Everyone knows In the Summertime by jug band Mungo Jerry, but who remembers this follow-up? The raucous, rowdy Baby Jump must be one of the least-known number 1 singles of all time, and marked the end of ‘Mungo-mania’.
After the huge impact of In the Summertime in the UK, their debut single began to climb the US charts, so Mungo Jerry headed over in September 1970. Upon their return, double bassist Mike Cole was sacked and replaced by John Godfrey. They hadn’t been in a rush to immediately release a second single, preferring to let In the Summertime soak up as many sales as possible.
The band decided to rework a track that was popular at their live shows, and singer-songwriter Ray Dorset came up with some new lyrics too. They recorded Baby Jump at their label Pye’s 16-track studio, but weren’t happy with the results, deciding it needed to sound more lo-fi, so they returned to the studio where they had made In the Summertime, and Barry Murray was back in charge of production. Deciding the single was too short, they chose to repeat the trick of their first single, and Murray created a fake ending, with the song starting up from the start again.
Baby Jump is a real curio. If you didn’t know it, you’d think it was a different band. Perhaps even an early Tom Waits number. The light touch of their debut is replaced by raw rocking noise and Dorset adopts a growling, shouting voice. The track sounds like it’s been dropped in a muddy pool of water and left for a day or two. This might make it sound exciting, and for the first minute or so, Baby Jump is just that. But it soon outstays its welcome and you’re left wanting them to wrap it up – which makes that false ending all the more annoying.
The lyrics are problematic too. Those freewheeling, likeable but misogynistic lads of In the Summertime go full-throttle on the lust levels. Dorset has the horn for a girl in a micro-mini dress and black stockings, and he promises ‘You bet your life I’ll attack’. He goes on to compare him and his dream love to Lady Chatterley and her gamekeeper, Mona Lisa and Da Vinci, and worryingly, Humbert and Lolita. Which of course, suggests the girl he wants is underage. So, nine years before The Police namechecked Lolita author Vladimir Nabokov in 1980’s best-selling single, Don’t Stand So Close to Me, Mungo Jerry got there first. But at least Sting was conflicted about his situation.
Baby Jump made Mungo Jerry the first British act since Gerry and the Pacemakers to have two number 1s with their first two singles, but there seems to be some confusion about whether it even did really make it to number 1, as there was a national postal strike at the time, which affected chart data. They nearly equalled Gerry and co’s feat of three in a row with Lady Rose, but a controversial B-side, Have a Whiff on Me, meant the single was withdrawn.
Mungo Jerry’s momentum never really recovered, and in 1972 Dorset was summoned to a band meeting and Colin Earl and Paul King told him they wanted him gone. Bit rich, considering Dorset did most of the work, so the management fired them instead. They went on to form The King Earl Boogie Band.
From here on in, the line-up would change over and over, but Dorset remained, and as far as the rest of the world is concerned, is Mungo Jerry. He even used the name on solo material. There were a few more hits in the 70s, including Alright, Alright, Alright and You Don’t Have to Be in the Army to Fight the War. His last top 20 single was the catchy Long Legged Woman Dressed in Black in 1974.
However, Dorset would pen another number 1. He was the man behind Kelly Marie’s excellent tacky disco smash Feels Like I’m in Love in 1980. Originally he’d written it with Elvis Presley in mind – I would have loved to have heard that.
Three years later, Dorset joined former Fleetwood Mac guitarist and acid casualty Peter Green and Vincent Crane from The Crazy World of Arthur Brown in the group Katmandu, who released one album, A Case for the Blues, in 1985. Occasional Mungo Jerry albums have appeared since, the last being 100% Live in Baden Baden in 2018.
Written by: Ray Dorset
Producer: Barry Murray
Weeks at number 1: 2 (6-19 March)
Actress Rachel Weisz – 7 March
Harpsichordist Thurston Dart – 6 March
Poet Stevie Smith – 7 March
7 March: After recent protests in London, 10,000 striking workers protested in Glasgow against the Industrial Relations Bill.
8 March: The postal workers’ strike ended after 47 days.