Tired of reading about easy listening crooners? Well, here’s something slightly different. Eddie Fisher and Sally Sweetland’s I’m Walking Behind You was knocked back off the top slot by Frankie Laine’s mammoth I Believe, which stayed there for a further impressive six weeks. On 14 August, for the first time an instrumental became number 1.
Before
The Song from The Moulin Rouge (also known as Where Is Your Heart) came from, predictably enough, the 1952 movie Moulin Rouge, which starred José Ferrer and Zsa Zsa Gabor. The music was written by distinguished French composer Georges Auric, with French lyrics by Jacques Larue.
Mantovani’s signature style of cascading strings (known as the Mantovani Sound) made him hugely popular on these shores. He was Britain’s most successful album artist until a band called The Beatles started making a noise.
Born 15 November 1905 in Venice, Italy, Mantovani had music in his blood. His father Bismarck was concertmaster at Milan’s La Scala opera house. The family moved to England in 1912, and the youngster studied at Trinity College of Music in London.
By the 40s Mantovani was famous, and he helped keep morale up during World War Two on BBC Radio, so it was perhaps inevitable that he would reach number 1 sooner rather than later. He was more than just your average conductor though. He innovated.
Mantovani was one of the early pioneers of stereo recording, and his tunes were often used in record shops to demonstrate the exciting new sound. In 1952 he became the first artist to sell a million stereophonic records.
Review
However, this version, by Anglo-Italian conductor and composer Annunzio Paolo Mantovani, ditched the words, with the main melody played on an accordion by Henry Krein. As well as being the first instrumental number 1, it was the first time the number 1 sounded anything other than British or American. The wistful tune conjures up an air of French melancholy and a rare European sophistication, by 50s singles standards, anyway.
After
In 1953 Mantovani was on top of his game, and although The Song from The Moulin Rouge was only top of the charts for a week before I Believe began it’s final, three-week stint at the top, Mantovani would return in 1954 with that year’s longest-running number 1 single.
The Info
Written by
Georges Auric
Producer
Frank Lee
Weeks at number 1
1 (14-20 August)
Trivia
Births
15 August: Journalist Carol Thatcher
Meanwhile…
19 August: The England cricket team defeat Australia to win the Ashes for the first time in 19 years.
US singer, songwriter and actor Frankie Laine’s cover of I Believe stayed at number 1 for nine weeks, equalling the previous record held by Al Martino’s Here in My Heart. However, following a week at number 1 for I’m Walking Behind You by Eddie Fisher and Sally Sweetland, it returned to the top spot for a further six weeks. Mantovani’s The Song from The Moulin Rouge then topped the charts, but once again, I Believe went back to number 1. A staggering feat, this cover of a religious power ballad notched up 18 weeks as the nation’s bestseller. It still holds the record for most non-concurrent weeks at number 1.
Before
I Believe was written by musicians Ervin Drake, Irvin Graham, Jimmy Shirl and Al Stillman for Jane Froman. Froman was a big stage, TV and radio star who had suffered chronic injuries in a 1943 plane crash. Troubled by the Korean War in 1952, she asked her songwriters to come up with a tune that would offer hope to the audience of her TV show, Jane Froman’s USA Canteen. It’s fair to say that Drake, Graham, Shirl and Stillman delivered. But back in 1953, such a big song required a big voice, and a big star. So Frankie Laine was a natural choice.
Francesco Paolo LoVecchio arrived in the world on 30 March 1913, the son of Sicilian refugees. The LoVecchios had links to organised crime, and Francesco’s father had even worked as Al Capone’s barber.
Little LoVecchio got his first taste for singing as a member of a church choir, and acquired his astounding vocal prowess through high-school sports. As a teenager in the 20s he found himself performing for thousands at a charity ball. Clearly, a star in the making. But fame didn’t come instantly.
With influences including Bing Crosby and Billie Holiday, Frank LoVecchio spent much of the Great Depression performing at dance marathons. 1937 saw him briefly replace Perry Como in the Freddy Carlone band, and a year later he took on the stage name Frankie Laine.
It wasn’t until World War Two ended that his career really took off. He began recording for Mercury in 1946, and initially listeners thought he was black. Laine’s version of That’s My Desire established him as a force to be reckoned with. Soon he was working with Mitch Miller, and together they were a formidable team. Hit after hit followed, particularly when they jumped ship to Columbia. 1952 saw Laine begin working his magic on film and TV western themes, with High Noon being his first.
Review
While cynical non-believers may balk at the lyrics, I Believe, by comparison to its predecessors at number 1, screams ‘I am a hit and I am important’ at you. For a nation of churchgoers in the 50s, this grandiose ballad was bound to do well. It could partly be that it’s already registered in my mind as a success due to Robson and Jerome’s bland cover (their follow-up to Unchained Melody) from 1995, which cashed in on the elderly’s memories of the song and fans of the duo’s characters in the ITV drama Soldier Soldier. Their cover remains an early warning of Cowell’s evil reign of terror over the charts for years to come.
Beginning with the gentle strum of an acoustic guitar, Laine builds the song into a display of righteous power, bellowing at the end with a performance that is still impressive today.
The Outro
After 18 weeks of chart dominance, Laine still had more to come. 1953 was truly his year.
