511. The Jam – Beat Surrender (1982)

The Intro

Beat Surrender, the Jam’s final single and fourth number 1, bridged the gap between the band that shot Paul Weller to fame, and his future endeavours with The Style Council. And did so in fine fashion.

Before

Talk about going out with a bang. Earlier in 1982, The Jam’s last album, The Gift, had spawned their third chart-topper, Town Called Malice/Precious. This was followed by a number eight placing for Just Who Is the 5 O’Clock Hero?. Not as impressive, you’d be forgiven for thinking. However, this 7-inch had only been officially released in the Netherlands. Such was the demand in the UK, it reached the top 10 here regardless, and became our highest-selling import single of all time.

Their next official single, The Bitterest Pill (I Ever Had to Swallow), almost made it to number 1, and it would have been deserved, but was held at bay by Survivor’s Eye of the Tiger and then Musical Youth’s Pass the Dutchie. This was a non-album single, and the modern soul sound was an early clue to Paul Weller’s next move.

Weller was 24 at the time, and had the pop world at his feet. His band had long since exceeded their Mod beginnings and become bona fide pop stars. Their five-year run was at its peak, with no signs of a decline. But he had had enough. Following a world tour he went on holiday to Italy. He came back and planned to announce he was splitting up the band, but when the news leaked, a hand-written press statement was released. He said:

‘At the end of this year, The Jam will be officially splitting up, as I feel we have achieved all we can together as a group. I mean this both musically and commercially. I want all we have achieved to count for something and most of all I’d hate us to end up old and embarrassing like so many other groups do.’

Weller’s decision had shocked bassist Bruce Foxton and drummer Rick Buckler, who couldn’t see the sense in ending The Jam when they were riding so high. They may have recalled recording Beat Surrender, and wondered why their singer hadn’t said anything at the time, because with hindsight, it was clear this was his goodbye to The Jam.

The title was a play on Anita Ward’s 1979 disco single Sweet Surrender, and the military term of ‘beating retreat’. In a 2015 edition of Mojo, Weller revealed ‘I wanted it to be a statement, a final clarion call saying: Right, we’re stopping, you take it on from here.’ Despite this, there was still some indecision over what actually would become their final single. Weller had also been mulling over going with A Solid Bond in Your Heart, but that later surfaced as a single by The Style Council.

Review

Beat Surrender is my least favourite of The Jam’s number 1s – but that’s only because it’s competing with three of the finest chart-toppers of the era in Going Underground/The Dreams of Children, Start! and Town Called Malice/Precious.

It’s a great track, and the perfect bridge from the uptempo pop/rock of The Jam to The Style Council. Lyrically, it’s a call to arms like Going Underground, mixed with the inevitable feel of an epitaph to his much-loved power trio. The chorus urges The Jam’s fans to let the band go, but to take their energy and do something worthwhile. I love this verse, in which Weller looks forward to other artists carrying on their mission:

‘You’ll see me come runnin’
To the sound of your strummin’
Fill my heart with joy and gladness
I’ve lived too long in the shadows of sadness’

Of course, Weller already had plans to continue in music, but to expand the sonic palette of The Jam. Yes, there was more to them than post-punk – they had experimented with soul and psychedelia and done so with aplomb. But he wanted to explore further, and Beat Surrender points the way to a more mature, soulful sound, with more complex arrangements that just couldn’t be done as a threesome. The final verse says it all:

‘Wake me up with your amphetamine blast
Take me by the collar, throw me out into the world
Rock me gently and send me dreaming of something tender
I was brought here to pay homage
To the Beat Surrender’

After

With the news of The Jam’s demise still fresh, and painful, for many, it was inevitable that Beat Surrender would top the hit parade. Only Weller himself knows what he meant by standing with backing singer Tracie Young when they promoted the single on Top of the Pops – was he giving Foxton and Buckler the spotlight as a parting gift, or was he saying he really couldn’t be bothered to represent The Jam anymore?

The Jam played their final gig on 11 December 1982 at Brighton Conference Centre. Foxton and Buckler were deeply hurt by Weller’s decision to split them up. Foxton refused to speak to him for 20 years and as far as I can tell, Buckler never spoke to him again.

It’s understandable, really. Weller cited a need to get off the treadmill of fame – yet only months after the split, he announced the formation of The Style Council, with keyboard player Mick Talbot. Originally a floating line-up, The Style Council showcased a diverse mix of ‘blue-eyed soul’, pop, dance and hip-hop. They released some great material until they split in 1989, including Long Hot Summer, Shout to the Top! and Walls Come Tumbling Down!, and scored top 10 hits, but they couldn’t match The Jam’s success and never made it to number 1. I doubt Weller was too bothered, though. He also sang on the 1984 Christmas number 1, Do They Know It’s Christmas?.

The Style Council split in 1989, and two years later, Weller began releasing solo material. After a slow start, his album Wild Wood saw commercial and critical acclaim in 1993. In 1995, Weller was a star once more, releasing his most successful album, Stanley Road. He was ‘the Modfather’, and a much-loved but grumpy elder statesman of the Britpop movement. Over the next few years he enjoyed three top 10 hits with The Changingman, You Do Something to Me and Peacock Suit. His last album to date is Find El Dorado, a covers album, released in 2025.

After The Jam, Foxton recorded demos with Stiff Little Fingers, before venturing into a solo career. His debut single Freak climbed to 23 in 1983. An album followed in 1984, but without success. He and Buckler formed a short-lived new band, Sharp in 1986. In 1990, he joined Stiff Little Fingers officially and stayed with them for 15 years.

