December, 1964. The 21st of that month saw MPs vote in favour of abolishing the death penalty, with the abolition likely to happen before the end of 1965. Two days later Richard Beeching announced he was to resign as Chairman of the British Railway Board. In his three years he had made enemies thanks to his closure of many small railways. 31 years in the future, a sitcom was made about his era, called Oh, Doctor Beeching! It was shit. Also on 23 December, the pirate radio station Wonderful Radio London began broadcasting from MV Galaxy off Frinton-on-Sea.
During this period, and well into January 1964, the Beatles had a long five-week run at the top with I Feel Fine. This made them the first act to score two concurrent Christmas number 1s. Not that having a number 1 at Christmas was a ‘thing’ back then. But still, it did become a tradition for the Fab Four to rule the airwaves at the end of the year.
1964 had been another phenomenal year for the Beatles. As well as spreading their fame across America, they began to take artistic leaps. This was in part fuelled by drugs. The band had got through long nights in Hamburg on various uppers before they were famous, so it’s not as if they were innocent before they met Bob Dylan that August. He introduced them to cannabis after famously mishearing I Want to Hold Your Hand and assuming they were already using it. The meeting affected everyone involved, with Dylan soon taking the decision to go electric, and Lennon in particular trying to ape Dylan’s songwriting with more introspective lyrics in a more nasally voice. Plus the peaked cap was a dead giveaway.
The band came off an exhausting tour of the US and went straight into the studio to record their fourth album Beatles for Sale. The combination of cannabis and being totally knackered had a big impact, resulting in a more melancholy, downbeat collection of songs. Originally they had planned for it to feature solely original material, but the well was running a little dry, understandably. They still managed to record a new single too, though.
I Feel Fine derived from Lennon’s Eight Days a Week, which was one of the more upbeat album originals. The riff appeared in the backgroud of that song, and had been inspired/stolen from Bobby Parker’s 1961 single Watch Your Step.
So far, so unoriginal. But the Beatles hit upon an introduction which is regarded, of course, as the first known deliberate recording of feedback. McCartney struck a note on his bass at one point, and Lennon’s guitar was leant against an amp, causing the sound to echo around the studio. They loved it, and asked George Martin if they could tack it onto the start of the song. Lennon would often boast about this for the rest of his life in interviews. From here on in, accidents and deliberate manipulation of sound would become more and more importand to the pot-smoking Fab Four.
Introduction aside, I Feel Fine may not be the most revolutionary of Beatles singles, but it’s pretty damn cool. The lyrics are no great shakes, with Lennon singing that, basically, him and his girl are in love. So, er, everything is good. But I love the slinky groove courtesy of Lennon and Harrison, and Starr’s drumming is excellent, and very deliberately reminiscent of the Latin sound of Ray Charles’ influential What’d I Say. Ringo, a poor drummer? He sounds bloody good to me here.
On the day of the single’s release (backed with McCartney’s also great She’s a Woman), they recorded two promotional videos with Joe McGrath. It’s rarely talked about for some reason, but the Beatles were one of the first acts to cotton on to music videos as a great way of promoting their singles when they were too busy to appear everywhere at once. The two videos are surreal, funny, cheap and charming, with Ringo on an exercise bike on the first one, and best of all, the band eating bags of chips in the second.
Following the success of The Beatles Christmas Show the previous year, Brian Epstein decided the group hadn’t worked hard enough this year, and had them work from Christmas Eve until 16 January at the Hammersmith Odeon on Another Beatles Christmas Show. This time the support came from acts including Freddie and the Dreamers, Sounds Incorporated, Elkie Brooks and the Yardbirds. The compere was Jimmy Savile.
On Boxing Day, police launched another missing persons investigation in Ancoats, Manchester, this time for ten-year-old Lesley Ann Downey. She had been at a fairground on her own when she was approached by Ian Brady and Myra Hindley, who pretended to accidentally drop their shopping near her. She agreed to help them carry it to their car, then to their home. The next morning they buried her body in a shallow grave on Saddleworth Moor.
Written by: John Lennon & Paul McCartney
Producer: George Martin
Weeks at number 1: 5 (10 December 1964-13 January 1965)
Scottish footballer Gary McAllister – 25 December
Portishead singer Beth Gibbons – 4 January
Pogues bassist Cait O’Riordan – 4 January
Actress Julia Ormond – 4 January
Footballer Vinnie Jones – 5 January
Actress Joely Richardson – 9 January
Black activist Claudia Jones – 24 December