The Info
Written by
Ervin Drake, Irvin Graham, Jimmy Shirl & Al Stillman
Producer
Mitch Miller
Weeks at number 1
18 (24 April-25 June, 3 July-13 August, 21 August-10 September) *BEST-SELLING SINGLE OF THE YEAR*
Trivia
Births
6 May: Prime Minister 15 May: Musician Mike Oldfield 19 May: Comedian Victoria Wood 24 May: Actor Alfred Molina 26 May: Conservative MP Michael Portillo 19 June: Dr Hilary Jones 8 August: Racing driver Nigel Mansell 23 August: Bucks Fizz singer Bobby G
Deaths
1 June: Footballer Alex James
Meanwhile…
24 April: Prime Minister Winston Churchill received a knighthood from the Queen. Recognised officially for his part in leading the nation during World War Two, Churchill would then suffer a stroke on 25 June. It began a period of ill health that would begin the decline of the great wartime leader.
2 May: Blackpool win the first televised FA Cup final with a 4-3 win over Bolton Wanderers.
2 June: Elizabeth II’s Coronation took place. The public holiday inadvertently saw the start of the television revolution in the UK, with many families purchasing one specifically to watch a crown be placed on the head of somebody who’d already been Queen for over a year. Also that morning, news reached the world that Mount Everest had finally been conquered. It actually happened on 29 May, but the news travelled slowly.
25 June: The serial killer John Christie was sentenced to death for the murder of his wife Ethel. However, he should have been sentenced for more. A further seven bodies were uncovered at 10 Rillington Place in Notting Hill. During the trial, Christie confessed to murdering Beryl Evans. Beryl, her husband Timothy and their baby daughter Geraldine had lived at the flat in the 40s, and in 1950, Beryl’s husband Timothy was hanged for murdering Beryl and Geraldine, despite him insisting Christie had been responsible. Christie had even been a witness for the prosecution. He was hanged on 15 July. Yet another instance of tragic errors in the justice system that helped lead to the abolishment of the death penalty. The whole shocking, terrible story was made into a film starring Richard Attenborough in 1971 and a BBC television series starring Tim Roth in 2016.
18 July: Influential sci-fi drama The Quatermass Experiment began on the BBC.
20 July: Nostalgic (yes the BBC loved looking to the past even then) music hall series The Good Old Days began. It would run for 30 years.
The first number 1 by an artist I was aware of before taking on this project, US easy listening singer Perry Como was one of the biggest stars of the 50s, and one of the names that really conjures up the era that predates rock’n’roll. After two world wars and economic depression, this is what the people needed.
With his baritone croon, his cardigans (Bing Crosby once said Como was ‘the man who invented casual’, so we have him to thank for Alan Partridge) and the general aura of cosiness that he gave off, Como had nearly three decades of huge success from the 40s onwards. Had the UK charts existed earlier he’d have no doubt been number 1 before 1953. Not bad going for a man who began work as a barber as a 10-year-old.
Before
Como was born Pierino Ronald Como, the seventh of 10 children to Italian immigrant parents, in Canonsburg, Pennsylvania on 18 May 1912. His parents owned a second-hand organ, and as a toddler young Como would start learning the ropes of his first instrument. The older he got, the more instruments he would learn, and being a singer wasn’t top of his ambitions. He wanted to be the best barber in the neighbourhood. He had his own shop aged 14.
In 1932 Como made his first appearance on stage in Cleveland while attending a Freddy Carlone show. Carlone invited audience members to perform with him, and a terrified Como was pushed into it by his friends. He was immediately offered a job.
In 1936 he made his first recordings with Ted Weems’s orchestra, where he worked on the smooth singing style that would make his name. But Como had started a family, and missed his wife and young son, so he quit in 1942 to become a barber once more. The offers kept coming though, and in 1943 he signed with RCA Victor, the company he stayed with for the next 44 years. He gained the interest of Frank Sinatra, who sometimes asked him to fill in for him on theatre shows. Como rocketed to stardom.
Review
His first UK chart-topper, Don’t Let the Stars Get in Your Eyes shares similarities to Jo Stafford’s number 1, You Belong to Me. Her song featured a woman hoping that her partner would remember who he should be thinking of while he was away, Don’t Let the Stars Get in Your Eyes is about an absent man asking his lover not to stray. I quite like that title, it’s more oblique than the other number 1s that preceded it.
The tune gallops along at a fair rate (well, by 50s standards) but ultimately, it hasn’t aged well. It was written by Winston L. Moore, who was better known as the disc jockey Slim Willet, and had been covered several times before Como, but predictably enough, his was the best known and most successful, staying at number one for five weeks. He would once again reach number 1 in 1958 with the much more memorable Magic Moments.
After
Amusingly, Willet co-wrote a response song with Tommy Hill, to be performed by his sister Goldie Hill, with the less cryptic title I Let the Stars Get in My Eyes,in which Hill basically sings that, oops, she did exactly what she was told not to do and fell for someone else. Charming.
The Info
Written by
Slim Willet
Producer
Eli Oberstein
Weeks at number 1
5 (6 February-12 March)
Trivia
Births
17 February: Comedian Norman Pace
Meanwhile…
5 February: To the delight of children, and many adults, the government ended rationing on sweets.
