The Intro
The Boomtown Rats had been the first new wave act to score a number 1, in 1978 with Rat Trap. Far better known is the Dublin outfit’s second, this piano-led ballad about a real-life school shooting spree.
Before
16-year-old Brenda Ann Spencer lived in poverty across the road from Grover Cleveland Elementary School in San Diego, California with her alcoholic father. They slept together on a single mattress on the floor. At some point Spencer suffered a head injury and it’s suspected it had affected her mental health.
In 1978 Spencer, who had been skipping school, told her parents she was suicidal. Later that year she was arrested for burglary and shooting from the window of the school. Following a psychiatric evaluation in December, her probation officer recommended she be admitted to a mental hospital for depression. Her father refused and instead bought her a rifle for Christmas. As you do. Later, Spencer stated ‘I asked for a radio and he bought me a gun.’ When asked why he would do that, she replied ‘I feel like he wanted me to kill myself’.
On 29 January 1979, Spencer opened fire at staff and pupils in the playground of the school as they waited for Principal Burton Wragg to let them in. Spencer killed Wragg as he tried to help, plus a custodian who was trying to pull a student to safety. She also injured eight children and one police officer. Spencer escaped and barricaded herself in her home. While there she was interviewed over the phone by a reporter for The San Diego Union-Tribune. When asked for a motive, Spencer’s chilling response was ‘I don’t like Mondays. This livens up the day’. Eventually she surrendered after she was promised a Burger King. She remains in prison.
Boomtown Rats singer-songwriter Bob Geldof and keyboardist Johnnie Fingers were being interviewed at Georgia State University when they saw news of the shootings come through on a telex machine (hence the mention in the lyrics). The opening lines ‘The silicon chip inside her head/Gets switched to overload’ were inspired by Steve Jobs, as the Apple co-founder had contacted Geldof in the hope of The Boomtown Rats playing a gig for Apple.
Geldof had been told by a US rep of the band that if the band were to repeat their UK success in the States, they needed to write songs more relevant to American life. Which begs the question – was I Don’t Like Mondays an honest insight into Geldof’s horror at the senseless shootings, or a cynical attempt to cash in? It’s likely it was a bit of both. In later years Geldof has insisted it wasn’t written to exploit Spencer, and even that he regrets writing it as it has made the shooter infamous. However, it hasn’t stopped him or the band performing it over the years.
Deciding that this was a song that would work better shorn of the usual Boomtown Rats new wave sound, Geldof and Fingers (Geldof was solely credited upon this single’s release, but in 2019 he and Fingers reached a settlement and he is now also credited) wrote a piece that sounded more like Elton John. It’s likely Fingers came up with the piano and other than that, all you have are the vocals and strings in the background. Oh, and the handclaps. It’s at once sparse and bombastic.
Initially Geldof considered I Don’t Like Mondays would be best as a B-side but changed his tune when he saw how well-received it was on their US tour. It would be the first material released from the band’s third album, The Fine Art of Surfacing.
Review
I can find myself agreeing with critics of I Don’t Like Mondays. It is preachy and shows that self-important side of Geldof that some would find unlikeable during the Band Aid/Live Aid era. I don’t think it’s aged so well – in fact I used to prefer this to Rat Trap, but while writing my blog I’ve found myself thinking the opposite. However, cynical or not, it is an interesting subject matter for a song and personally I think Geldof’s lyrics are pretty good at asking how and why such terrible events can happen. And Fingers’ epic piano work is enjoyable. Part the problem may well be that, sadly, school shootings in the US are much more commonplace these days.
Wisely, The Boomtown Rats chose to not directly reference the Cleveland Elementary School shootings in their surreal video, directed by David Mallet. It begins with Geldof, bassist Pete Briquette, guitarists Garry Roberts and Gerry Cott and drummer Simon Crowe as a choir performing in a school in front of a creepy, monged class of kids, with Fingers on a piano. One girl leaves and enters her family home. Geldof sits there playing with his hair before somehow becoming the girl and Briquette, Roberts, Cott and Crowe demand Geldof ‘Tell me why’. Next, we’re in a stark, white background with only Geldof and Fingers present. The singer doesn’t help his defence of the song here, wearing shades and seemingly more concerned with looking cool than getting his message across. Then, it’s back to the school hall, before zooming out to the Rats, other cast and crew looking on at the school. Odd, but memorable.
After
Despite the initial promising response to I Don’t Like Mondays in the US, it was one of the few countries where the song failed to make its mark on the charts. The next two Boomtown Rats singles did well, Diamond Smiles reaching 13 and Someone’s Looking at You peaking at four. Next album Mondo Bongo spawned their final top 10 hit – Banana Republic, which reached three in 1980. Cott left the group in 1981, having distanced himself from the others in recent years. He had a short-lived solo career.
The Boomtown Rats struggled over the next few years but were given a new lease of life thanks to Band Aid. Everyone of course knows Geldof and Ultravox’s Midge Ure wrote Do They Know It’s Christmas?, but the other Rats (bar Roberts) were among the superstar line-up on the single, all providing vocals on the chorus. And the band were obvious choices to be part of Live Aid in 1985, with Geldof’s minute-long silence after singing ‘And the lesson today is how to die’ becoming one of many iconic moments. However, it kind of misses the point as the lesson that day was how not to die, surely? Also, apparently Geldof always did the long pause at live performances, but whatever I guess.
The Rats split in 1986 at another benefit concert – Self Aid, which aimed to raise awareness of unemployment in Ireland. Geldof went solo, while continuing to work with Briquette. Roberts co-wrote songs for Kirsty MacColl before quitting the music business. Fingers and Crowe formed the band Gung Ho and when they split, Fingers became a producer in Japan while Crowe joined a folk group and ran a clock-making business.
I Don’t Like Mondays was rereleased in 1994 and did respectably well, reaching 38 in the UK.
The Outro
Over the years the Rats occasionally performed together again in various incarnations. Roberts and Crowe even formed a group called The Rats in 2008, with Cott and Fingers occasionally joining them. Then in 2013 The Boomtown Rats were together once more, though Fingers opted out. After touring together they returned to the studio and released a new album, Citizens of Boomtown, in 2020.
The Info
Written by
Bob Geldof
Producer
Phil Wainman
Weeks at number 1
4 (28 July-24 August)
Trivia
Births
30 July: Golfer Graeme McDowell
5 August: Footballer David Healey
20 August: Singer Jamie Cullum
23 August: 5ive singer Ritchie Neville
Deaths
8 August: Novelist Nicholas Monsarrat – 8 August
9 August: Humanitarian Cecil Jackson-Cole
11 August: Novelist JG Farrell
5 August: Comedian ‘Mr Pastry’ Richard Hearne – 23 August
Meanwhile…
9 August: A naturist beach is established in open-minded Brighton.
10 August: The entire ITV network is shut down by a technicians’ strike, bar Channel Television. It remained off-for for over two months, meaning massive audiences for the BBC.
14 August: The Fastnet yacht race ends in tragedy, with 15 deaths after a storm hits the Irish Sea.
Also on this day, disgraced former Labour MP John Stonehouse is released from jail after serving four years of a seven-year sentence for faking his own death.