By the time Honky Tonk Women was knocked off its lofty perch after five weeks, the second Isle of Wight Festival was in full swing. 150,000 people witnessed Bob Dylan’s comeback, and the Who put on a memorable show. Other acts included Free, the Bonzo Dog Band and the Moody Blues.
Number 1 at the time were the folk duo Zager and Evans with their one and only hit In the Year 2525 (Exordium and Terminus), a kitschy sci-fi doom-laden track proved a timely release in the aftermath of the Apollo 11 moon landing. But it’s certainly no Space Oddity.
Denny Zager and Rick Evans were both born in Nebraska, in 1944 and 1943 respectively. They met at Nebraska Welseyan University in 1962. While there they joined the band the Eccentrics, along with drummer Danny Schindler (who later joined the Benders… stop laughing). In 1965 Schindler left for Vietnam, and Evans then also left the group. At some point in the previous year, he had written the original, unheard version of In the Year 2525 (Exordium and Terminus), which was likely more in keeping with the fashionable folk-rock scene of the period.
They went into the studio to record their hit after becoming a duo in 1968, by which point they had backing from Mark Dalton on bass and Dave Trupp on drums, who both also played with the Liberation Blues Band.
I don’t think I’ve ever got over the fact that In the Year 2525 (Exordium and Terminus) doesn’t live up to its name. It should be cosmic psychedelic rock, like Funkadelic, but it’s musically dull, repetitive and dated – it doesn’t even stand up to scrutiny when you try and excuse it by saying ‘well it was written in 1964 originally’. Folk music was already in much more adventurous territory back then.
Zager and Evans think they are smarter than us and want us to know that humans are doomed. Now, I happen to agree with them, especially with the current state of our politics, and reading recently that we have 18 months left to save the planet from climate change, but many artists have made this point way, way better than Zager and Evans. The lyrics are awful. Sixth-form standard, if that. Some of their predictions are prescient, such as the rise of automation, but their time scales are stupidly huge. Every verse jumps up from 2525 to 6565, with various nightmare scenarios. Some genuinely horrible, such as ‘Ain’t gonna need your teeth, won’t need your eyes’, but some which are pure pulp fiction, like taking a pill every day that controls your thoughts. Sounds like an episode of Star Trek, which never did much for me.
Then we suddenly jump to talk of judgement day in 7510, purely because they want a number that rhymes with the dire line ‘If God’s-a-coming, he ought to make it by then.’ Well, you’d hope so, wouldn’t you?! But no, we shoot all the way up to 9595, and Zager and Evans are ‘kinda wondering if mankind is still alive’. All over the same boring rhythm. And then, we’re back in the year 2525, and it starts all over again! God, please don’t wait, put us out of our misery now!
I’m all for a bit of melodrama, but the pompous vocals lay it on so thick, it goes from laughable to just really grating. I kept this song in my collection for years, as I found it comically bad for a while, then after listening to it for this blog, I realised I don’t ever want to hear it again, and deleted it. It all also sounds like I imagine a no-deal Brexit could wind up, and we’re getting dangerously close to that.
Much more enjoyable is Flight of the Conchords’ spoof of this sort of thing, The Distant Future.
With the decade drawing to a close, and man landing on the moon, thoughts were turning to what the future held, and if we even had one. And purely for these reasons, Zager and Evans found themselves at number one in the US and the UK. They seized the moment and recorded an album, 2525 (Exordium and Terminus) with Trupp and Dalton plus other musicians.
And how did they follow up their number 1 single? With Mr Turnkey, a song in which they expected the listener to feel sympathy for a convicted rapist as he kills himself in prison. Poptastic! Needless to say, they this sank without trace. I’m almost curious to hear such a terrible idea for a single. Almost, but not quite.
Zager and Evans released an eponymous album in 1970, before splitting up after 1971’s Food for the Mind. The one-hit wonders disappeared, though Evans later recorded with Pam Herbert and formed his own label, Fun Records in the late 70s, on which he released new material and re-recorded Zager and Evans songs.
Evans died in April 2018, to no media attention whatsoever, which makes me feel rather sad. I may be highly critical of the song, but he had his time in the spotlight and it should have been noted, however short it may have been. In spring this year, his recordings made it on to eBay after relatives disposed of his estate.
Zager is still alive and builds custom guitars at Zager Guitars in Lincoln, Nebraska.
In the Year 2525 (Exordium and Terminus) remained at number 1 in the UK until 19 September. Also that month, housing charity Shelter released a report on 11 September that claimed up to 3,000,000 people were in need of rehousing due to poor living conditions. And on 16 September, iconic 60s fashion store Biba reopened on Kensington High Street.
Written by: Rick Evans
Producers: Zager & Evans
Weeks at number 1: 3 (30 August-19 September)