the top for its second of three stints. Perhaps he should have laid off the Elvis impressions and stuck to sounding like Bill Haley & His Comets.
Steele continued to enjoy great fame, however, and his debut album, The Tommy Steele Story, became the first number 1 album by a UK act later that year. Also in 1957, he found himself competing against Mitchell once more, as they both covered Mervin Endley’s sequel, Knee Deep in the Blues. Neither version fared as well, though. He went solo in 1958, and continued with his music until the rise of the Beatles, before wisely concentrating on his film and theatre career, and is still loved by fans from his youth.
Symbolically, as Steele enjoyed his only number 1 to date, the Cavern Club, then for jazz aficionados before later becoming home to the Beatles as they went stratospheric, opened its doors for the first time.
Written by: Melvin Endsley
Producer: Hugh Mendl
Weeks at number 1: 1 (11-17 January)