465. The Jam – Start! (1980)

The Intro

Love The Beatles’ Taxman but find the whining about paying HMRC when you’re in the biggest band in the world a bit annoying? Simple, listen to The Jam’s second number 1, Start! instead.

Before

Following the success of Going Underground/The Dreams of Children, The Jam set to work on their fifth LP. Vic Coppersmith-Heaven was back to produce Sound Affects, but for the first time, Paul Weller, Bruce Foxton and Rick Buckler received a co-credit too – albeit as ‘The Jam’. As signposted with The Dreams of Children, The Jam were widening their sonic palette, and after its release, Weller described his favourite Jam album as a cross between Michael Jackson’s Off the Wall and The Beatles’ Revolver.

The influence of the latter is certainly evident on Start!, which was released in August while work continued on Sound Affects. Weller’s guitar and Foxton’s bass riffs were pretty much identical to the opening track of Revolver. George Harrison’s Taxman was an excellent opener to one of the greatest albums of all time, and showcased Harrison’s burgeoning talent. But as great as Taxman is, there’s no escaping the fact it also makes very evident how much of a moaner he could be. I’m sure paying an admittedly ridiculously high rate (95%!) of income tax to Harold Wilson’s new Labour government must have stung… and the Fab Four had been warned that despite their unprecedented fame, they were in danger of bankruptcy. But starting a new album complaining about money, when the average record buyer could only dream of their lifestyle? It’s certainly a bold move, and another sign that The Beatles were now charting their own path. But you can’t deny the musical brilliance of Taxman, particularly McCartney’s powerful rhythmic bass and blistering Indian-style guitar solo.

In a 2012 interview with Music Radar, Foxton said:

‘It wasn’t intentional, but Taxman subconsciously went in and when we came up with the idea for Start! that’s what went in. It isn’t exactly the same thankfully, otherwise I’m sure Paul McCartney would have thought about suing us!’

It’s not exactly the same, but you can’t get much closer. And considering the deluxe edition of Sound Affects also contains covers of Rain and And Your Bird Can Sing, recorded at the same sessions, it’s more likely that they jammed Taxman and enjoyed it so much, they reworked it. And they got lucky that Harrison, who had been to court over his 1971 number 1 My Sweet Lord in 1976 and lost more than a million in damages due to its likeness to He’s So Fine. He apparently considered Start! a compliment, but he probably didn’t relish going back to court over his music, this time as prosecution.

There are two main differences, and the main one is the lyrics. In Jon Kutner and Spencer Leigh’s 2005 book 1000 UK #1 Hits, Weller said he had been reading George Orwell’s Homage to Catalonia (1938), detailing the author’s experience of the Spanish Civil War:

‘There is a lot of talk of an egalitarian society where all people are equal but this was it, actually in existence, which, for me, is something that is very hard to imagine.’

With this in mind, it seems Start! may have been written from the point of view of a Republican soldier, who briefly meets a fellow believer in their cause. Knowing that they’re at risk of dying for their beliefs means they could only know each other for a few minutes, so they don’t need to know much about each other, apart from that they feel so strongly for their cause, ‘with a passion called hate’ against the Nationalists. The Republicans consisted of socialists, communists and anarchists, so there was as much infighting as seen within the Labour Party during Jeremy Corbyn’s time as leader.

‘And what you give is what you get’ can be seen as a rallying cry for the Republicans, and in line with Weller’s increasingly left-wing tendencies, perhaps a call for solidarity among Labour in 1980, as their left-wing leader Michael Foot wasn’t popular among the right of the party. Same as it ever was.

Or, it could just have been about a one-night stand, lasting all of two minutes. Take your pick.

Review

Another great 1980 number 1 from Weller and co here. It’s short, sweet and doesn’t outstay its welcome, just like Going Underground. And it also shows a growing versatility. Yes, it’s not very original, but the soul bounce of Start! proves there’s more to The Jam than their rockier material, and it really shows off how effective that rhythm section was. In a way they come out of this better than Weller, as his guitar solo doesn’t compare to McCartney’s on Taxman – even with that added backwards section. Great track though and a breath of fresh air, particularly the way it reverts back to the punch of the main tune after the last ‘If I never ever see you…’ section.

The video to Start! was a typically low-budget, straightforward affair focusing on the trio doing what they did best – playing music.

After

Polydor wanted album opener Pretty Green to be the first single, but The Jam pushed for Start! and were proved right when it spent a week at number 1. Sound Affects was released in November, featuring added (and unnecessary) trumpets as the song draws to a close. No other official singles were released from the LP, but The Jam were so popular, That’s Entertainment peaked at 21 as an import. However, it would be 1982 before they topped the charts again.

The Outro

The psychedelic pop of Sound Affects was soon abandoned with a focus on 60s R’n’B, later to be explored on their final album, The Gift.

The Info

Written by

Paul Weller

Producers

Vic Coppersmith-Heaven & The Jam

Weeks at number 1

1 (6-12 September)

Trivia

Births

6 September: Atomic Kitten singer Kerry Katona
11 September: Academic Anthony Carrigan
12 September: Rugby league player Kevin Sinfield

Deaths

6 September: Art curator Philip Hendy
7 September: Conservative Party MP Reginald Manningham-Buller, 1st Viscount Dilhorne
8 September: Northern Irish singer Eddie Butcher/Liberal Party MP Sir Geoffrey Shakespeare, 1st Baronet
10 September: Academic TE Jessop
11 September: Conservative Party MP Sir Harwood Harrison, 1st Baronet
12 September: Legal scholar Sir Rupert Cross

Meanwhile…

11 September: Chicago mobster Joseph Scalise and his colleague Arthur Rachel committed the Marlborough diamond robbery in London. The following day, the duo were arrested in Chicago, but the 45-carat stone has never been found.

12 September: Consett Steelworks in Consett, County Durham closed down, costing the town some 4,500 jobs.