Buckler had started a new group, Time UK, in 1983. They lasted two years, and then after Sharp, Buckler tried his hand at production, before quitting music and became a carpenter in 1995. But 10 years later, he formed a band named after The Jam’s final album. The Gift exclusively performed material by The Jam. And then in 2007, Foxton joined the group and they changed their name to From The Jam.

One year before that, Weller and Foxton were reunited backstage at a Hyde Park gig by The Who. Following a 10-minute conversation and an embrace, they became friends again, and in 2009, Foxton sang backing vocals and played bass on Weller’s album Wake Up the Nation. He even joined him on stage in 2010.

Foxton released two more solo albums – one in 2012 and one in 2016. In 2025, From the Jam announced that due to poor health, Foxton was retiring from the music business and there would be no more tours. That February, Buckler died aged 69 following a brief illness. Weller, who had occasionally been critical of From the Jam, paid tribute to his former drummer. This year, Foxton revealed he has Parkinson’s disease.

The Outro

Although Foxton and Buckler’s hurt is understandable, Weller was right to end The Jam at the peak of their powers, and never reform them. They were one of the finest bands of the early 80s and Weller was on fire, writing hit after hit after hit. That he was able to change tack several times over after such a great band is testament to his versatility.

The Info

Written by

Paul Weller

Producer

Peter Wilson

Weeks at number 1

2 (4-17 December)

Trivia

Births

7 December: Actor Jack Huston
14 December: Footballer Steve Sidwell
15 December: Actor Charlie Cox

Deaths

16 December: Automotive engineer Colin Chapman
17 December: First woman to fly an aircraft around the world Richarda Morrow-Tait

Meanwhile…

6 December: The Irish National Liberation Army killed 17 people in a bomb attack at the Dropping Well Inn in Ballykelly, County Londonderry.

12 December: 30,000 women hold hands and form a human chain at RAF Greenham Common in Berkshire.

15 December: The British colony of Gibraltar gains a pedestrian link to Spain, as the gates which separated the two states are re-opened by the Spanish government after 13 years.

438. Anita Ward – Ring My Bell (1979)

The Intro

Originally intended to be sung by an 11-year-old, disco song Ring My Bell was an innocent tune about children talking on the phone. With new, saucy lyrics, it became a one-hit wonder for US singer Anita Ward.

Before

Ward was born 20 December 1957 in Memphis, Tennessee. She loved gospel from an early age, and joined the Rust College A Cappella Choir. Ward graduated with a degree in psychology and became a substitute teacher, but the music bug didn’t leave her. She got herself a manager, who put her in contact with one-hit wonder singer-songwriter Frederick Knight, who had scored a number 22 UK hit with I’ve Been Lonely for So Long in 1972.

Knight agreed to record a three-song demo with Ward, but during recording he became so enamoured with her voice, they had nearly an album’s worth of material. But they needed one last song. Knight remembered he’d written one for 11-year-old Stacy Lattislaw. Knight kept the chorus as it was but rewrote the verses, so that Ward could sing from the point of view of a horny housewife waiting for her husband to return home so they can get it on. The song’s title was now far less innocent than originally planned. Ward didn’t like the song but Knight insisted they needed an uptempo tune to take advantage of the disco craze, so she relented.

Review

You either like or dislike Ring My Bell, it seems, depending on your tolerance for the Synare electronic drum. This pad was used throughout and is responsible for the decaying high-pitched tom tone at the first beat of every bar. Personally, I’m a fan for retro disco drum sounds, so bring it on. I’m also a fan of Ward’s performance, cooing her way through the lyrics breathlessly, putting across the mood of sexual anticipation effectively.

The lyrics could be taken as demeaning towards women if you consider the idea of a housewife telling her husband, ‘Well lay back and relax/While I put away the dishes’. However, I think the opposite. I see it as empowering and, for its time, refreshing to see the woman so forward in her desires, striking out of the classic Victorian marital setup. I can certainly see both sides of the argument though.

You can’t deny it’s a cool little tune. Slinky guitar and disco bass seemingly doing their own thing. I recommend the album version, which at 8:11 allows the groove to hypnotise like the best disco 12-inches do. Ring My Bell isn’t a classic, but it’s better than I remember it being in the past.

After

Ward’s debut single was a huge hit, reaching number 1 in the US, UK and several other countries. The album that spawned it, Songs of Love, also did well, reaching eight in the States. But that was as far as stardom stretched for Ward. Sweet Surrender, her second LP, was released only a few months later, but it tanked. Nothing else matched the catchiness of her sole hit and she failed to chart ever again – which apparently is what Ward had feared when Knight presented her with Ring My Bell.

Ward and Knight had a fractious relationship and a third album was abandoned. The Ring My Bell singer was involved in a severe car accident, and that coupled with the disco backlash, meant she disappeared into obscurity.

The Outro

10 years after her initial brush with fame, Ward released a third album, Wherever There’s Love (though not in the US). It contained an inferior remake of her hit. She had a daughter soon after and disappeared again, resurfacing briefly in 2011 to release a single, It’s My Night. Ward occasionally makes live and TV appearances, reminding nostalgic disco fans of her place in history.

I recommend the reggae remake of Ring My Bell, by Blood Sisters. Listen here.

The Info

Writer & producer

Frederick Knight

Weeks at number 1

2 (16-29 June)

Trivia

Births

19 June: Paralympic springer Graeme Ballard
29 June: 5ive singer Abs Green

Meanwhile…

18 June: As Labour continues to reel from their defeat in the General Election, Labour MP Neil Kinnock becomes the shadow education spokesman. 

22 June: Former Liberal Party leader Jeremy Thorpe is cleared in court of the allegations of attempted murder of  Norman Scott with whom he had allegedly had a relationship. Thorpe’s career never recovered.